Klon Announces A New Pedal At NAMM

Klon is surrounded be a mystic cloud that plucks magic and pixie dust out of an another dimension, then mixes them with electronic components and creates other-worldly pedals that entrance the unwitting player. That very same Klon has now bestowed us mere mortals with another creation of pure essence

...and it's a boost.

Klons first 'new' pedal in years and it is basically a Klon overdrive without the overdrive. As it was explained, This is the same pedal, but without the clipping section, so to give you a boost without the drive. This came about from the typical use of Klon pedal. Mostly use to boost the signal in a chain of other effects. Now we have a unit to do just that, but nothing else. May this is a lower cost offering from Klon. Maybe this is just an uninspired follow up to an outragously popular pedal. I don't know.

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Airline Guitar Effects Are Now A Thing

I was first aware of Eastwood/Airline guitar when my local music store clerk alerted me to them. I was in the market for something funky, but playable. Their blend of vintage looks and modern craftsmanship make for a unique product. I've been a fan of there designs ever since, so when I saw that they were coming to market with effects my attention was peaked.

Designed after the front end, reverb, and tremolo of a vintage Airline amplifier, this pedal has a lot going on. You have Shape, Mix, Tone, Drive, Rate, more Tone, Depth, Level and Size. So if you like knobs or switches, then you need to pay attention to this pedal. I am digging the look and feel of the pedal. I can't speak much to the sound of it, but from what I've heard, it is at least not your 'same old' effect.

The next effect in their line is a Fuzz/Octave. Given the fact that Eastwood and Airline guitar kinda live in the "good old days", it makes sense that they make a Fuzz/Octave. The combo that rocked the 60's and 70's. Just like their guitars, they've added some modern features. The Octave is digital and it is fast tracking. You can blend an upper and lower octave. You can also select each effect separately. Not only that, but you can choose to separate the octaves from the fuzz. I dig it.

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$10 Overdrive vs $200 Overdrive

I've had a small credit sitting around at a music store. I honestly had no idea what I was going to use it for. I'm fairly well off on picks and strings and all that, so it has been sitting their. I noticed they had marked a Behringer Tube Overdrive right in my price range. I purchased the pedal with zero money down. Armed with a new pedal. I took it home and wondered what I was going to do with. I hadn't even tried it out at the store. It hit me. I'll put it out against my vintage Ibanez TS-9. Similar pedals sell for $200+. I thought it would make for a great "David vs Goliath" (kinda like how the Anderton's YouTube channel does) show down.

Long story short, There was a noticeable difference. The difference was present, but surprisingly small. the pedals made similar sounds. The Behringer was directly related to the Tube Screamer if not directly cloned. The biggest difference in the sounds was the amount of bass. The Vintage TS-9 was just a lot fuller sounding. The low end got left out for the most part when the Behringer overdrive was on. Also, the buffer in the Behringer sucked a little top end off. Putting the Behringer in a bypass loop, I was able to hear a little high end loss when it was kicked on. (This was confirmed in a bind sound-test) 2/3 I was able to tel when the pedal was in the loop. I blame the single time I was able to do so to the fact that my tone controls were tuned down accidentally.

The biggest shock of the whole test was the fact that the 30 year pedal was actually more reliable than the brand new one. Turn the Behringer was a hit or miss affair usually taking a few attempts. The Ibanez had no such problem. I have had to replace the switch in the Vintage pedal, but there really isn't any reason to have to repair a brand new effect.

Conclusion:

Did the more expensive pedal sound better? Yes. It also worked better in general. Did it perform 20 times better? No, but there are many pedal that do an excellent job of sounding like an iconic Tube Screamer and performing reliably.

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Pretty Guitars From Ibanez At Summer NAMM 2016

Looking at Ibanez at Summer NAMM we see some nice looking offerings. Starting with a offset body shape with a P-90 in the neck. Amongst the other guitars in Ibanez's showing, this one stands out in a big way. The large cream P-90 serves as contrast to the flat black body. Matching cream pickup ring and binding together with a maple neck and board make this thing classy. Get all that under 7 bills and it starts to look very attractive.

 The next guitar that caught my eye was one from the Talman series. Here is a offset single-ish cut blonde. Like it or hate it, the Talman series is a mashup of Strat and Tele pieces that almost make you think you're looking at something familiar. This one is a signature model that comes in over $1,700. That's a lot considering the only other thing I can think of sporting Talman of the headstock was some very underwhelming acoustics.

 Next is something A little more fitting. It's a standard Talman Tele style in Sea Foam Green. If you are a tele fan with a thing for the weird, then this might be your thing. I like these guitars, but I've yet to play one. The fact that listed for what a Fender Standard Telecaster sales for has got me a little confused. When I was introduced to Ibanez they were just shaking off their "cheap" stigma and picking up some metal-cred. To me, this is a step backward. This isn't metal, but not affordable enough to sway me away from a Fender.

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Jackson Unveils Some Pretty Guitars At NAMM

Summer NAMM is upon us and we are getting our first looks of some interesting guitars. There are many special finishes and strange shapes at the Jackson booth this year, but some of the tamer guitar have caught my eye. While the wild shapes and pointy edges might make you stand out, there are some here that might contend for a spot in my guitar stable.

 Not as edgy as some of the other offering from Jackson, the F-Bird (a little on the nose there) takes cues from an icon shape and add some interest control configurations and floating tremolo. In an elegant white and gold motif, this guitar stands out without being a safety hazard.

Here's a guitar that can't make its mind up. It looks an awful lot like the Fender Pawn Shop series that someone has make some seriously question mistakes with. It seems to have three single coils and a floating tremolo. Seen here hanging in front of a very appropriate 80's background. This Custom Soloist is too ugly not to like. Like a pug. Let's just hope it doesn't share the repertory issue as well.

Perhaps my favorite in the lineup. The TL-7 is a seven string single cut-away 't-style' guitar. I have a weakness for Telecaster and this on is pretty. Seven string guitars aren't something I usually go for, but this one is so curvy and sleek, I'd learn to love playing a 7. Beside it is pretty LP style Single Cut with a gold top. Jackson was careful not to tread to close to ESP territory with this one. Instead they went with a more traditional shape and I happy they did. It's something I'd be proud to play.

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