Ugly Guitar Truth: Marsall Code vs Boss Katana

Recently I was able to check out two of the most promising budget/modeling combo amps released in 2016. The BOSS Katana (100 watt combo) and the Marshall CODE (50 watt combo). Both of these amps have been backordered and hard to come by via the online stores practically ever since their respective releases. (The Marshall CODE, as of this writing, is still backordered) So when I was able to sit down and meet these amps in person, I was very excited. I had been cautiously excited about these two from the moment I saw there specs. I was eager to find out if they would exceed my expectations, or succumb to the fate of most other modeling combos. Let's find out.






The Marshall CODE

I was very surprised by the size of it. It was so tiny. I had to reassure myself that I was actually playing the 50 version and not the 25 watt 1x10. I was, and boy could I tell. It was loud! I had a fear that it would sound boxy, it didn't. The small frame is very misleading in the best way possible. The next thing I noticed was the controls. I should say, the lock there of. I've seen plenty of pictures and I knew the specs, but nothing really prepared me for the simplicity of the layout. I recalled using a Marshall AVT 150 head with it's 24 knobs. I absolutely loved this about the CODE. It is very easy to tweak all the things that matter and there isn't any messing around with menus unless you absolutely have to. Although, if you do want to fiddle with presets, you (kind of) have to download the app. These amps do suffer from what all modeling amps suffer from, endless menus. From just a little poking around I was lost and then greeted with ear-blistering feedback. I must have pushed the wrong button. There are 8 of them, and each one made me feel dumber than the last. But that's why Mashall made these amp Bluetooth ready. Now we have a pretty little app to navigate instead of fidgeting
with all those buttons.

So I was somewhat limited to the preset to my review, and I am aware that the "presets always suck", but then there's the Marshall CODE. The preset are actually pretty good. They also span a good range. They aren't just: Metal, Nu-Metal, Grind Core, Heavy Metal, Metal-Metal.. and so on. Everything from cleans to crunch, and yes, even metal where offered up and surprisingly believable. Understand I come from the dark ages where modeling amps just gave you a range of eww to yuck. You desperately tried to clean up to tone enough to keep it from becoming mushy and falling out of the mix. But this amp would have no problem with that. It has plenty of presence, and it holds its bottom end quite well. The single most impressive thing, to me anyway, is the freaking cab simulator. I might as well hang up my gear review career (bahaha career... anyways) because I never saw the day I'd actually like a cab sim, but this one works. It's not just different colored blanket over the speaker. I don't know what wizard they have at Marshall casting these spells, but these thing made this tiny little amp sound like it came from my Marshall 1960 cab. Huge caveat: the amp most diffidently has an optimal listen position. Please don't think that you can fill a room with this amp like  you could with a 4x12, but listening from the right spot, you absolute get the feeling that you are playing through more than one speaker. Guys, I kid you not, after I played this amp I didn't know who I was any more. I had a full existential crisis. It got weird. Things that I believed were falling down all around me. Who was I? Why was I there? And then I remembered that I was guitarist and I was here to rock! On to the Katana

The BOSS Katana

Still a little shaken from playing the Marshall CODE I started on the BOSS Katana. For a hundred watts, this amp is on the small side. It would win in a bar fight against the Marshall 50 watt CODE, but it'd be beat up pretty good. (assuming the Mashall 100 watt 2x12 CODE doesn't show up... that guy... ptsh) The Katana rocks a 12" speaker and cute little kickstand. Even on the .5 watt mode this amp was plenty loud for the room. However, I didn't want to listen to an amp whisper at me, so I turned it up to the 50 watt setting and adjusted everything to my liking. Including the power mode selector, the Katana had a dozen knobs. My heart sank. I loved being presented with the Marshall's simple-six, but BOSS was smart and organized them in way that even made sense to me. In addition, I found the BOSS, predictably, more flexible (by hand) than the Marshall. changing things like effects on the fly were much simpler with the BOSS. However, the real magic in the amp is in the flexibility and maneuverability of the Tone Studio editor. It's basically like unlocking the cheat codes to a video game. There is so much more if you really want to crack into it.

The greatest strength of this amp is the Amp Type selector. There are only four modes (excluding the acoustic mode) but every one of them is usable. In fact, actually rather stellar. Each one sounds natural and clear. Unlike other amps that just heap mud on top of your tone as you travel gainy to gainier amp settings (looking at you line6). BOSS has done a very smart job of making each type distinct and nuanced. The Lead setting isn't Crunch but louder, The Brown setting isn't lead but... brown-er? Anyways, each setting is lovely. You can hear the years of experience in this amp. The Clean and Crunch setting borrow form Roland's Blues Cube, and the Brown setting is the little brother of the WAZA Craft amps. Not having any experience with the included software, I can't speak to its usability, however it looks like you have the flexibility to nail a huge range of tones. These are lovely little amps that seriously rocks. However, they do lack the mobile app interface. Something I, until recently, assumed they had (woops). Besides that huge, glaring misstep, this amp is a homerun. I was much more excited than I had any right to be for this amplifier, and I was not disappointed.

But this was a verses review...

Conclusion

I'd almost have to pro/con this one out. Marshall absolutely killed everything. BOSS put together something that was everything I didn't know I wanted. Marshall has a deeper set of parameters. The BOSS does everything very well, and has some features that the Marshall doesn't (line in/out). That is kind of unheard of in amp in this range. I think BOSS thought that people are still going to want to run effects into their amp and having that option helps a ton. That way you don't run all your outboard effect through that digital modification. That's smart. Marshall is basically a do it all box that could possible have software updates making it virtually limitless... kind of scary... in a good way.

So I played these amps back to back. I had no idea which was better when I was done. I didn't know which one I'd choose when I started writing this (full disclosure: I was leaning BOSS). But after having to write about the Marshall and really process all that information again, it is really close. Real talk, it would depend on the situation and your preference. For me? I'm going with the Marshall.

Why?

• Super Flexible
• Amazing Amp Sims
• App integration w/Bluetooth
• 5-At-Once Effects

p.s.


I know this thing is super long and thank you for reading this far, but let me know if you guys like the whole "verses" thing or if you like your review to be more standalone. The situation kinda presented its self in a head to head way, so that's what I wrote. Anywho... Thanks!

The Ugly Truth: Vox Pathfinder 10

I took a trip to my local music store, as I do, and tried the wears. I also like to give the used gear a good look, because that tends to be interesting and affordable than the new stuff that fills the walls. So I grabbed a Jay Turser strat copy and when to test it out through an amp. I'm aware of the good-amp/bad-guitar paradox. A cheap guitar through a good amp will sound good, but a good guitar through a cheap amp will sounds "cheap". So I matched my budget guitar with a budget amp to see what a "typical" rig would sound like. I picked a Vox Pathfinder 10 (Union Jack themed) to run through.

It's just so dang pretty...

Notice this is not "The Ugly Truth about a Jay Turser Strat". The guitar was bulky and uncomfortable to play. (which is actually pretty though to be for a strat, one of the most comfortable and body conforming guitars on the market.)

The Looks

The Pathfinder 10 is about the size of a large lunch box and not much heavier. It doesn't impress anyone with its size. I've played several small "lunch box" amps: Yamaha, Pignose, ZT. Not to mention the small "practice" amps that most all major brand produce (think beginner package amp). This one is among the prettiest. The Union Jack in particular has caught my eye. The ivory tolex appeals to me evidently, since I also enjoy the look of my Palomino 15. The grill cloth is really fun too. The amp just looks like a British amp should, just a bit smaller. There is absolutely nothing ugly here, I just wanted to talk about how much I enjoy the looks of this amp. For an amp that is going to be hanging out in office or on top of a desk, this is rather important.

The Sounds

The worst thing about this amps is the small, boxy sound that they all intrinsically have. That is, except this one. Yes, it has a single 6.5" speaker, but you would never would have guessed. I played this amp for a considerable time, and after the shock of how nice this amp actually sounds, I tried to make that little 6.5 inch speaker get mushy on the low-end. I was able to do it, but not until getting rather abusive with it. The Vox "bull dog" speaker gets a lot of respect from me. I have another Vox combo with those speakers and they are just top-notch. The amp has two channels, Clean and Drive. The way they have put this amp together is super smart. You can play squeaky clean all the way to super saturated and when the gain in pegged on the clean channel, just roll it all the way back and switch to the drive and pick up where you left off. Its a simple concept and this amp has nailed it. The Treble and Bass knobs are extremely flexible.

The Size

Ok, so the looks and the sounds are pretty great for an amp that you can take as a carry-on. What is actually ugly about this amp is that it's nearly the biggest in the "under $100, micro-sized, multi-channel" category. It should be the best. What isn't flattering about this amp is the limitations. The optimum listening area, that all amps have, is small. There is little in the way of features. I'd like a speaker out (which is asking a lot from a 10 watt amp) for "amp stacking", and a foot switch out to change amp channels. Those two options would make this amp a steal even at the $90 they want for the dressed up Union Jack edition.

The Conclusion

I am impressed by this amp. It punches way above the $80 price tag of the plain-clothed version. If you like the sound of a chime-y, British amp and have need of a small desktop/bedroom amp, this is it. I haven't played anything else that rivals its value and sound. No build-in effects, no frills, just solid, straight-forward tone at a decent value. This amp is an Absolute win! (I just so happen to own one)