Boss BD-2 Blues Drive Mod

So I've been talking a lot about Boss pedal mods lately... there is a reason. Its because I've done a lot of them recently. I really enjoy messing around inside those little boxes and seeing what I can get out of them. It really is a lot of.... fun? Anyhow, Moute Allum has gotten me in a lot of trouble lately. He is putting out a lot of great stuff that I just have to have. I've posted a lot about OD pedals, like here and here, so you know I like a good dirt box. So when I finally got around to actually buy a Boss Blues Driver it was only a matter of deciding what I was going to do to it. I went with Moute again. I chose the H20 mod because it seems to offer what I would like in my little blue box. I took my time with the mod. I thought that this was going to really wow me like the GE-7 I had done before this one. Here is where the pattern breaks. I was able to side-by-side test this pedal with an unmodded twin and the differences were so slight that at times I was unable to identify which was the modded pedal. Now this was far from scientific. I ran both pedal in series so they had to pass through each others buffers, but as far as the great difference/improvements I have had in the past, there was no one thing I could point to and say was much better. Maybe some further testing is in order...

Here is what Mounte has to say:

Boss BD-H20 DIY Pedal Mod Kits - When searching for a name to call this mod I chose H2O because it's the symbol for water. Water can be clear or transparent and it can be light or heavy. This mod transforms the BD-2 into an almost completely transparent pedal letting the true character of your guitar, pickups and amp shine through. Not only is it almost completely transparent, it's also extremely Dynamic. As you turn the Gain knob up on the pedal you can control the amount of gain using the volume control on your guitar. The BD-H2O will react exactly like a tube driven amp. The shriek highs and splaty gain of the stock BD-2 are completely removed. Compared to our regular BD-2 mod this mod has a much flatter EQ.

My regular BD-2 Mod has a slight mid boost and a little less gain than the BD-H2O Mod. Both mods remove the shriek highs and splaty gain of the stock BD-2. The splaty gain of the stock BD-2 is a common gripe I hear about others that offer mods for this pedal. We have removed this issue with this pedal. We also include a Super Bright 3mm White Clear LED. We also modify a resistor to increase the brightness of the LED X3. You can use the LED as a flashlight on stage after the mod, it is that bright, almost blinding. I will boldly state that this is undoubtedly the best mod on the planet for a BD-2. And the really cool part is we won't break the bank with the price of our mods. We offer top quality parts and expert craftsmanship at very reasonable prices.

Boss TR-2 Tremolo Guitar Effect Pedal Mod

A good while back I picked up a Boss TR-2 Tremolo. I like the pedal. I have a Vox Cambridge amp that has tremolo built in but I wanted to be able to switch the effect on and off, hence the pedal. As many people have commented on this particular pedal, there is a little drop in presence when switching the effect on. Go figure right... So I search for a mod that would help with this issue. I found Moute Allum. He offered a cure for a reasonable price.

Here's what Moute says:


Well, you asked for it and here it is. The stock TR-2 is noisy and has a volume loss when engaged. With this mod I have fixed each issue. I have also incorporated my new Dual Stacked Chip Adapter Mod using a very high quality Burr Brown OPA2134PA and RC4558P Chips. The effect is like lifting a blanket off the pedals tone. I can boldly say without a doubt this is now one of the best Tremolos available in a stomp box at any price point.

With this mod I have incorporated a pot that not only solves the volume loss issue but also now allows the pedal to be used as a clean boost with the depth knob all the way down. I also modify a resistor which increases the brightness of the LED. A Super Bright White LED is also supplied.
With this mod I have incorporated a pot that not only solves the volume loss issue but also now allows the pedal to be used as a clean boost with the depth knob all the way down. I also modify a resistor which increases the brightness of the LED. A Super Bright White LED is also supplied.
I'm so glad that I did. The pedal is excellent now. It does add a knob on the side of the pedal. Keeley has a similar mod that replaces the depth knob with a concentric knob. Super sleek. The mod includes some "hi-fi" parts and replaces a in-line op-amp with two 8-pin IC's. I really recommend this mod or one like it if you own this pedal and think you may benefit from it. All the changes it makes are good one. It makes a good pedal great. 

The Best Resource For Guitar Effects

We've all been there, flipping through catalogs of music gear and reading flowery descriptions of every piece of gear found within. I have a weak spot for a shiny new pedal, but which one is right for me? This was the exact question I had in mind when I went online to look for some more information. A quick Google search landed me on YouTube. People love to show off, so the internet is flooded with people noodling around with some of their favorite pedal. There are a ton of pitiful videos. People who have low production quality or those that keep their first take no matter what. I'm glad that we have a outlet for all these creative people and people are free to share their video featuring their passion. But when looking for a useful review or demonstration it does somewhat because like shifting through a waste bin looking for treasure.

The Treasure:

There is one mann that does a excellent job at demonstrating a pedals usefulness. His name is gearmanndude. He has hundreds of videos and does not seem to be slowing down. He has review everything from everyday Boss pedals to mods, vintage, boutique, and even some homemade pedals. Not only does he give us a through look (and listen) at pedals that we'd probably only get to read about, but he also takes a look at other gear such as amps, guitars, picks, chords and other accessories. Not only does he do us a service with all of this, but he is rather unbiased. However there is an exception when it comes to reverb. He is vehemently apposed to reverb, but he will review a reverb unit just like the rest. He responds to viewer request, I know this firsthand. On top of all this, he is insightful, well versed, and entertaining.

What Order Do Effect Pedals Go In?

I've asked myself this question so many times, and over the years I'm become inclined to set up a pedal board in certain ways to create particular sounds. There are some general rules to follow or completely ignore, whatever your case may be.

1. Volume.

Volume pedals are very handy tool in a guitarist's bag. It allows you to adjust your volume on the fly, mute your signal for tuning or guitar changes, boost you signal (provided that you running less than full volume) and create swell effects. Personally I like my volume pedals first. Why? Because it create to same effect as the volume knob on your guitar. If your volume runs into you overdrive/distortion then you can manipulate to distortion by changing your volume (ie you'll have a cleaner sound with lower volumes). If this is not the effect you desire then I suggest running the volume after the distortion. This will allow you to change the volume of your signal without changing the distortion level.

2. Wha

I know that this is not typically the wha pedal would fall, but Its where I put it. A wha will manipulate certain frequencies in your signal, mostly the lower-mids to the upper-mids. Your main concern with wha pedals is the voicing and pronunciation of the effect. I've played enough in bedrooms and stages to know that there are huge differences in how the sound is received. I've sat in a bedroom and thought that my digitech rp100 muti-effect pedal sounds great, but when I used it live it sounded like I was playing out of a tin can. ( by the way, never mess with multi-effects. just say no kids. Learn from my mistakes) What you will notice between have your wah before and after your dirt boxes is the presence of the effect. For the most part, the OD and Distortion will want to change your signal frequencies just like the knobs on your amp. The "tone" knob of your Overdrive with play with how your wah opperates. (given that it is on while your using your wha) A wha before the dirt will be less noticeable (more organic sounding). While a wha post dirt will take your whole signal for a ride. This may be what you want. I like a mellow wha, but sometimes you need to be out in front of the sound and make that effect stand out.

3. Dirt

There are many different ways to get your dirty signal, but if your using a stomp box, this is where I put it. Having your Volume and Wha before these pedal gives you more control over the entire sound. I like control. Maybe thats why I have so many choices when it comes to my Dirt Boxes. I have a lot to say about OD/Distortion but you can catch most of it if your follow that link there.

4. EQ  (and other signal processors)

Again, this isn't exactly would you should do, but this is how I like it. Remember how I said I like to control my tone? Well, this is a little part of that. I use my EQ as more of a boost. I set it up to give me a little mid-hump action and maybe a overall volume boost. Some people like to set their EQ and forget it, just let it do its thing for your tone. That's fine, but everything is trying to change your frequencies. If you run a Compressor or Noise Gate of some sort, here is where I would put them as well. Be aware that your Compressor and Volume pedal are not going to play well with each other. Basically, they are doing the exact opposite of each other. If you want comp on your signal and swells. then you have to run your volume after the comp.

5. Delay

I had a Boss DD-3 that absolutely hated be overwhelmed by a distortion. Other than that particular Combo, delay is best left near the end of the chain. I'm not a big delay user. I will use it from time to time to fatten up my sound, but for the most part I like a nice straight sound.

6. Filters

I don't mess with delay much, and I use filters less. In theory, filters behave better at the end of the chain. That way they can have their way with your sound and change it as they see fit. If you are a fan of these then have at it.


So there you have it. I encourage anyone interested in effect to play with them as much as your can. There really is no wrong way to set your rig up and I may be doing it all wrong as far as you are concerned. If you disagree with any of this then leave me a comment below. If you want to see what else I have to say about all things musical then subscribe. Let me know someone reads this mess!

My Pedal Rigg

So, here it is. The key to my sound. I bet you are just dying to know. I look at it now and personally, I'm not that impressed. I mean, I just transferred my pedals to a larger board and it looks way to big for the few pedals I have. See for your self.

As you can see. Pretty Simple. Going right to left: Modtone Wah, Modetone Chorus, Visual Sound Rout 66 OD and Compression, Modtone Volume Pedal, Boss DD-20 Delay, Boss TU-2 Tuner. I like to keep the effects simple. I don't like putting anything on my board that I could see my self using in nearly every set I play. Its just too much of a hassle to put everything you own on one board and haul it around with you. I have a single Power supply (visual sound 1Spot) I've used it for the last five year and its still running strong. I plan on looking into getting a couple of pedals to help flesh out the board; boost, tremolo, and maybe another OD to place post volume pedal.

So if you have any suggestion, I'd love to hear them.