Nux has been a brand that many guitarists have either ignored for the most part or have appreciated for offering inexpensive alternatives. I haven't really given much weight to most of their pedals because it has been my experience that cheap, Chinese pedals don't stand up when they are put next to comparable products from major manufacturers. Is this the pedal to change all that? Does Nux really think it can take on some of the most respected pedals on the market and win?
Strymon Killer?
You can't talk about this pedal without mentioning Strymon. Obviously, they are going for a look based on the Strymon El Capistan. Upon closer inspection though, the features are not parallel. While the Capistan is a Tape Echo that lets you dial in the exact time of delay you want, the Atlantic is a Delay and Reverb much fewer features. Don't let slight resemblance fool you. These pedal will not perform the same task.
Worth It?
Although this won't kick an El Capistan off your board. It might be a decent pedal for those looking to consolidate. If you are looking at buying a couple budget pedals for you delay and reverb needs, then you might want to wait and try this pedal. Although we don't know yet what the asking price of this pedal will be, around the hundred dollar mark is a safe bet ( I actually heard back from NUX. They said that it will be around $160, but I would assume that is MSRP. I expect to see something more like $120 Street). The difference between the cost of two budget pedals and this one is probably not much. With Tap, Line Level, Stereo outs, and Footswitchable Shimmer this pedal has features that most inexpensive single pedals don't.
Conclusion
Although this isn't a dead ringer for a Strymon pedal, the looks of this pedal are a step above most other far east offerings. Add that to the useful features and hoping that it falls into the budget-friendly category, this is one of the more interesting product to come out so far this year.
Showing posts with label Winter NAMM. Show all posts
Showing posts with label Winter NAMM. Show all posts
Wednesday, January 10, 2018
Tuesday, January 2, 2018
Ugly Guitar Truth: Ibanez NTS Nu Tube Screamer
I almost didn't believe it. I almost had to make sure that today wasn't April first and not January first because I saw something that absolutely did not make sense. Ibanez has leaked some information about a new pedal.The NTS or Nu Tube Screamer has been making the rounds. At first glance, it seems like a new color pallet for a vintage TS pedal, but new tech has made its way inside an old circuit.
It's Pretty
The first time I saw this pedal I thought it looked sharp. I dig the white and green. I like the colors so much I missed the addition of a new knob, gaping window, and odd power supply placement. For such classic design, the aesthetic was enough to pull me away from these glaring changes.
Mixing It Up
I'll admit. I love a Mix knob. I want every pedal I own to have a mix knob. I think it's a control thing. I don't like committing to one sound. I don't want a pedal to completely take over the sound of my guitar. With a Mix knob, I tell the pedal how much it can have. This is the reason I don't get along with most distortion pedals. It also might be the reason why I chase "transparent" overdrives.
NuTubes
I love the idea of compact vacuum tubes. I want to see more pedals and amps use them. I hope that technology is as impressive as I keep hearing that it is. So far Vox's line of super compact heads is the only implementation of these NuTubes that I know of. I've heard good things about those. Although I have yet to use a tube base overdrive, I look forward to doing so. I'd love to see how the TC Electronic Tube Pilot and Ibanez NTS stack up.
Conclusion
I'm excited. How could I not be? This is the first "New Tube Screamer" in over a decade. I've actually seen a site sell this pedal for about 240 BSP making it something like 300 USD. So, in short, it is a pedal a hundred dollar more than the price of a 50-watt head using the same tubes. I guess we'll have to wait and see when Ibanez rolls out the hard launch closer to NAMM.
It's Pretty
The first time I saw this pedal I thought it looked sharp. I dig the white and green. I like the colors so much I missed the addition of a new knob, gaping window, and odd power supply placement. For such classic design, the aesthetic was enough to pull me away from these glaring changes.
Mixing It Up
I'll admit. I love a Mix knob. I want every pedal I own to have a mix knob. I think it's a control thing. I don't like committing to one sound. I don't want a pedal to completely take over the sound of my guitar. With a Mix knob, I tell the pedal how much it can have. This is the reason I don't get along with most distortion pedals. It also might be the reason why I chase "transparent" overdrives.
NuTubes
I love the idea of compact vacuum tubes. I want to see more pedals and amps use them. I hope that technology is as impressive as I keep hearing that it is. So far Vox's line of super compact heads is the only implementation of these NuTubes that I know of. I've heard good things about those. Although I have yet to use a tube base overdrive, I look forward to doing so. I'd love to see how the TC Electronic Tube Pilot and Ibanez NTS stack up.
Conclusion
I'm excited. How could I not be? This is the first "New Tube Screamer" in over a decade. I've actually seen a site sell this pedal for about 240 BSP making it something like 300 USD. So, in short, it is a pedal a hundred dollar more than the price of a 50-watt head using the same tubes. I guess we'll have to wait and see when Ibanez rolls out the hard launch closer to NAMM.
Labels:
2018,
808,
9,
Ibanez,
Korg,
NAMM,
Nu Tube,
Nu Tube Screamer,
NuTube,
TS,
tube screamer,
Vox,
Winter NAMM
Wednesday, January 18, 2017
Ugly Guitar Truth: EHX Blurst Moddulated Filter
EHX has once again put a new and rather innovative product to market. They call it the Blurst and describe it as a Moddulated Filter. While that sounds like it makes sense, I don't recall anyone really talking about the limitations or features of their prized modulated filter. It seems like a oddity or niche type of effect. I decided to take a closer look at what this pedal does and see if there is any reason to get excited about this pedal.
You Don't Need(?) It

Yeah, this thing makes some weird noises. These noises are not what you typically think of when you imagine guitar noises. But that could be fun, right? Sure. There isn't a lot of information or demonstration out there right now. But, from what we can hear on the EHX demo video, it sounds like a synth filter. However, the interesting part of this filter is that it is time based rather that controlled by your guitar input. You can choose your wave form, tempo, and mix. I feel like there is a lot of versatility with this pedal, but the video only gives us a glimps at what it can do.
Its Strengths Are Its Subtleties

If you watch the demo then you hear a whole lot of 'bwwaaaahhhh' types sounds. To be honest, I don't see much use for these noises. I understand that there are types of players that can make some great sounds with filters, but typically don't use them or just use them in a very limited capacity. However, at the end of EHX's demo, they stick the Blurst in the effects loop of a Deluxe Memory Man and it's actually pretty epic. Plus, I have to give honorable mention to the sounds in the video made with help of EHX's 8-Step Program (stepping expression controller) which give you a step filter/seek wah/FM4 type sound. These two pedal can create lots of combinations, but seems like a lot hardware to create an effect done by a single pedal (just my 2 cents).
Conclusion

Look, I want to like this pedal. It looks... interesting. It has lots of knobs and buttons. It makes weird sounds, but maybe I'm just thinking to much like a guitar player. I want to be able to riff and jam, and this things seems like a noise maker. So let me completely contradict myself. The couple of sounds that I did like, were actually pretty cool. Plus the one thing that make this pedal different is what really makes this pedal. The tap feature allows you to sync up with the tempo of the music being played. I'm not the biggest fan of filters, but I'm not aware of many that let you do this. Can you make to sounds in the demo with other pedals? probably, but is a rather versatile pedal with expressive features.
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You Don't Need(?) It

Yeah, this thing makes some weird noises. These noises are not what you typically think of when you imagine guitar noises. But that could be fun, right? Sure. There isn't a lot of information or demonstration out there right now. But, from what we can hear on the EHX demo video, it sounds like a synth filter. However, the interesting part of this filter is that it is time based rather that controlled by your guitar input. You can choose your wave form, tempo, and mix. I feel like there is a lot of versatility with this pedal, but the video only gives us a glimps at what it can do.
Its Strengths Are Its Subtleties

If you watch the demo then you hear a whole lot of 'bwwaaaahhhh' types sounds. To be honest, I don't see much use for these noises. I understand that there are types of players that can make some great sounds with filters, but typically don't use them or just use them in a very limited capacity. However, at the end of EHX's demo, they stick the Blurst in the effects loop of a Deluxe Memory Man and it's actually pretty epic. Plus, I have to give honorable mention to the sounds in the video made with help of EHX's 8-Step Program (stepping expression controller) which give you a step filter/seek wah/FM4 type sound. These two pedal can create lots of combinations, but seems like a lot hardware to create an effect done by a single pedal (just my 2 cents).
Conclusion

Look, I want to like this pedal. It looks... interesting. It has lots of knobs and buttons. It makes weird sounds, but maybe I'm just thinking to much like a guitar player. I want to be able to riff and jam, and this things seems like a noise maker. So let me completely contradict myself. The couple of sounds that I did like, were actually pretty cool. Plus the one thing that make this pedal different is what really makes this pedal. The tap feature allows you to sync up with the tempo of the music being played. I'm not the biggest fan of filters, but I'm not aware of many that let you do this. Can you make to sounds in the demo with other pedals? probably, but is a rather versatile pedal with expressive features.
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Labels:
Blurst,
EHX,
Electro Harmonix,
Expression,
Filter,
Moddulater,
NAMM,
NAMM 2017,
New Gear,
review,
Tap temp,
Winter NAMM
Wednesday, January 20, 2016
Ugly Truth About Vox Starsteam Guitar
From time to time Vox has released a select line of guitars. Many of these guitar of late have been vintage inspired instrument with a special flare. Vox has always hit the mark in the looks department, as far I'm concerned. That is, until now. But first, let's hear Vox's side of the story:

Created to provide a wide range of sounds including electric guitar, acoustic guitar, synths and other stringed instruments, the VOX Starstream Type-1 is the ultimate instrument for players looking to redefine the electric guitar and what it can do. Whether you are playing with a band, in the studio or practicing silently at night with headphones, the Starstream Type-1 offers exciting new possibilities.
Incorporating the AREOS-D system, the Starstream Type-1 is the latest evolution in onboard guitar electronics, furthering VOX’s reputation of breaking the boundaries when it comes to advanced guitar electronics. Putting control over your sound at your fingertips, the system integrates several essential elements: magnetic pickups for authentic and classic electric guitar sounds; a piezo pickup system for rich-sounding traditional and acoustic instruments; a powerful DSP engine; familiar volume, tone and pickup selector controls and a Control Module that provides instant access to important tone-shaping parameters.
Incorporating the AREOS-D system, the Starstream Type-1 is the latest evolution in onboard guitar electronics, furthering VOX’s reputation of breaking the boundaries when it comes to advanced guitar electronics. Putting control over your sound at your fingertips, the system integrates several essential elements: magnetic pickups for authentic and classic electric guitar sounds; a piezo pickup system for rich-sounding traditional and acoustic instruments; a powerful DSP engine; familiar volume, tone and pickup selector controls and a Control Module that provides instant access to important tone-shaping parameters.
The unique frame construction is three dimensionally contoured for maximum comfort, easily conforming to your personal style. Equipped with a smoothly shaped neck, unlimited upper fret access, warm-toned resonant wood body, specially voiced magnetic pickups and a balanced, easy to use tremolo system; this is the ultimate modern guitar.
- Exclusively developed AREOS-D system uses the guitar’s traditional magnetic pickups to create the electric guitar sounds for greater realism and accuracy.
- Nine banks of instruments, with three variations in each, plus two user banks to store up to six favorite sounds.
- Synth sounds track effortlessly and respond dynamically to touch, pick attack and vibrato.
- Simple, intuitive volume, tone and three-way switch make changing models and sounds quick and easy.
- 1/4” output for live performance or recording and 1/8” output for use with headphones for private listening and practice.
- Sculpted mango body; 22 fret maple neck with rosewood fingerboard; 2 x XLM humbucking pickups; 2-point fulcrum vibrato; sealed die cast tuning machines.
Yes. It's Ugly
This is a striking looking guitar to say the least. I was on the fence, until I saw the video of a person playing it. It looks like someone strumming an over-sized electric violin, which no doubt was at least somewhat of an inspiration for the design. It is goofy looking, but worst of all the is the on board controls. They look straight out of the 90's. There is no attempt to blend them in with the look of the guitar. They stick out like a sore thumb. Maybe the thought was to make the guitar so distracting that you don't notice the honking bit of kit bolted to the guitar... Swing and a miss Vox...
There Are Others Out There
Maybe you like this guitar. Maybe you aren't a guitar player so much as an experimental-soundsmith. (you must be lost) If you want a guitar to sound like a bunch of other guitars, then take your pick. I'll just say it, Line 6 is you best bet. Their VariAX line has you covered. If you are into synth sounds, then prepare to be disappointed, because you get your choose of two sounds with this guitar and I was inspired by what I saw in the Vox promotional video. Looking for crazy sounds out of a guitar, then Ibanez made that weird Kaoss guitar a while back. That should take care of weird. (but why not look into Earthquaker Devices pedals. Lots of weird stuff for guitar and more...)
Maybe there are some good sounds in there
I know that's not an "ugly truth" but come on, I've been slamming this thing pretty hard, and it's kinda sad that I have to say 'maybe'. The 12 string and 'banjo' sounds in the video that Vox put out themselves, sound terrible. It might have something to do with the fact that the guitarist playing in the video was probably on par with my own playing, meaning it was nothing special. Nothing in that video made me want that guitar. However, I didn't hear the acoustic sounds. Those might be surprisingly good, but probably not, because they never are. there just isn't much about this guitar to get excited about. And I love Vox...
Maybe they will develop this line in the future, but right now it's a hard pass.
Labels:
Ibanez,
Kaoss,
Kaoss Pad,
Line 6,
NAMM,
NAMM 2016,
New Gear,
Starstream Guitar,
Starstream Type 1,
Synth,
VariAX,
Vox,
Winter NAMM
Tuesday, January 19, 2016
Ugly Truth About The New EHX Soul POG
If you follow Electro Harmonix, then you know they drop a new pedal into their line every other Tuesday (or something like that). It seems like they just announced the Lester pedals and hot on its heels is the new Soul POG. What seems to be a mash-up of EHX's two most popular pedal is... exactly that. They've put two of their highest selling and popular pedals into one box. Why? Go figure. They do a lot of things I don't understand. (like releasing a pedal with two different paint jobs). If you're asking your self, "Isn't this like what they did with the Soul Food and Holy Grail MAX?", yes, it's exactly like that. So, why the POG? Why now?
From EHX:
Combines two sweet pedals—-the Soul Food transparent overdrive and Nano POG polyphonic octave generator—-in one potent multi-effect. Use them alone or together, put either first in the chain, insert other pedals between them with the FX loop. Also includes a cool Mode switch for a choice of two different octave-up sounds. The versatile Soul POG delivers award-winning overdrive and flawless polyphonic octaves in any combination!
From the sound of it, Electro Harmonix don't sound very inspired by this mash-up either.
They Try'd This Before
The Turnip Greens pedal was the previous mash-up of the Soul Food and Holy Grail MAX. I was pretty interested in that pedal and almost bought it until I remembered that I already owned the Soul Food and the Boss RV-6 was a thing... So I like the idea, but if you have either one of these pedals, then it doesn't do you much good to buy it again, right?
There Isn't An Incentive To Buy This Pedal Even If You Want Both Pedals
Even if you are looking to buy a POG and Soul Food pedal, why would you buy this? It takes two pedals that would run on opposite sides of your board and sticks them together. Yes, it has a loop so that you can run pedal in between, but that seems like a cable routing nightmare. Especially if you are like me, and have a decent sized board already laid out. Not to mention, the price is basically the cost of both pedal combined. Why? The pedal is more complicated, but one unit with less flex should cost less than two independent units.
It's More Tempting Than I'd Like To Admit
For the reasons above, this pedal is not to be desired, right? It doesn't make any sence. I shouldn't want to buy it. That's what I though, unit I saw this:
I want to make all those sounds. You did it to me again Mike Matthews...
From EHX:
Combines two sweet pedals—-the Soul Food transparent overdrive and Nano POG polyphonic octave generator—-in one potent multi-effect. Use them alone or together, put either first in the chain, insert other pedals between them with the FX loop. Also includes a cool Mode switch for a choice of two different octave-up sounds. The versatile Soul POG delivers award-winning overdrive and flawless polyphonic octaves in any combination!
From the sound of it, Electro Harmonix don't sound very inspired by this mash-up either.
They Try'd This Before
The Turnip Greens pedal was the previous mash-up of the Soul Food and Holy Grail MAX. I was pretty interested in that pedal and almost bought it until I remembered that I already owned the Soul Food and the Boss RV-6 was a thing... So I like the idea, but if you have either one of these pedals, then it doesn't do you much good to buy it again, right?
There Isn't An Incentive To Buy This Pedal Even If You Want Both Pedals
Even if you are looking to buy a POG and Soul Food pedal, why would you buy this? It takes two pedals that would run on opposite sides of your board and sticks them together. Yes, it has a loop so that you can run pedal in between, but that seems like a cable routing nightmare. Especially if you are like me, and have a decent sized board already laid out. Not to mention, the price is basically the cost of both pedal combined. Why? The pedal is more complicated, but one unit with less flex should cost less than two independent units.
It's More Tempting Than I'd Like To Admit
For the reasons above, this pedal is not to be desired, right? It doesn't make any sence. I shouldn't want to buy it. That's what I though, unit I saw this:
Labels:
EHX,
EHX Soul Food,
Electro Harmonix,
NAMM 2016,
New pedal,
New Pedals,
New POG,
New Products,
New Soul Food,
POG,
Soul Food,
Soul POG,
Winter NAMM
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