Showing posts with label Drive. Show all posts
Showing posts with label Drive. Show all posts

Saturday, February 25, 2017

Ugly Guitar Truth About Keeley Eletronics D&M Drive

NAMM showed us lots of interesting pedals and gear, but something stuck out like a bad pun about British dental work. I'm talking about the Keeley D&M Drive. Sadly we can't call this the DM Drive because then we could pretend that it was some allusion to a D&D dungeon master. I mean, nerdy table top RPGs are better than out-and-out product hocking. Yes, this pedal in question is specifically designed for That Pedal Show's host's D-name and M-name. What does this mean and why is it ugly? Ehh... let's see:



Let's Face It


Basically this is a three knob drive pedal glued to a three knob boost pedal and sold as a custom(?) pedal. They did do something right. They made the pedal order switchable. You will be able to boost into the drive circuit or drive into the boost. That adds a great deal of range to the sounds this pedal is capable of. However, they'd be able to do more if you allowed for a loop in-between the two sides, but that is a little over-the-top for a drive boost combo. However, with a G2 system you can have full functionality with the press of a button. So, There's that.


Speaking Of Faces


Just that. You have D-name and M-name looking at you from the top of the pedal. It looks like that got the same guy that did the Rhett and Link logo, but they paid him in high-fives, and he was hung-over... from meth...(you get hung over from meth, right? you know what, don't answer that). It's not that bad. However, if you didn't know that D-name and M-name had a YouTube show about pedals, then you'd probably wonder why there is a bald man in front of a setting sun and a reject Doug character on the pedal.


It's Hard To Find


Right now there is little information about this pedal. Just finding an image is tough to do. In fact the most information right now is the actually video that D and M did at NAMM for Keeley. In the video, They quote the old joke about NAMM: NAMM, Not Available Maybe May... So, we might be looking a few months off before common folk like us can get our hands on it.


Conclusion


Based on the very little information that is available, it is very hard to come to any real conclusion. But what we can here in the NAMM video is pretty telling. There isn't anything objectionable in the video as far as I can hear. The drive is officially described as 'Tight' and the boost is called a 'mid-boost'. The best thing is to take a listen to That Pedal Show, and if you like their tones then this might be up your ally. So, when 'maybe-May' get around here and you have $229-249 to spare. You can have you're very own D&M.



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Wednesday, July 6, 2016

Airline Guitar Effects Are Now A Thing

I was first aware of Eastwood/Airline guitar when my local music store clerk alerted me to them. I was in the market for something funky, but playable. Their blend of vintage looks and modern craftsmanship make for a unique product. I've been a fan of there designs ever since, so when I saw that they were coming to market with effects my attention was peaked.


Designed after the front end, reverb, and tremolo of a vintage Airline amplifier, this pedal has a lot going on. You have Shape, Mix, Tone, Drive, Rate, more Tone, Depth, Level and Size. So if you like knobs or switches, then you need to pay attention to this pedal. I am digging the look and feel of the pedal. I can't speak much to the sound of it, but from what I've heard, it is at least not your 'same old' effect.


The next effect in their line is a Fuzz/Octave. Given the fact that Eastwood and Airline guitar kinda live in the "good old days", it makes sense that they make a Fuzz/Octave. The combo that rocked the 60's and 70's. Just like their guitars, they've added some modern features. The Octave is digital and it is fast tracking. You can blend an upper and lower octave. You can also select each effect separately. Not only that, but you can choose to separate the octaves from the fuzz. I dig it.




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Wednesday, November 18, 2015

Ugly Truth About EHX Crayon Overdrive

So EXH have done it again. They have birthed a new pedal that everyone (that pays attention to such things) is talking about. I noticed a post this morning about these colorful pedal. I first thought that it was something old catalog that hadn't seen the light of day in ages. It doesn't seem to really fit in with the modern aesthetic that EHX drive pedl have been given lately. It almost looks more at home with the Pitch Fork or Key Board modulators put out recently. Looks aside, this pedal has gotten my attention. It's is a low gain overdrive that adds 'color' to your sound. Whatever that means... Electro Harmonix released a promo video that makes it looks like the bee's knees, but given their long list of drive boxes, do we even needs this thing?

It Is A Light Overdrive

With a million klones out their, why do we need yet another light overdrive? The Klon is the end-all be-all right? Well, even with the relationship that the Soul Food pedal and Klon share, there are still those that tamper with the circut. I've considered having mine modded to add more bass with the JHS Meat and Potatoes mod. There is room for improvement. However JSH add a oddly placed knob on the side of the pedal. The layout of the pedal does not allow for it to be front facing. Is this an attempt to to capitalize on that trend without hindering the Soul Food's reputation and sales?

There Is Another Crayon

So remember when I called "crayon" a dumb name for a pedal? Well, looks like JHS disagrees with me too. Sure, pedals color our tone, but do we really want to name a pedal after a waxy, fagile relic of our childhood? Two major pedal manufactors do. I will admit, I like the designs that EHX have done for the Crayon. JHS has done a modern flat design that has always appealed to me. The two of these pedal coming out like this is almost uncanny, but they appear to be different enough to be unrelated. Will one maker bend and rename their box? Have we run out of good names to call these things? I do see a trend in EHX pedal names though. Glove, Food, River, Fork, Key... They are just looking around the room and naming things! 
"What should I name this pedal? Where did that crayon come from? Wait! That's it!" Honestly, look around the room you are in. If you look hard enough, you'll find a crayon... Somewhere. Please, people in  charge of naming these things, talk to the guy that names the Earthquaker Devices pedals. Get some tips. 

Im Going To Buy It

Yes, I have a problem. I own too many dirt pedals. The problem is that they are all so different (yet all the same). And for the most part, they are affordable. There is no pedal I enjoy more than a dirt pedal. I love them. I always like to see how they effect my tone. EHX has made them rather affordable and to me, that is a recipe for disaster. I've already hounded my local music store about getting one. When I inquired about the availability of the Crayon, my friendly pedal pusher asked me "How do you know about that?!" I make it my business to know these things. And I follow EHX on Twitter...

Want more on the Crayon? Check this out! 



Tuesday, May 26, 2015

Building A Pedal Board Under $300

Recently I've been putting together a large pedal board that hold the majority of my pedal collection. After all, what the point of having great pedals if you can't play with them. So I decided to have "all" my pedals at my disposal when playing. Have all my pedal in one location got me to thinking though. What if something happened to my board? Stolen, caught in a fire, run-a-way elephant stampede. I've been collecting these pedal for years. Below, I've included a list of just about everything in that rig. It's not what I pay for some of this (I bought a lot of these second hand), but its what I would take to replace it on a functional level. So I laid out a short board that covered the basics for me to play. Drive, Distortion, Boost, Delay and Tuner. With price in mind this is the outcome of my search. There is a couple Donner pedals that I have no experience with, but I'll explain my choices below.

Donner Black Arts Delay - $60
Donner Compact Tuner - $22
Outlaw Effects Boilmaker Boost - $50
(alternative Donner Boost Killer - $30)
Visual Sound Drivetrain - $60
MXR Distortion III - $80

Total= $272 (252)


Delay - $200
Tuner - $100
EQ - $218
Soul Food $78
Glove - $60
TS - $60
MXR Bad@ss Distortion - $100
Metal Muff - $90
Bypass Box - $12
Tap pedal - $10
Fuzz - $50
MXR Distortion III - $70
Volume - $75
Wah - $90

Total= $1213

Donner Black Arts Delay: Why this delay? If you start looking for a delay you'll notice that they are one of the most expensive effects to buy. My DD-20 set my back $200. I've had it for years and it works great. What I couldn't do is replace it at the drop of a hat. So what am I to do? Get the closest thing without spending big bucks. The Black Arts Delay has many of the same features, simply controls and tap built in. That covers 90% of what I need a delay to do. For less than half the price, it's a win.

Donner Tuner: This is simple decision, What fulfill the function for the lest amount of money. Reviews have been pretty positive for this little tuner. I love my Boss TU-2, but when you have funner stuff to spend your money on, you have to make choices. 

Outlaw Boilermaker Boost: I like Outlaw Effects. Their boost very well may be Donner's Boost Killer pedal, but the features are the same. It is a volume boost with EQ (Low, Mid, and High) Not quite a GE-7, but it'll get the job done for the most part. Bring the total down by going to Donner again. But this boost fits the bill.

Visual Sound Drivetrain: This pedal has gotten a lot of love. It offer a wide range of sounds and costs less than many pedals with the same features. It is so loved that Visual Sound included it in their VS-XO pedal. With cost in mind this pedal tends to shine. 

MXR Classic Distortion (III): This pedal is what comes to mind when you think "distortion". It has lot of power behind it. It is also the only pedal on this list that I would directly replace. The Super Bad@ss pedal is more flexible and more expensive. The EHX pedals on my board are a little too narrow as far as range, so the one flexible and affordable enough is the Classic.

You may have noticed that I am relying pretty heavily on the Donner brand. No, I am no being paid to promote them (I wish I was). They import pedals from china and sell them pretty cheap. I could have saved I little more with just going with the cheapest options in each category, but I tried to pick the pedals that would give me the best result for the least investment. The Delay was really what got my attention, and the tuner and boost just made to much sense. That left the dirt. That being the most used and expressive part of the signal path I decided to splurge instead of trying to find cheaper sound-a-like pedals. 

All this is ignoring the other solution:

Multi effects.

So here are some of those:

DigiTech RP360XP Guitar Multi-Effects Pedal  ($200)

DigiTech's latest face lift on its RP series. Hopefully improving on its last line up of these effects. It offers three metal switches and an expression pedal. There are tons of features listed for these. They've even gotten to use the actual product names that they emulate now. So there is that.

Its Features:
FEATURES
  • 126 effects (32 amps, 18 cabinets, 74 stompboxes)
  • 198 presets (99 factory, 99 user)
  • Expression pedal
  • Power supply included
  • 40-second looper
  • 60 High-quality drum patterns
  • Durable metal chassis and footswitches
  • 2 x 2 USB audio streaming
  • Built-in chromatic tuner
  • External control input for a 3-button footswitch
  • Configurable footswitch modes (Stompbox, Preset, Bank)
  • Up to 5 seconds of delay time
  • USB editing via DigiTech Nexus
  • Stereo 1/4" Output
  • Stereo 1/8" headphone output
  • Stereo 1/8" Aux Input
  • Amp / Mixer mode optimizes 1/4" outputs for amps and mixers
  • 24-bit/44.1kHz sample rate
Dimensions:
  • 9.125" x 15.188" x 2.625"
Weight:
Add to your tone collection with this special pedal.
SPECIFICATIONS
RP360XP Guitar Multi-Effects Pedal
  • Volume/Wah Models inspired by:
  • Volume Pedal
  • DigiTech Full Range
  • Dunlop Cry Baby Wah
  • Vox Clyde McCoy Wah
  • Compressor/Limiter Models inspired by:
  • DigiTech Compressor
  • Boss CS-2
  • MXR DynaComp
  • Pickup Simulators:
  • Single Coil > Humbucker
  • Humbucker > Single Coil
  • Acoustic Simulators inspired by:
  • Dreadnaught Acoustic
  • Jumbo Acoustic
  • Noise Gate/Auto Swells:
  • DigiTech Noise Gate
  • DigiTech Auto Swell
  • Chorus Effects inspired by:
  • Boss CE-2 Chorus
  • TC Electronic Chorus
  • DigiTech Dual Chorus
  • DigiTech Multi Chorus
  • Flanger Effects inspired by:
  • DigiTech Flanger
  • DigiTech Triggered Flanger
  • MXR Flanger
  • Electro Harmonix Electric Mistress
  • Phaser Effects inspired by:
  • DigiTech Phaser
  • DigiTech Triggered Phaser
  • MXR Phase 100
  • Electro Harmonix Small Stone
  • Pitch Effects inspired by:
  • DigiTech Whammy
  • DigiTech Pitch Shift
  • DigiTech Detune
  • DigiTech IPS
  • Boss OC-2 Octaver
  • Vibrato/Rotary Effects inspired by:
  • DigiTech Vibrato
  • DigiTech Rotary
  • DigiTech Vibro/Pan
  • Uncord Univibe
  • Tremolo Effects inspired by:
  • DigiTech Tremolo
  • DigiTech Panner
  • Fender Opto Tremolo
  • Vox Bias Tremolo
  • Envelope/Special Effects inspired by:
  • DigiTech Envelope Filter
  • DigiTech Auto Ya
  • DigiTech YaYa
  • DigiTech Synth Talk
  • DigiTech Step Filter
  • DOD FX25
  • Equalization
  • 4-band EQ
  • Delays inspired by:
  • DigiTech Analog Delay
  • Boss DM-2 Analog Delay
  • DigiTech Digital Delay
  • DigiTech Modulated Delay
  • DigiTech Pong Delay
  • DigiTech Tape Delay
  • Maestro EP-2
  • Echoplex Tape Echo
  • Reverbs inspired by:
  • Fender Twin Reverb
  • Lexicon Ambience
  • Lexicon Studio
  • Lexicon Room
  • Lexicon Hall
  • EMT 240 Plate
  • Amps inspired by:
  • '57 FenderTweed Champ
  • '57 Fender Tweed Deluxe
  • '59 FenderTweed Bassman
  • '65 Fender Blackface Twin Reverb
  • '65 Fender BlackfaceDeluxe Reverb
  • '65 Marshall "JTM-45
  • '68 Marshall 100 Watt Super Lead (plexi)
  • '68 Marshall Jump Panel
  • '77 Marshall Master Volume
  • '83 Marshall JCM800
  • '93 Marshall JCM900
  • '62 Vox AC15
  • '63 Vox AC30 Top Boost
  • '69 HiwattCustom 100 DR103
  • '81 Mesa/Boogie Mark II C
  • '01 Mesa/Boogie Dual Rectifier
  • '96 Matchless HC30
  • '88 Soldano SLO-100
  • DigiTech BlackBass
  • DigiTech Bright Clean
  • DigiTech Brownsound
  • DigiTech Chunk
  • DigiTech Clean Tube
  • DigiTech Dark Metal
  • DigiTech High Gain
  • DigiTech Metal
  • DigiTech Monster
  • DigiTech Solo
  • DigiTech Stoner Rock
  • DigiTech Tweedface
  • DigiTech 2101 Clean Tube
  • DigiTech 2101 Saturated Tube
  • Distortion Stompboxes inspired by:
  • Arbiter Fuzz Face
  • Boss DS-1 Distortion
  • Boss MT-2 Metal Zone
  • Demeter Fuzzulator
  • DigiTech Death Metal
  • DigiTech Grunge
  • DigiTech Redline Overdrive
  • DOD 250 Overdrive/Preamp
  • DOD Classic Fuzz
  • DOD Gonkulator Ring Modulator
  • Electro-Harmonix Big Muff Ï€
  • Guyatone Overdrive OD-2
  • Ibanez TS-9 Tube Screamer
  • Ibanez TS-808 Tube Screamer
  • MXR Distortion+
  • ProCo Rat
  • Roger Mayer Octavia
  • Voodoo Labs Sparkle Drive
  • Cabinet Types inspired by:
  • '57 Fender Tweed Champ 1x8"
  • '57 Fender Tweed Deluxe Reverb 1x12"
  • '65 Fender Blackface Deluxe Reverb 1x12"
  • '57 Fender Blonde Bassman 2x12"
  • '65 Fender Blackface Twin Reverb 2x12"
  • '63 Vox AC30 Top Boost withJensen Blue Backs 2x12"
  • '59 Fender Tweed Bassman 4x10"
  • Marshall 1969 Straight withCelestion G12-T70 4x12"
  • Marshall 1969 Slant withCelestion 25W Greenbacks 4x12"
  • Hiwatt Custom withFane Speakers 4x12"
  • Johnson Straight withCelestion Vintage 30's 4x12"
  • '96 VHT Slant withCelestion Vintage 30's 4x12"
  • DigiTech Solo 4x12
  • DigiTech Bright 2x12
  • DigiTech Metal 4x12
  • DigiTech Rock 4x12
  • DigiTech Alt 4x12DigiTech Vintage 4x12

DigiTech RP500 Guitar Multi-Effects Switching System & USB Recording Interface  ($200)

The RP 500 tries to feel like a pedal board with its switchable effect. While this is nice, the idea have been improved upon elsewhere. Boast many of the same effects and features as the RP360 it looks like this is more about the interface. The menu editing seem like the old style that harkens back to the 90's.
FEATURES
  • Exclusive Pedalboard mode changes the RP500 into 5 individual stompboxes and effects
  • Amp/Cabinet Bypass turns the RP500 into a true effects processor that works with your amp's tone
  • Heavy-duty vacuum switches for program changes, effect on/off changes, bank up and down, tap tempo and tuner
  • Bright LEDs display program status and effect on/off
  • Large 8 character LED display for program name, bank name, and tuner
  • Large 2 character display for program number and tuning reference
  • Built-in expression pedal controls the RP500's internal wahs, volume, Whammy, and other parameters
Get everything you need to rule stage or studio. Call or click today to order.
SPECIFICATIONS
RP500 Guitar Multi-Effects Switching System & USB Recording Interface
  • Stompboxes based on:
  • Compressor / Sustainers:
  • Boss CS-2Compressor / Sustainer
  • DigiTech Main Squeeze Compressor
  • MXR Dynacomp
  • Wah / Volume: Dunlop Cry Baby Wah
  • DigiTech Full Range Wah
  • Vox Clyde McCoy Wah
  • Volume Pedal
  • Distortions & Overdrives:
  • SCREAMER (Based on an Ibanez TS-9)
  • TS 808 (Based on an Ibanez TS-808 Tube Screamer)
  • SPARKDRIVE (Based on a Voodoo Lab Sparkle Drive)
  • OD OVERDRIVE (Based on a Guyatone Overdrive OD-2)
  • DOD 250 (Based on a DOD 250 Overdrive/Preamp)
  • RODENT (Based on a Pro Co RAT)
  • MX DISTORTION (Based on an MXR Distortion +)
  • DS (Based on a Boss DS-1 Distortion)
  • GRUNGE (DigiTech Grunge)
  • ZONE (Based on a Boss MT-2 Metal Zone)
  • DEATH METAL (DigiTech Death Metal)
  • GONKULATOR (Based on a DOD Gonkulator Ring Modulator)
  • 8TAVIA (Based on a Roger Mayer Octavia)
  • FUZZLATOR (Based on a Demeter Fuzzulator)
  • CLASSIC FUZZ (Based on a DOD Classic Fuzz)
  • FUZZY FACE (Based on an Arbiter Fuzz Face)
  • BIG PI (Based on an Electro-Harmonix Big Muff Pi)
  • DigiTech Redline Overdrive
  • Amplifiers & Acoustics:
  • 57 CHAMP Based on a '57 Fender Tweed Champ
  • 57 DELUXE Based on a '57 Fender Tweed Deluxe
  • 59 BASSMAN Based on a '59 Fender Tweed Bassman
  • 62 BROWN BASSMAN Based on a '62 Fender Brownface Bassman
  • 65 TWIN REVERB Based on a '65 Fender Blackface Twin Reverb
  • 65 REVERB(Based on a '65 Fender Blackface Deluxe Reverb
  • 65 JTM-45(Based on a '65 Marshall JTM-45
  • 68 SUPER LEAD PLEXI Based on a '68 Marshall 100 Watt Super Lead (plexi)
  • 68 JUMP PANEL Based on a '68 Marshall Jump Panel
  • 77 MASTER VOLUME Based on a '77 Marshall Master Volume
  • 83 JCM800 Based on an '83 Marshall JCM800
  • 93 JCM900 Based on a '93 Marshall JCM900
  • 01 JCM2000 Based on an '01 Marshall JCM2000 (Solo Channel)
  • 62 AC15 Based on a '62 Vox AC15
  • 63 AC30 TOP BOOST Based on a '63 Vox AC30 Top Boost
  • 69 HIGH WATTAGE Based on a '69 Hiwatt Custom 100 DR103
  • 81 MARK IIC Based on an '81 Mesa Boogie Mark II C
  • 01 DUAL RECTIFIED Based on an '01 Mesa Boogie Dual Rectifier
  • 99 LEGACY VL-100 Based on a Carvin Legacy VL-100
  • 96 MATCH HC-30 Based on a '96 Matchless HC30
  • 88 SLO-100 Based on an '88 Soldano SLO-100
  • Gibson GA-40
  • Peavey 5150 II
  • Roland JC-120
  • Sunn 100S
  • Randall HT-100
  • DIGITECH SOLO DigiTech Solo
  • DIGITECH METAL DigiTech Metal
  • DIGITECH BRIGHT CLEAN DigiTech Bright Clean
  • DIGITECH CHUNK DigiTech Chunk
  • DIGITECH CLEAN TUBE DigiTech 2101 Clean Tube
  • DIGITECH CRUNCH DigiTech Crunch
  • DIGITECH BLUES DigiTech Blues
  • DIGITECH FUZZ DigiTech Fuzz
  • DIGITECH SPANK DigiTech Spank
  • DIGITECH HIGH GAIN DigiTech High Gain
  • DIGITECH MONSTER - Maxed out gain
  • DIGITECH "TWEEDFACE" — Tweed preamp w/Blackface power amp
  • DIGITECH "65 Blackface Bassman" — '65 Blackface preamp with Bassman power amp
  • DIGITECH STONERROCK — Thick, sludgy distorted amp tone
  • DIGITECH DARKMETAL — Responsive, tight metal tone
  • DIGITECH TRANSISTOR — Solid state transistor amp sound
  • DIGITECH BROWNSOUND — Hot rodded '80s stack tone
  • DIGITECH MOSH — Chunky metal tone with just the right amount of sizzle
  • 2101 CLEAN TUBE DigiTech GSP2101TM Artist Clean Tube
  • 2101 SATURATED TUBE DigiTech GSP2101 Artist Saturated Tube
  • DIRECT No amp model
  • DREADAUGHT ACOUSTIC
  • JUMBO ACOUSTIC
  • Cabinets:
  • CHAMP 1X8 Based on a 1x8 '57 Fender Tweed Champ
  • DELUXE 1X12 Based on a 1x12 '57 Fender Tweed Deluxe
  • DELUXE REVERB 1X12 Based on a 1x12 '65 Fender Blackface Deluxe Reverb
  • BRITISH 1X12 Based on a 1x12 '62 Vox AC15 w/20W Vox Speaker
  • BLONDE 2X12 Based on a 2x12 '57 Fender Blonde Bassman
  • TWIN 2X12 Based on a 2x12 '65 Fender Blackface Twin Reverb
  • BRITISH 2X12 Based on a 2x12 '63 Vox AC0 Top Boost w/ Jensen Blue Backs
  • BASSMAN 4X10 Based on a 4x10 '59 Fender Tweed Bassman
  • BRITISH 4X12 Based on a 4x12 Marshall 1969 Straight w/ Celestion G12-T70
  • GREENBACK 4X12 Based on a 4x12 Marshall 1969 Slant w/ Celestion 25W Green backs
  • FANE 4X12 Based on a 4x12 Hiwatt Custom w/ Fane Speakers
  • BOUTIQUE 4X12 Based on a 4x12 '96 VHT Slant w/ Celestion Vintage 30's
  • VINTAGE 4X12 Based on a 4x12 Johnson Straight w/ Celestion Vintage 30's
  • DIGITECH SOLO 4X12 4x12 DigiTech Solo
  • DIGITECH BRIGHT 2X12 2x12 DigiTech Bright
  • DIGITECH METAL 4X12 4x12 DigiTech Metal
  • DIGITECH ROCK 4X12 4x12 DigiTech Rock
  • DIGITECH ALT 4X12 4x12 DigiTech Alt Rock
  • DIGITECH VINTAGE 4X12 4x12 DigiTech Vintage
  • DIGITECH CHUNK 4X12 4x12 DigiTech Chunk
  • DIGITECH SPANK 4X12 4x12 DigiTech Spank
  • DIGITECH SPEAKER COMP 4x12 DigiTech Speaker Compensation
  • DIRECT No cabinet model
  • FX Models:
  • Chorus Stompbox Models based on:
  • Boss CE-2 Chorus
  • DigiTech Dual Chorus
  • DigiTech Multi-Chorus
  • TC Electronics Chorus
  • DIGITECH GLISTENING Chorus
  • Flanger Models based on:
  • MXR Flanger
  • DigiTech Triggered Flanger
  • Electro Harmonix Electric Mistress
  • ADA Flanger
  • Phaser Models based on:
  • MXR Phase 100
  • DigiTech Phaser
  • Electro Harmonix Small Stone
  • Pitch Models based on:
  • DigiTech Whammy
  • DigiTech Pitch Shift
  • DigiTech Detune
  • DigiTech IPS
  • Boss OC-2 Octaver
  • Vibrato/Rotary Models based on:
  • DigiTech Vibrato
  • DigiTech Rotary
  • DigiTech Vibro/Pan
  • Unicord UniVibe
  • Tremolo Models based on:
  • DigiTech Tremolo
  • DigiTech Panner
  • Fender Opto Tremolo
  • Vox Bias Tremolo
  • DIGITECH SCATTERTREM — Dual tremolo effect
  • Envelope/Special Models based on:
  • DOD FX25 Envelope Filter
  • DigiTech Auto Yah
  • DigiTech YaYa
  • DigiTech Synth Talk
  • DigiTech Step Filter
  • DigiTech Sample & Hold
  • Delays:
  • Digital Delay
  • Analog Delay
  • Pong Delay
  • Modulated Delay
  • Tape Delay
  • Reverse Delay
  • DM Analog Delay - based on Boss DM2 Analog Delay
  • Echo Plex - based on Maestro EP-1 Tube Echoplex
  • Reverbs based on:
  • Lexicon Ambience
  • Lexicon Hall
  • Lexicon Room
  • Lexicon Studio
  • EMT Plate - based on EMT 240 Plate Reverb
  • Spring - based on Fender Twin Reverb
Zoom G3X Guitar Effects & Amp Simulator Pedal  ($200)

Zoom has offered a lot of bang for the buck in their effect for years. Finally rising to the level of DigiTech and Boss (yay?). This processor even gives you little screens to look at the facsimile of the pedal that its supposed to sound like. That's neat.

FEATURES
  • Three large LCD displays with intuitive amp and stompbox interface
  • 22 amp or 94 stompbox models can be used in any combination
  • Over 100 built-in ZFX-IV DSP effects
  • Create and store up to 100 original tones
  • Looper function with 40 seconds of phrase recording and overdubbing
  • Integrated drum machine and auto-chromatic tuner
  • USB audio interface for DAW recording
  • Balanced XLR output and selectable modes for DI use
  • Over six hours of operation using four AA batteries/USB bus power (AC adapter included)

Line 6 AMPLIFi FX100 ($300)

The most expencive option here, but just over the cost of my low-cost replacement rig, is the Line6 AMPLIFI FX100. As most fun as that is to say, this seems to be the brains of the AMPLIFI amps series. Note: The 150 watt AMPLIFI amp is only $200 over the cost of this unit. Meaning the actual amplifier adds less than half of the cost of the unit. Take that for what it's worth.
FEATURES
  • AMPLIFi FX100 multi-effects pedal
  • Over 200 amps, effects and speaker cabinets
  • Access 100 onboard presets—and unlimited presets via AMPLIFi app*
  • Change presets and switch banks using 4 pro-quality, backlit footswitches
  • Bluetooth streaming audio for playing along with your music library (compatible with iOS, Android, Mac and PC)*
  • Rugged construction with bent metal chassis
  • 1/4" Guitar input
  • 1/4" Headphone output, 1/4" stereo full-range balanced outputs and 1/4" Amp output
  • Tap tempo/tuner
AMPLIFi Remote app for iOS*
  • 8 simultaneous effects
  • Remotely control amp and effects parameters to dial in the perfect tone
  • Automatic tone matching instantly provides the perfect tones for jamming with songs in your music library
  • Access thousands of tones online
  • Share and rate tones in the cloud
  • Backup and store unlimited presets in the cloud
  • Compatible with iPhone 5s, iPhone 5c, iPhone 5, iPhone 4s, iPhone 4, iPad (3rd and 4th generation), iPad 2, iPad mini and iPod touch (5th generation)

Tech 21 Fly Rig 5 Multi Effects Pedal ($250)

The only thing that I would consider buying on this list is the Tech 21 PUTITALLINONEBOX thing. Having said that, I'd most likely not use the middle button. If it had a tuner then it would be a homerun. You could add the Donner Tuner and still come very close to the same money. There is also an artist version of this for a little extra. 
Five pedals, including a SansAmp, reverb, delay, boost, and and Plexi distortion.
Free yourself from the signal chains of bondage. Emancipate yourself from the oppression of evil backline loaners. Liberate yourself from the tyrannies of over-loaded flight cases and stress of airport security. It is time. For you. To rock. In a free World.

Sleek, compact, and simply awesome, the gunmetal-finish Fly Rig 5 is a tiny tonal titan, a thoroughbred professional unit armed with sweet analog tones. Weighing in at just over 18 oz. and under 12 inches in length, you can rule the road, rehearsal or recording gig. No stinkin' van, no heavy flight cases, no cable spaghetti, no dead weight.

With the Fly Rig 5, no arena is too large and no stage is too small. Just grab your guitar and tap into five must-have pedals in Tech 21's award-winning arsenal: a genuine SansAmp, a reverb, a delay, a powerful boost and the incredible Plexi distortion. All of this in a streamlined, rugged metal housing that will easily fit in your guitar case. There are illuminated mini-controls to show active status, an included power supply and studio-grade, metal footswitches and jacks. It's everything you need and nothing you don't.

With the functionality of a full pedalboard, minus the crackling patch cables, dying batteries and ground loops, the Fly Rig 5 is a simple step to the rich, expressive combinations you can use for any session. Even when you want to use the latest digital supercomputer or a vintage tube amp, the Fly Rig 5 covers your ass like yoga pants. It's the perfect instant back-up rig when your boutique gear goes down exactly when you need it most.

At its heart is the omnipotent, all-analog SansAmp - a ground-breaking amp emulator, speaker and mic simulator - that will dial-in your favorite sounds for consistent tone every time. This version has been optimized for lush, chiming clean tones and has a Drive control to add just the right amount of gain from warm break-up to snarling grind, with an incredibly flexible 3-band EQ. The adjustable Reverb is also found in this section, voiced to create the rich ambiance of a vintage spring reverb without clattery pings, canyons of doom, or other annoying artifacts.

The roaring Plexi tone is the stuff of legend, with its muscular crunch, detailed mids and mule-kick low end. Providing the dirty side of the Fly Rig, the Plexi section produces exquisite, ripped-ab rock tones that can be kicked into Hot mode with up to 21dB of pre-amp gain. The Hot footswitch operates independently to boost any of the Fly Rig sections whenever you feel the urge to punch it up.

An inspiring delay section completes the Fly Rig 5. Voiced to emulate vintage tape echo, the DLA features a separate tap-tempo footswitch and adjustable tape drift-style modulation for authentic textures. From thickening slap-backs to deep cascading repeats, the DLA adds space and attitude.

Get the Fly Rig 5 and arrive at your next gig as easily as a happy, magical fairy - with face-melting guitar tones.

• SansAmp tube amplifier emulator, is pre-voiced for clean tones. It includes 3-band active EQ, Level,
and Drive to adjust the overall amount of gain and overdrive.
• Reverb, within the SansAmp section, is based upon the Boost RVB pedal. It emulates the rich ambiances of a vintage spring reverb without clattery pings, canyons of doom, or other annoying artifacts.
• Plexi, based upon the Hot-Rod Plexi pedal, brings in the organic distortion of a stock ‘68 Plexi and includes Level, Tone and Drive controls.
• Hot, within the Plexi section, kicks in up to 21dB of pre-amp gain. It can be used independently to
boost the SansAmp and/or DLA functions, as well as on its own to boost the gain of your amp.
• DLA is based upon the Boost DLA pedal. It is voiced to give you the sounds of a vintage tape echo
and features Level, Time, Repeats, and Drift, which adds a random element to the modulation for authentic textures. A dedicated Tap Tempo switch makes it super simple to just tap in the delay tempo you want during your performance.