Showing posts with label Acoustic. Show all posts
Showing posts with label Acoustic. Show all posts

Saturday, January 26, 2019

NAMM 2019: Fender American Acoustasonic

NAMM is upon us again, and I think the thing that everyone has an opinion about is the new Acoustasonic guitars from Fender. The early 2000s were a pioneering time. One of the standout products for the guitarist from that time is the Acoustasonic. You can probably think of someone you know that know that owns one. I know so many people that had one. this guitar is like the product of a love affair of Ovation guitar, with its round, composite back, and a Telecaster. I honestly can't stand them. They are neck heavy, bulky, awkward and dead sounding. In short, I hate them.

Enter, NAMM 2019. Fender has had hit after hit. The new line of effects is stellar and growing. Their limited artist tribute series must be making money hand over fist. It seems like Fender can do no wrong. Then there is this. The concept is a compromise. It must have been designed by a committee. It's like someone asked, "How do we get an electric guitarist to buy an acoustic?" then people started shouting out ideas at random. The end result was what we know today. It looks like they got the band back together to brainstorm again. This time they thought that exotic woods, an oddly sized soundhole and randomly place pickup should be added. I don't know what the street price is on this, but I'm sure I wouldn't pay half of whatever it is.

Friday, July 10, 2015

The Ugly Truth About TC Electronic Bodyrez Acoustic Pickup Enhancer



So TC Electronic brought this thing the Summer NAMM and I honestly have to say that I'm geeking out about it. It looks like a great solution for an acoustic player. The video (that we all expect to see from TC Electronc now) explains, and hypes, this tiny pedal. Like their ditto pedal, there are more features than you would expect from a pedal with one knob. There is a feedback filter, phase inverter, and mute function. In a pedal with ONE knob. Not only that, but the eagle eyed among us may have noticed that there appears to be a micro usb port. So this pedal might be a part of the Toneprint series, or at least give us more options with connectivity.

So what is so ugly about all these features being stuffed into a tine little box? Well, Lets look. If you are a acoustic player, then you probably don't use many pedals. A tuner as some sort (which may not be a pedal), A DI to run into whatever PA you use, and maybe a tone shaping tool provided that your onboard electronic doesn't do it for you. You might run a delay or reverb, but that is a Effect as apposed to signal processing. What TC Electronic has made is a super compact pedal that provides a simple and elegant solution. But these are other options.  BBE makes the AcoustiMax that does everything this pedal does and give you tonnes of control. It is also roughly 7 time larger than this pedal, but it includes everything but a tuner. Aphex make the Acoustic Xciter. I love this pedal as well. The controls are a little more open to interpretation, but the effect it has on a peizo pickup is amazing. It doesn't have all the function of the Bodyrez, but you'd be hard up to find a pedal that does what it does as well. I'll be first in line to get my hands on one come September, because these don't hit the market till the 29th of September. I guess we will have to wait till then.

Tuesday, February 24, 2015

5 Accessories That Every Guitarist Should Own



When you walk into a music store and look around, you are confronted with a litany of choices. Obviously there are the instruments, there are probably enough to make your head spin, but lets say you have your instrument (guitar obviously). So what now? If you have an electric then you are going to need things to accompany it like a amp and chord, but lets include the acoustic guys in on this. What do you need with your guitar whether it is electric, acoustic or both. Lets see:

1. Clip-on Tuner

Oh course you need something to keep yourself in tune, but there are lots of options. There are the stand-alone units that fit nicely into the pocket of your guitar case or gig-bag. You may also see the pedal tuners that are very popular with those that play on stage. Then there are the ones that clip on the head stock of your guitar. All of these options work, and I've used them all. Some work really well. Most of the stand-alone units are really good. Some of these you can even plug directly into, but all use some type of internal mic. That can make for a awkward time at a jam session or rehearsal. They don't do well with a lot of excess noise, and you have to balance it on your knee or prop it up somewhere close. The pedal tuners are fantastic. They work well in a lot of situations. They are accurate, and reliable. However if you don't have pickups then you are out of luck, also they require power from a 9-volt or power supply. The nail in this coffin is their cost. You're looking at a hundred dollars for the industry standard Boss TU-3 tuners. Other pedals are out there and work, but not all tuners are the same. Fender put out a pedal tuner that was practically worthless. That leaves us with the clip-on style of tuners. These are my favorite for several reasons. They don't use mics, they actually feel the vibrations of the guitar. This works rather well. I can tune in noisy situations without much difficulty. They live on the head of my guitars so it make keeping up with these things rather easy and there isn't the awkward holding situation as with the stand-alone units. They are battery powered, but usually the battery is included and last for a long time. I've been using one for more than a year without needing a change. The best part is that they are cheap. You can usually find one of these types for less the either of the other two. That's why they are my choice.

Guitar Stand

This may not seem like a necessity, but there are many times when I wished I had an extra stand or two so that all my guitars had a nice place to sit. When starting out it is important to have a good, stable place that will keep your guitar safe. I teach student the guitar and they often come in with banged up instruments. This can be easily remedied with some forethought. There are many brands and designs of stands. Most cost less than twenty dollars. There is no need to buy the most expensive stands. There are some that are crafted out of wood, or some that hold several guitars, these my be the right choice for your particular needs, but the most basic stand with work for most guitars. These are excellent for that beginner, because they keep the guitar in sight. Its much easier to grab the guitar out of a stand than dragging it out of a case.

Capo

Many new guitarist down even know that there is such a thing. It is one of the most frequent question that I get, "What is a 'cap'o?" Its a little hard to explain, but a capo can make your playing much easier. Recently I was play at a rehearsal and realized that didn't have my capo. Come to find out we were playing in some odd keys and needed to modulate. To make things worse my music was written for the use of a capo. Being the guitarist that I am, I re-tuned my guitar and transposed the music. This meant that I came in late to any song that I had to re-tune for. I jumped from a whole step down to a half step up. Not a lot of fun. Life could have been a little easier if I had just remembered that little accessory. Again, these are usually no more than twenty dollars. You can find many for much less. If you play with other musicians or play along with a radio, these things can really be useful.

Case/Protection

So anyone who plays the guitar is going to need some protection. Moving a guitar is probably the most likely time that your guitar will be damaged. I've transported guitars with cases, but its always nerve-racking. Its not just cosmetic. The neck joint of your guitar is sensitive to outside forces. Undue pressure can cause the neck to bend. Guitars are robust. A quality instrument will be made to last for years, but a case will help keep your instrument in like-new condition much longer. There are several options. The two main options are a hard-case and a gig bag. A hard case is going to offer more protection from outside forces. A gig bag is a good option to carry a guitar from here to there. Most gig bags have straps to carry like a back pack. That's helpful for when you have a lot of equipment to carry. Being able to have two available hand while carrying a guitar mean less trip from your vehicle to the venue. A soft case is another option. It's more cost effective than a standard hard-case and almost offers the same level of protection. Flight-cases are just what they sound like, cases that are intended to be put in storage compartments. They offer the most protection for your instruments and they are the standard for professionals, but they can be very expensive. There is little instinctive for the regular musician to have one of these until they have need for that level of protection.

Tablet

This is the only option that is not offered at a music store. A Tablet can be extremely useful for a musician. It is hard recommend this to all my students, but the more serious student can benefit from this piece of tech. There are many options when looking at tablets. The good part is that, for the most part, the application that are used most for music don't require outstanding performance. Music is easily organised and stored, audio is made very available, looking up chords is made very easy, even searching for lessons is made possible. Maybe the best part of using a tablet is that you can play and studio music completely paperless.

Obviously these things are not necessary to play the guitar. After all, people have been playing guitar for years before any of these thing existed. These are the things that I use in my day-to-day that make it easier. I've been playing before some of these things were even around, so I enjoy these innovations. Many of these things are common sense, and you can decide for yourself what you need.



Thursday, April 22, 2010

Aphex Acoustic Xciter Pedal

... if you are serious about playing live acoustic guitar you probably have heard a lot of things about would you should and should do to your signal. Some people think that if you drop the cash on an amazing instrument then it should do whatever you need it to with no questions asked. Others want control over their sound no matter the environment they find themselves playing in, If you've ever played acoustic in a live setting then you know that the sound guy is going to want to plug you in the mains. In order to do that you first have to convert your 1/4 inch into a xlr. Sure they make 30 dollar boxes that do this, but thats not a whole lot of fun.

The Dirt: First of all, what in the world does an "xciter" do? I really don't know. You see the knobs; lo tune, lo blend, hi tune, hi blend, but what really goes on when you hit that little shinny button. It works almost like an Eq, but it also adds compression. Pick noise is a little more evident. And even more so if you are heavy on the hi blend. Its obvious that this pedal is purposed to add a broader range of frequencies. But then again, I'm not exactly sure what all its doing to accomplish that, and that is a little unsettling.

The Goods: Besides the fact that I'm not sure what all this pedal technically does, I love the way it makes my guitar sound. It adds a punch to the sound. Its not the solution to every problem, and it can cause feedback in many situations, but if you acoustic signal is a little thin, this pedal will put some meat on them bones. Or a whole lot of meat if you'd like. Don't think that this just adds low end. It also adds hi end. In fact, the hi end is more like the presence knob you find on some (better) amps. Its like the knob that other amps leave off, the high hi-end. Then the lo-end is the same in reverse. Its lower than the low on your guitar's Eq

In summery, this pedal is good. It does good things to the sound of acoustic guitar sounds and is in my line when I play acoustic live through a system. Its compact and fits in my guitar case. It can act as a DI or be powered by phantom power (neat trick). Down side is that when you use phantom power, it will need another box to convert to xlr. The unit is a little steep for what it does. 150 from MF, but I found one of ebay for less than half.