The Panther Cub has been a massively popular pedal for those that love analog, bucket-brigade delays. JHS has somehow stuffed the contents and features of the previous versions into a much smaller package. Good things come in smaller packages because the Cub now has active EQ, Smoother Oscillation, Gain Control, and Full Wet Mix. Everything you love from the original, plus some, in less pedal board real estate.
More Info From JHS:
In 2011, we released the Panther Analog Delay. Almost exactly two years later in 2013, we tried a nearly impossible feat of taking everything we love about the Panther Delay, making a few improvements, and packaging it into an enclosure half the size. Today in 2018 we're repeating the feat and making the Panther Cub V2 half the size once again!
What's New on the V2?
- Half the size of the Panther Cub V1 and Panther Cub V1.5
- Fully Wet Mix now available
- Gain Control to set overall volume
- Even smoother oscillation and run-away
- Active EQ, which functions at a Tilt style EQ
100% Analog Bucket Brigade Technology
The Panther Cub V2 is voiced to deliver the dark and chewy repeats that analog delay fans clamor for. The Panther Cub offers you 1,000ms (one full second) of delay time! Bring in beautiful, ambient modulation with the pedal's modulation controls.
- 1,000ms of Delay (1 full second)
- Four 3205 Bucket Brigade Delay chips
- Onboard Modulation that stays accurate even when using Tap Tempo
Extensive Onboard Control
Thanks to its groundbreaking feature set, the Panther Cub Delay has been one of our most intriguing pedals to date. It's not often you find an all-analog delay with onboard tap tempo and a 4-section RATIO control with settings for quarter, dotted-eighth, eighth, and triplet divisions. In fact, our original Panther Delay was the first to do it in 2011!
- Soft-touch Tap Tempo switch
- 4-position RATIO control (1/4, 1/8, dotted 1/8, Triplets)
- True Speed LED (indicates rate of actual delay)
External Tone-shaping Power
The Panther Cub's control and tweakability extend further than what you'll find onboard. An expression pedal input can be assigned to change many of the pedal's settings on the fly. And you even have the opportunity to externally control your tap tempo and tap slave the Panther Cub to your other time-based pedals.
- Dry Out (via TRS splitter) for stereo field of sound
- Assignable Expression (control Time, Ratio, Modulation)
- Tap Input/Output allows external tap controller or tap slaving
Additional Panther Cub Benefits:
- Even smaller Pedalboard-friendly size
- Space-saving top-mounted Input/Output jacks
- True Bypass Switching
- Standard 9V DC negative power
100% Designed, Populated, and Assembled in Kansas City USA
Showing posts with label V2. Show all posts
Showing posts with label V2. Show all posts
Thursday, February 1, 2018
Wednesday, January 31, 2018
NAMM 2018: JSH Andy Timmons V2
The Andy Timmons pedal from JHS has been a huge success for JHS. Guitarist have loved the original so much that JHS has come back with a version 2. So how the guys at JHS have found a way to squeeze a boost into their compact pedal. The boost is selectable via an addition footswitch. If you are a fan of the original, then you might dig applying the AT just the way Andy does. With a specially designed and tuned boost, you can boost it just like Mr. Timmons too.
More Info From JHS:
In 2016 we brought you the AT, Andy Timmons artist signature pedal and we're really proud to bring you the next iteration of this phenomenal stomp box, The AT+.
The JHS Pedals AT is Andy Timmons signature overdrive pedal that gives Andy his unmistakable lead and rhythm tone. Upon purchasing a JHS Angry Charlie in 2013, Andy began using it as his primary tone and soon after got in touch with Josh Scott about modifying it for his needs. Through going back and forth and tailoring it to Andy’s tastes, the “@“ was born and eventually released into production in 2016. This pedal gives you all the soaring overdrive and distortion that you hear from Andy with plenty of options to craft your tone with your rig. So pay ATtention and we’ll see what makes the AT rock.
Does the AT+ sound the same as the original AT?
Yes! The drive channel of the AT+ is identical to our original AT pedal. No changes were made whatsoever and the controls remain the same. They include Volume, EQ, Drive, Air, and a three-way toggle for 25-watt, 50-watt, or 100-watt modes. The Volume gives you plenty of headroom to play with, while the Drive control has a wide range from high gain blues to thunderous distortion. The tone controls work together to give you the ability to shape your tone and sit perfectly in a mix. The EQ works as a standard bright/dark tone control, while the Air control rolls in top end like a presence control so you can have just the right amount of brightness for articulation and clarity. The three-way toggle gives you the feel of different wattage amplifiers. The up position is the 25-watt setting with the most compression and saturation with the least amount of volume. The down position is the 50-watt setting for a good balance of compression and openness. The middle position is the 100-watt position for tons of volume and open crunch while being less focused.
Two channels are better than one!
New to the AT+ is an independent foot-switchable Boost...essentially creating a second channel and gain stage for the pedal. The boost side of the AT+ is a slightly dirty and overdriven pre-boost that allows you to hit the front end of the AT drive channel and achieve more saturation and definition for applications where you need more. Since the Boost is independent, it can be used alone to drive your amp or other drive pedals in conjunction with the AT+ drive channel.
This pedal requires standard 9V DC Negative power, consumes less than 100mA, and measures 2.2"x4.8"x1.6".
You can safely run “The AT“ at 18 or 9 volts.
More Info From JHS:
In 2016 we brought you the AT, Andy Timmons artist signature pedal and we're really proud to bring you the next iteration of this phenomenal stomp box, The AT+.
The JHS Pedals AT is Andy Timmons signature overdrive pedal that gives Andy his unmistakable lead and rhythm tone. Upon purchasing a JHS Angry Charlie in 2013, Andy began using it as his primary tone and soon after got in touch with Josh Scott about modifying it for his needs. Through going back and forth and tailoring it to Andy’s tastes, the “@“ was born and eventually released into production in 2016. This pedal gives you all the soaring overdrive and distortion that you hear from Andy with plenty of options to craft your tone with your rig. So pay ATtention and we’ll see what makes the AT rock.
Does the AT+ sound the same as the original AT?
Yes! The drive channel of the AT+ is identical to our original AT pedal. No changes were made whatsoever and the controls remain the same. They include Volume, EQ, Drive, Air, and a three-way toggle for 25-watt, 50-watt, or 100-watt modes. The Volume gives you plenty of headroom to play with, while the Drive control has a wide range from high gain blues to thunderous distortion. The tone controls work together to give you the ability to shape your tone and sit perfectly in a mix. The EQ works as a standard bright/dark tone control, while the Air control rolls in top end like a presence control so you can have just the right amount of brightness for articulation and clarity. The three-way toggle gives you the feel of different wattage amplifiers. The up position is the 25-watt setting with the most compression and saturation with the least amount of volume. The down position is the 50-watt setting for a good balance of compression and openness. The middle position is the 100-watt position for tons of volume and open crunch while being less focused.
Two channels are better than one!
New to the AT+ is an independent foot-switchable Boost...essentially creating a second channel and gain stage for the pedal. The boost side of the AT+ is a slightly dirty and overdriven pre-boost that allows you to hit the front end of the AT drive channel and achieve more saturation and definition for applications where you need more. Since the Boost is independent, it can be used alone to drive your amp or other drive pedals in conjunction with the AT+ drive channel.
This pedal requires standard 9V DC Negative power, consumes less than 100mA, and measures 2.2"x4.8"x1.6".
You can safely run “The AT“ at 18 or 9 volts.
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