Showing posts with label Sad. Show all posts
Showing posts with label Sad. Show all posts

Friday, February 10, 2017

More Ugly Truth About JHS Pedals

Love them, or hate them, JHS Pedals have made quite a name for themselves. JHS has been designing and building effects for a few years now and there is a long list of high profile names that have endorsed them. They claim to be played by Andy Timmons, Ryan Adams, and John Mayer. So they must be doing something right. However, they are also doing something wrong and that's what I want to talk about.


Shame


JHS has a fair sized collection of effects that bare there name. Overdrives, distortions, Delay, Reverb, Boosts and more. All of them pedals demand a price that fans of boutique pedal are accustom to. $250 for an overdrive and boost is middle of the road for the market, but I've notice a few new faces in the line up that seem not to fit in the typical 'JHS' mold.  There are half a dozen or so utilitarian type pedals that seem affordable next to the other offering by JHS. So if they are a fraction of the cost of the others, then what's the problem?


Shame


These pedal include a Remote (Tap), Stutter (kill switch), Amp Box, Mute Switch, A/B, Buffer, and Splitter. "Great!" You say. Cheap boxes that do little jobs. That's not an ugly truth, that's just a good heads up. I'm sure that's what any JHS fanboy would think, but let look a little hard at the little boxes. When we do, we discover that there is little in these boxes that make it worth what they want for them. I know that the 'cost of materials' debate is not a new one (ie it only cost $40 for all the parts that go into a pedal. why do I have to pay $200 for it). Lets take the Red Remote for example. It is literally a footswitch wired to a 1/4" jack. A few dollars of materials and an equally few minute of work, but put JHS on it and it's a $35 pedal. The Stutter is no different. It is just the same switch between two jacks. The Mute switch adds an LED to the formula and charges an extra $10 for it. Wire that up slightly differently and you get the JHS A/B Box. The buffer does add some actual signal processing, but for the few part that it cobbles together you pay another $25 for it. Sad. Just Sad.


Shame


I know what JHS is thinking. Not everyone can afford their pedals, but they want everyone to own a piece of their gear and represent JHS on their board. Make something for the little guy or the beginner. Simple tools of the trade that everyone needs. Or they might just feel like they can charge a premium for simple boxes filled with mostly air. It kills me that I know you can get the same pedal for half of what they want for the JHS version. Maybe I'm missing something here. Maybe there is more to it. But from what I can see, this is just a case of taking advantage of you customer. I wish there was something redeemable about this 'pedals', but I just don't see it.



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Wednesday, December 14, 2016

The Ugly Truth About Christmas Songs (Carols)

Let me start off by saying, Christmas music kind of sucks. Lets face it. It is written to amuse small children and remind of our memories of Christmases when we were small children. They is comfort there, but that doesn't mean that it is any good. Let's take a look at some of the worst parts of the Christmas season. Besides the rampant consumerism, decadence in the face of abject poverty, fanciful-fatman themed emotional manipulation.




Existential Crisis Around Santa Clause


To be heard in "Santa Clause Don't Be Late" and many others. There is something about hearing a grown person persist that there is a large man appointed to venture down a chimney, that doesn't quite sit well. "Grandma Got Ran Over By A Reindeer" is song where an entire family lose track of an elderly woman, and assume that she was trampled an elf, his sleigh and eight tiny reindeer. But the underlying them is whether or grandpa still believe in Santa? And yes, many songs promote the belief is Santa as believing in the spirit of generosity and charity, but some do so in a very disturbing manner. I don't know what it is, but when otherwise rational adults start speaking like Santa is going to show up it bothers me. It make me wonder is there is some underlying adult them with all this talk about "shimmying down people chimneys" Speaking of adult situations...

Overtly Sexually Themed Holiday Songs

The most sexualized song in the Christmas catalog is debatably "Santa Baby". Sang in a manor akin to Marilyn Monroe's breathy, sing-songy whispers, This song is like a checklist of female objectification and stereotypes. Not to mention that the song is repetitive and boring. Then we have the heap of creep that is "Baby, It's Cold Outside". The most Christmas-y song centered around date-rape... "I Saw Mommy Kissing Santa Clause" is a troubling song in is a very real and tangible way. The song raises more questions than it answers. There is the parentally infidelity, the child's voyeurism, the possibility of holiday themed role playing. I just don't understand why this, of all songs, is a cherished holiday classic. This is made all the worse by the fact that it is sang by a young Michel Jackson. If you know anything about the life of Michel Jackson, you know that his childhood was not entirely whimsical. The end of the song even includes the older of the Jackson 5 berating young Michel for the insinuations. It's just sad. But speaking of sad...


Song That Have No Purpose Other Than Being A Punch To The Gut


"I'll Be Home For Christmas" is generally accepted as one of the greatest and time-test holiday classics. Bing Crosby's crooning is a perfect match for this song. It is almost hard to imagine many of the classis Christmas films without this number in it. However, to the keen listener, the protagonist of the song does not end up spending the holidays with friends and family. Thanks for that cherry ending Bing... But then there are just entire song written to make you uncomfortably sad, while pretending to be about Christmas. The Vilest offending, of course, is "Christmas Shoes". In the last decade and a half, I have been subjected to this miserable song as nearly every Christmas themed production. There must be some sort of connection between depressing ballads and armature vocalist. Maybe the fact that the song makes you face the terribly crushing reality that you have/had a finite time with those that you love and every minute spent listening to awful holiday music is another moment wasted. Obviously this makes everyone sad, and the people who choose to sing thing song are just the worst kind of people that want to bring nothing but pain...


Conclusion


Despite sounding like a huge killjoy. I do love this time of year. I love the time I get to spend with friends and family. As a kid, the focus may be on gift, lights and avoiding having cheeks pinched (do aunts still do that?). As an adult(ish) I love seeing all my family in one place. Somewhere I can spend time with the people that mean the most to me is something that I wait all year for. So, even though there is a vast ocean of music that is just subpar in the most objective way possible, it's really the people around us that make this the best time of year.



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