Ugly Guitar Truth: Marsall Code vs Boss Katana

Recently I was able to check out two of the most promising budget/modeling combo amps released in 2016. The BOSS Katana (100 watt combo) and the Marshall CODE (50 watt combo). Both of these amps have been backordered and hard to come by via the online stores practically ever since their respective releases. (The Marshall CODE, as of this writing, is still backordered) So when I was able to sit down and meet these amps in person, I was very excited. I had been cautiously excited about these two from the moment I saw there specs. I was eager to find out if they would exceed my expectations, or succumb to the fate of most other modeling combos. Let's find out.






The Marshall CODE

I was very surprised by the size of it. It was so tiny. I had to reassure myself that I was actually playing the 50 version and not the 25 watt 1x10. I was, and boy could I tell. It was loud! I had a fear that it would sound boxy, it didn't. The small frame is very misleading in the best way possible. The next thing I noticed was the controls. I should say, the lock there of. I've seen plenty of pictures and I knew the specs, but nothing really prepared me for the simplicity of the layout. I recalled using a Marshall AVT 150 head with it's 24 knobs. I absolutely loved this about the CODE. It is very easy to tweak all the things that matter and there isn't any messing around with menus unless you absolutely have to. Although, if you do want to fiddle with presets, you (kind of) have to download the app. These amps do suffer from what all modeling amps suffer from, endless menus. From just a little poking around I was lost and then greeted with ear-blistering feedback. I must have pushed the wrong button. There are 8 of them, and each one made me feel dumber than the last. But that's why Mashall made these amp Bluetooth ready. Now we have a pretty little app to navigate instead of fidgeting
with all those buttons.

So I was somewhat limited to the preset to my review, and I am aware that the "presets always suck", but then there's the Marshall CODE. The preset are actually pretty good. They also span a good range. They aren't just: Metal, Nu-Metal, Grind Core, Heavy Metal, Metal-Metal.. and so on. Everything from cleans to crunch, and yes, even metal where offered up and surprisingly believable. Understand I come from the dark ages where modeling amps just gave you a range of eww to yuck. You desperately tried to clean up to tone enough to keep it from becoming mushy and falling out of the mix. But this amp would have no problem with that. It has plenty of presence, and it holds its bottom end quite well. The single most impressive thing, to me anyway, is the freaking cab simulator. I might as well hang up my gear review career (bahaha career... anyways) because I never saw the day I'd actually like a cab sim, but this one works. It's not just different colored blanket over the speaker. I don't know what wizard they have at Marshall casting these spells, but these thing made this tiny little amp sound like it came from my Marshall 1960 cab. Huge caveat: the amp most diffidently has an optimal listen position. Please don't think that you can fill a room with this amp like  you could with a 4x12, but listening from the right spot, you absolute get the feeling that you are playing through more than one speaker. Guys, I kid you not, after I played this amp I didn't know who I was any more. I had a full existential crisis. It got weird. Things that I believed were falling down all around me. Who was I? Why was I there? And then I remembered that I was guitarist and I was here to rock! On to the Katana

The BOSS Katana

Still a little shaken from playing the Marshall CODE I started on the BOSS Katana. For a hundred watts, this amp is on the small side. It would win in a bar fight against the Marshall 50 watt CODE, but it'd be beat up pretty good. (assuming the Mashall 100 watt 2x12 CODE doesn't show up... that guy... ptsh) The Katana rocks a 12" speaker and cute little kickstand. Even on the .5 watt mode this amp was plenty loud for the room. However, I didn't want to listen to an amp whisper at me, so I turned it up to the 50 watt setting and adjusted everything to my liking. Including the power mode selector, the Katana had a dozen knobs. My heart sank. I loved being presented with the Marshall's simple-six, but BOSS was smart and organized them in way that even made sense to me. In addition, I found the BOSS, predictably, more flexible (by hand) than the Marshall. changing things like effects on the fly were much simpler with the BOSS. However, the real magic in the amp is in the flexibility and maneuverability of the Tone Studio editor. It's basically like unlocking the cheat codes to a video game. There is so much more if you really want to crack into it.

The greatest strength of this amp is the Amp Type selector. There are only four modes (excluding the acoustic mode) but every one of them is usable. In fact, actually rather stellar. Each one sounds natural and clear. Unlike other amps that just heap mud on top of your tone as you travel gainy to gainier amp settings (looking at you line6). BOSS has done a very smart job of making each type distinct and nuanced. The Lead setting isn't Crunch but louder, The Brown setting isn't lead but... brown-er? Anyways, each setting is lovely. You can hear the years of experience in this amp. The Clean and Crunch setting borrow form Roland's Blues Cube, and the Brown setting is the little brother of the WAZA Craft amps. Not having any experience with the included software, I can't speak to its usability, however it looks like you have the flexibility to nail a huge range of tones. These are lovely little amps that seriously rocks. However, they do lack the mobile app interface. Something I, until recently, assumed they had (woops). Besides that huge, glaring misstep, this amp is a homerun. I was much more excited than I had any right to be for this amplifier, and I was not disappointed.

But this was a verses review...

Conclusion

I'd almost have to pro/con this one out. Marshall absolutely killed everything. BOSS put together something that was everything I didn't know I wanted. Marshall has a deeper set of parameters. The BOSS does everything very well, and has some features that the Marshall doesn't (line in/out). That is kind of unheard of in amp in this range. I think BOSS thought that people are still going to want to run effects into their amp and having that option helps a ton. That way you don't run all your outboard effect through that digital modification. That's smart. Marshall is basically a do it all box that could possible have software updates making it virtually limitless... kind of scary... in a good way.

So I played these amps back to back. I had no idea which was better when I was done. I didn't know which one I'd choose when I started writing this (full disclosure: I was leaning BOSS). But after having to write about the Marshall and really process all that information again, it is really close. Real talk, it would depend on the situation and your preference. For me? I'm going with the Marshall.

Why?

• Super Flexible
• Amazing Amp Sims
• App integration w/Bluetooth
• 5-At-Once Effects

p.s.


I know this thing is super long and thank you for reading this far, but let me know if you guys like the whole "verses" thing or if you like your review to be more standalone. The situation kinda presented its self in a head to head way, so that's what I wrote. Anywho... Thanks!

Ugly Truth: Jet City JCA2212C Combo

I've been preoccupied, lately, on the idea of adding to be amp collection. But what to add to it. I was browsing recently, and noticed this combo on a decent sale. Which raised the question, is it worth it? I wanted to try it out. So, at my earliest convince, I gave a fair amount of time to the combo in question. I've been please with the Jet City Buffered Line Driver. It, in my opinion, is a match made in heaven for a Vox AC15. But what about the amps? They are designed by Soldano. I've never played a Soldano. But they sure are proud of their amps. So, Jet City makes amps at a fifth of the cost. And now someone has marked them down even more. Time to investigate. And investigate. I did...

They're Small

They are a 1X12. It is the same as a Fender Blues Jr. are Vox AC15, But it is smaller than either one of them. A compact cab is nothing to complain about, but with a closed back and straight forward cab, at any other angle than directly in front, it sounds small too. Not to say that it isn't loud. It's plenty loud. But it does come off as small. There is plenty of flexibility in the EQ section. The Low, Mid, and High controls give you more than enough room to play. The Mids are expressive and useful. The Highs pinpoint just the right frequencies to offset any muddiness. and the Lows are powerful without being too muddy. But all this relies on you point of reference. Off to the side and this cab losses a lot of it's appeal.

They're Light

Moving the combo around was a breeze. In fact, I moved it about without even trying. Most other units take a little heft to get it to move from here to there, but not this combo. Quite a contrast to my Vox. Lighter than a Peavey Classic 15, this amp would be a ideal small gig/working man's rig. That is if it wasn't for the features. It is light on feature as well. I love the break up and gain on the amp. The Saturated tunes make this combo a delight. But as I fiddled, I couldn't find a clean tone. Hot pickups will send this unit into break up even at the lightest of settings. Single coils will clean it up to a degree, but you need to back off of either to get something close to 'clean'. You could try a different type of tube, but you'd be backing off the overall volume still, and this is a low wattage amp to begin with.

They are a little confusing

If you take a look at the selection of amps from Jet City, you are bound to be confused. There is a JCA Combo, Head and another option that has different features all together. I don't really know what to make of this expect that they are a little confused. I like they include effects loops, but the fact that there is not a master volume, or something that controls the gain enough to clean up the signal. But they seem like a one trick pony. I like the trick. But it is like a dirt pedal. It have a sound, it can be a good sound, but it only has the one. You could defend it by saying that you don't need a dirt box to send it into overdrive, although I'd like to option to engage when I like as opposed to 'on all the time' as it is now. Oh well. maybe if the price drops to a certain point it will be worth having a fun little amp like this.

Conclusion.

This amp is very fun to play, It has a few limitation... ok, I lot of limitations. This is not your 'Jack of all trades' kind of amp. But I don't think that it wants to be. It knows what it wants to do, and it does it. It gets nasty. It gets loud. You can have a lot of fun with this amp. But when it is all said and done, you'll still want your clean amp and your pedal board. I like Jet City, and I like the sounds this amp makes, but it doesn't make sense to add this amp to your collection unless you already have your fill on clean little combos. If you are looking for something out of the ordinary or different than your bandmates, then this amp might fill the bill. If you are looking for something of a more 'all around' nature then you should look elsewhere.

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The Ugly Truth About Vox VXII Amps

When these amp were announced I was skeptical. Vox has a long history of digital modeling amps. While most of their offerings respectable, They are sometimes less than outstanding. It would be extremely noteworthy if an amp could faithfully replicate a dozen different amps. There would be no need to own all those other amps. Yet, the amp that can effortlessly change from one voice to another has not been invented. So when I spotted one of these amp at my local music store, it was exciting to get my hands on one. This amp has claims to do a lot. Does it live up to the hype? The truth is a little less than pretty.

It's Small

Yes, these are little combo amps. I own a Valvetronix 30 Combo and it dwarfs this little VX. Even when they bother have 30 watts.

It's Super Light (because it's made of plastic)

Yes, the combo is made of plastic. How does this make it sound? Well, I was surprised how well it did. The Plastic didn't hurt the sound, in fact I think the thin plastic frame may have allowed it to be bright and more transparent.

It Has Trouble With The Low End

Yes, this is a little amp and it has trouble with bass. I know that little amps are kind of notoriously bad with the low end, especially inexpensive small amps. Vox had this in mind so they ported the cab and put a special speaker designed to handle it. It may be punching above its $150 price tag, but to a discerning ear, the low end get "flabby" when pushed.

They are limited

The biggest surprise is that the effects are not editable. You ether have them or you don't. Reverb is ether on or off. The same is for all of the effect. This is a little underwhelming. Having 11 Amp models and 30 watts of power isn't bad and the effects aren't bad, but if you're going to do it, do it right.

In Conclusion

These amp are impressive. They are small and light and affordable. They do a lot, but they don't do everything. I'd love to see an extension speaker out so you can plug into a cab that can handle the lows, and a way to turn the effects up or down would be nice to. The super light weight design makes it portable, but I wouldn't take it to band practice. It is at home in the bedroom, where it is well suited.