Ugly Guitar Truth: BOSS Waza Craft DC-2W Dimension-C

I don't think I get this one. I understand that it's a vintage pedal that BOSS has released under the Waza label, but other than the vintage appeal, there just isn't anything here that I'm stoked about. I ran a little long in the post about the Waza Metal Zone, so I think this will be shorter.

Ugly Truth in: 3... 2...

1. Presets

I'm a knob tweaker. I love to twist knobs. I like to fine tune all the settings. The biggest reason that I don't own a Strymon pedal is that I would probably be found dead from dehydration next to it because I tried to adjust all the parameters. So the fact that this is a "set it and forget about changing it" type of pedal is a little detracting for me. I get the appeal, but I'd be screaming for a Blend knob right off the bat. I mean, it is a cool pedal with a lot of vintage appeal. Also, you can rig it up in a loop with a blend if you are that into it, but it sounds like a lot of trouble just to run a special pedal with some cool vintage cred. 

2. Premium

This pedal isn't for me. The whole Waza line has a particular customer base and 9 times out of 10 I'm not interested. (actually, it's 2 of out 8 so far...) This is the most expensive Waza pedal at 229 USD. No doubt there will be those that buy and love this pedal. Those people probably already know that they will love this pedal before they buy it and they don't mind paying that premium. I'm not cool enough to really "get" this pedal, so my money is better spent on a used MD-500. You get 20 presets with the Dimension-C, but your options are nearly limitless with the MD-500. 

3. There is no 3

Conclusion

No doubt there are some cool sounds in this box. If you were stoked when BOSS announced it, then you are the type of person that BOSS made this pedal for. I, however, didn't. 

The Ugly Truth About BOSS MT-2W WAZA Craft Metal Zone

BOSS decided to break the dang internet, or at least our tiny little corner of it, with the announcement of the BOSS MT-2W. It is regarded by some to be the most despised of all pedals and praised by others for its unique sound and features. Along with the Dimension-C, the Metal Zone has gotten the WAZA treatment. So what does that mean for this divisive pedal? Well, let's take a look at what the BOSS Waza Craft Metal Zone MT-2W has done

First, a little backstory. I think I've shared this before, so I'll keep it brief. I used to play in a metal band. In my search for great metal tone. I, for a time, used a Metal Zone running through a GE-7 into an amp set for the edge of break-up. I still remember that I set the gain all the way down. This pedal had enough gain at zero. The more you turned up the distortion knob, the more noise and hiss came through the pedal. I still think that a Metal Zone running through an EQ is a powerful combination and an easy way to enter metal tone nirvana. So what do I think of BOSS releasing a Waza Metal Zone?

It makes sense. If you really think about it. Waza is the "greatest hits" of BOSS. The first pedals in the line were some of their best sellers. The SD-1 and DS-1 have sold tons of units. Nearly everyone that has gotten into pedals at least knows of these pedals if not owns them. I've owned several of each. (Why? It's hard to say.) But Waza isn't just about BOSS' most popular, current production models. They have rereleased some of the most coveted vintage pedals from the past. The DM-2 has been a vintage favorite for those that crave analog delay tones. The CE-2 is another pedal that saw rerelease in the Waza line. Both of these pedals are often emulated, but it seems like there is still a draw for something backed by BOSS. So why the Metal Zone? It's not as common to see an MT-2 as it is an SD-1, the Metal Zone is still in production, so why then? I think it's the same reason the BD-2 got its custom setting. Modders.

One of the first pedals that I ever modded was a Metal Zone. I liked the pedal, but the noise was always bothersome. So when I stumbled across a mod that was supposed to help with that, I jumped on it. I also killed the first MT-2 I ever tried to mod. eBay loved me. I think this is the reason that BOSS has given the Waza treatment to the MT-2. I hate being too cynical (or maybe I don't. I don't know.), but it makes sense. BOSS doesn't see much money from the modding community. When I modded pedals, I didn't buy a new pedal. I jumped on eBay and bought the cheapest pedal I could in case I screwed up the mod. I'm many others do the same, so BOSS wants to cut out the middleman and sell us the modded pedal up front. It makes all the sense, but is it worth it?

Log story just a little bit longer: yes, it is worth it.

The End

Just Kidding! did you think I wasn't going to talk this point into the ground? Is this your first time here? So, you may have noticed that I haven't talked about what this pedal sounds like. (I mean, if you think about, reading about what a pedal sounds like is a little silly, but hasn't stopped me before) If you like the way the Metal Zone sounds then you'll like the Waza Zone. If you didn't, then you probably won't be blown away by this pedal. If you don't know if you like the Metal Zone or not, then what have you been doing? It's been around for over 20 years... To be honest, this is one of the Waza pedals that I'd be interested in. I don't have very many heavy distortion pedals, and the MT-2 hold a special place in my guitar playing history, so buying a premium/custom version from BOSS for 50% more isn't a stretch.

Ugly Guitar Truth: Boss Katana Artist Amp

When the BOSS Katana was first announced, I wrote up my impressions of it. I liked the idea of it. It seemed like a well though out and executed design but it wasn't without it faults. I never did like the look of the amp. It was simple, but the overall look was a little bland. There was too much black on black. While I like the concept of the Kanji symbol for Katana being the amp's main design feature, it too was underwhelming and too close to familiar English letters. The price and features were too good though. BOSS had nearly every competitor beat hands down. So it's no surprise that BOSS has once again expanded their line of Katana amp with the 100 watt Artist model.

Still 100 Watts




If you are familiar with the BOSS Katana 100 Watt, then you are familiar with most of the features of the Artist. The five amp models are still there. The tone section still lets you control Lows, Mids, and Highs. You still have your Three FX: Boost/Mod, Delay FX, and Reverb. You still get Presence, and Master controls with 100/50/0.5 Watt settings. So if you were a fan of the Katana before, then you are still going to like the Artist, but is there enough to really call this an upgrade?




What's New




For starters you get a WazaCraft speaker in the Artist model. Waza is BOSS Premium line, but personally, I've never really thought that the Waza amps met the hype (or the price for that matter). The Waza was a feat for sure, but the Katana was were BOSS really hit the homerun. Having said that, is the Waza speaker an upgrade? After hearing a side by side comparison, the Artist does have the edge. However, that might be due to the cabinet construction. Another key feature is the more robust cabinet construction and the semi-open back cab. My money is on the shape and size of the cab having more to do in the change in sound than the speaker, but that's just my two cents. Other than that, the Artist gives you Cabinet Resonance and Line Out Air Feel functions.




Is It Worth It?




So, right now the Katana is priced at $600. The 2x12 100 watt Katana is priced at $500. You're getting one less speaker for 100 more dollars. While this seems like a bum deal at first, there is a fair amount of value for your money. The cabinet alone is a huge improvement. The Waza speaker may help as well. The Cabinet Resonance and Line Out Air Feel could help breathe a little life into you signal. The overall look of the amp is much improved in my opinion. Will I buy a Katana Artist? Personally? I'd love to see the head version, but I love what they done. BOSS has done an impressive job topping their already impressive line of Katana Amps.

Ugly Guitar Truth: BOSS WAZA Craft 75-Watt Head

The Katana amps have made a huge wave in the solid state amp market. So much so, that it is easy to forget that the Katana amps share a blood line with the WAZA craft amps. The WAZA was the very first amps under the BOSS name. Roland has been producing amps for decades, but only in recent years have they put the BOSS logo on the front. Now, with the popularity and notoriety of the Katana, the WAZA line has expanded to include a 75-watt head. Is this finally the WAZA for the masses? Let's see...

Something Old, Something New

There is a feature list a mile long on these amplifiers. No matter what the amp can do, it has to sound good first and foremost. The WAZA was authentically voiced after the heavy rock sounds of the 70s and 80s. These amps also have a separate independent B channel that selects a"Brown Sound" Tone Capsule. Both the A and B settings have 4 channels: Clean, Crunch, Lead1, Lead2. Included with vintage tones are modern features such as Dual FX Loops, Midi controls, USB and Line outputs with cabinet simulated outputs.

Affordability?

The good news is that the WAZA 75-watt head costs $750 less than the 150-watt version. However, that means it still costs $1,500. Paired with the 2X12 cab, the combo will run you $2,500. That's Marshall stack money. Obviously, these amps are meant for the touring professional. If you were hoping that this would be a cheap option to the full bore 150-watt version, then you might be a little disappointed. This isn't exactly bridging the gap between the affordable Katana line and the premium WAZA, but it's good to see that they are still supporting and developing their high-end amps.

Conclusion

Is it time to run out and buy the WAZA Amp.  No, it is not. Unless you are a touring professional that can justify a high-cost rig, this option isn't very approachable. More approachable than the 150-watt version, but when we are talking about starting at $2500, then why not get the high-powered version. These are impressive amps that hopefully translate into great affordable products like the Katana.

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Ugly Truth About The BOSS Katana Amps

The latest amp to hit the solid-state, modeling, DSP market is the BOSS Katana series. This series is a completely new line of amps. It also is has the distinction of wearing the BOSS badge instead of Roland or WAZA. Many see this as a step in the right direction for BOSS, as they have the recognition among guitar players and not Roland. However, many have come to appreciate the Roland Cube series of amps. Roland Jazz Chorus amps have a long and proud history unto themselves. BOSS have struck out with a distinct offering that may have borrowed from the their heritage, but absolutely breaks new ground for the effects company that many love to hate. There are good and bad things about this amp, but what about the ugly?

There Are The Looks

Once you get past the black on black aesthetic, the dated BOSS logo, and the scrabble tile with a cursive "r" (or maybe a fancy "d"?)on it, well, there isn't much left is there. (edit: I am very aware that the symbol means "sword". It was mentioned in the promotional material and just about everywhere else. I didn't see the need in repeating it here.) The Blues cube took cues from Fender with it's 1X12 combo, but if you take the badges off and go by looks, it'd be difficult to tell these apart from the standard cube series. These amps do look a fair bit better than the cube amps, but there is nothing particularly striking about the design of these amps. Nothing says, "I'm a sexy, tone-machine". It has about as much appeal as a stage monitor.

They Are A Little Late To The Game

When you look at the list of feature on the Katana, it does seem a little similar to others that are already on the market. The Vox AV series and the Fender Mustang line both do similar functions, and do them rather well. So, is this a case of, "Too Little, Too Late"? It very well may be. A lot of the fans of these amps are also current users of the other two mentioned. Not to mention that users (or past users) of the Line6 Spider series or the Marshall CODE amps might be a little skeptical of the modeling scene. Are these amps worthy of the praise of the Fender and Vox offerings or do these fall to the dark side? Well, I'll tell you what they aren't...

They Aren't The Blues Cube

Those interested in a SS amp to do the work of your favorite 1X12 are probably familiar with the Roland Blues Cube. These amps come close to the sounds of their tube driven kin, but there will always be those the "hear" the difference. SS amps are supposed to be rugged and affordable. The Katana series are affordable. Although their ruggedness is yet to be tested, their price points make them attractive.This calls in question their fidelity to the faithful adaptation of tube-tone that the Blues Cube claims. While I am among those that would love to see an amp with the talents of the Blues Cube at a $300 price point, I doubt that Roland/Boss would undercut their own sales,

Conclusion

This isn't the point to where we can all trade in our tubes for transistors. However, these amps have some interesting features and have won the endearment of many that have had a chance to try them out. What is very interesting is that they have included access to the BOSS effects catalog via the "Effects" section. You are able to run three effect at a time. This is standard feature on all the amp in the line. They self-attenuates, so that you can play at any volume without changing your levels. If anything, these amps are well thought out, which can explain why they are a little late out of the gate. Among the cool feature, there are some slightly strange ones (like the tiny kickstand and tiny speaker hidden the 100 watt head). Considering the starting price for the 50 watt combo is $200, it might be worth serious concideration.

Continued Reading:

-Hands-on Review
-Katana 50 Watt Combo Vs Marshall Code
-Update: Katana Mini
-Update: Katana Air Portable Wireless Amp

Ugly Truth: Boss Waza Craft CE-2W Chorus

Boss announced that they are issuing a new Waza pedal. This time it is the Boss CE-2 that is getting the Waza treatment. The CE-2 is probably the most iconic chorus pedal. Many of the pedals that we have now are based off the CE-2. As with most (if not all) Waza pedals, it features a switch. In this case, it switches between CE-2 and CE-1 settings. There are added features as well. Original CE-1 did not have depth. This pedal adds that function to the CE-1 circuit. Also added is the stereo out puts. A function that is highly sought after by chorus enthusiasts.

Waza's main flaw has been that they are a little too impressed with themselves. I've only seen what I'm guessing is the MSRP of this pedal. At 180 British Pounds Sterling it's a little steep. I'm guessing that it will be somewhere north of $200 in the states, but street price probably settling down the an average $149.99 street. When you find decent CE-2 clones by Mod Tone and BBE (not to mention the boutique clones and kits out there) for less money, it makes it hard to justify this pedal. Vintage Boss fan may be waiting with bated breath, but the average user probably won't be wanting to pay more for a pedal that has less features.

I all honesty, this is probably a great pedal. There are plenty of more expensive choruses out there. I've owned a cheap Lyon chorus for ten years that does 90 of what this pedal does and I can't give it away. This may not be the best selling pedal, but it will have it's fans. 

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Boss Waza Craft Amp Head

New at NAMM. The guys at Roland\/Boss have announced the new Waza amp head. Boasting 150 watts of power and 'Ultimate high-gain, modded sounds'. So Boss have had a checkered past with it's amps. They've never really have a high successful amp line. The Roland cube is probably the closest they've come, but that is mostly due to the beginner pricing and the laundry list of features. Is this poised to be the amp that sends Boss and Waza into the into the respected ranks of prestigious amp makers? Well...

It's Solid State

This is kind of a head scratcher, but only from the outside. Yes, most amps that tout high end specs are tube driven. Most pro and active musicians own and use tube amps. There have been some very good solid state amps. Oddly, most of them are no longer in production or live on with a lot of never-really-bypassable effect built in. Boss has never had a large production tube amplifier to my knowledge. The Jazz Chorus amp and the Cube series are solid state. The Blues Cube amp is priced at the same price as a Fender Blues Jr and a Vox AC15, but lacks the authenticity to warrant the price. Does The Waza head do the same. Do they want to appeal to the high-gain, boutique amp users? It appears so, but they have doubled down on the side of the debate that most agree is long over...

It's Overpriced

If you remember when Waza first came out, then you remember that there were three original pedals. The BD-2 DM-something and the SD-1. The DS-1 and BD-2 were both priced at $150... that is a $50 pedal (the SD-1) for three times the price! Why? Who knows... I had no idea what Waza was. Keeley was already the kinda of overcharging for Boss gear. In fact you could probably get a modded Keeley pedal for less than what Boss wanted for the Waza stuff. I, and probably some other people, have to somewhat of a stigma about Waza products. Waza means overpriced. Whats the price tag hanging on this mysterious head? $2900. Nearly three grand for a solid state head. That's Marshall Plexi or Orange Thunderverb 200 (or two of any of Fenders flagship heads) money...

It's Unfinished

Yeah, do you remember the Randall head that had modular tone decks that allowed you to change the pre-amp tones. Evidently Roland/Boss/Waza doesn't either, because that is what they've done with this amp. The amp contains a internal section that hold tone 'capsules'. Except, there is only currently two options with space in the head for a third. This is underwhelming, although I'm glad that it is internal with a external switch.

Conclusion

This amp is the most exciting offering so for from Boss this NAMM. I like what I've heard from Boss' promotional video. But when reading the details, I get a sense that this amp is just another offering from Boss that misses the mark.

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