Showing posts with label Delay Pedal. Show all posts
Showing posts with label Delay Pedal. Show all posts

Wednesday, August 12, 2015

The Ugly Truth About The Obscura Altered Delay From DigiTech

The Obscura Altered Delay from Digitech is without a doubt one of the nicest-looking, solid-feeling, vibe-inducing effect that I've seen, possibly ever. Digitech has done a good job of capturing the buitque look and feel with their recent releases. The Obscura Delay is diffently a standout unit, and players are drawn to the looks as well as the promis of some exciting and expressive new features. 


Digitech has this to say about there lastest offering:

The Obscura Altered Delay from DigiTech allows you to turn your delays upside down and inside out. The Obscura’s four delay types can be darkened, degraded and distorted on the fly with the stacked Tone and Degrade controls. Combine these controls with the Obscura’s Repeat/Hold feature and lose yourself in long, trippy, gurgling repeats or backwards-manipulated sonic mayhem. In addition to its Tone and Degrade controls, the Obscura features independent Level, Delay Mode and stacked Time and Repeats controls. Complimenting those versatile controls, the Obscura offers four excellent-sounding Analog, Tape, Lo-Fi, and Reverse types, Tap Tempo mode with Beat Divisions, Stereo Inputs/Outputs, a Delay Tails On/Off Switch and True Bypass circuitry. With its compact size and vacuum-style footswitch, the Obscura furthers DigiTech’s evolution in pedal design. We’ve put years of experience into every detail of its mechanical and sonic blueprint. The Obscura uses a 9V DC power supply to easily integrate into your existing pedalboard.

Like the pedal its self, that's the pretty picture. But we're here to discuss the ugly truth. Let's talk about what this pedal really does and get to the bottom of this pretty, little, dressed-up box.

It's A Delay



It is easy to forget that this pedal is a pretty basic effect. One that most guitarist, like myself, have on their board already. It does everything that a standard Boss DD-"whatever" does. It has "LEVEL", "RATE" and "REPEATS", but that is literally half of what this pedal does. It have 4 modes just like Digitech says. What makes this pedal "different" is the Tone/Degrade knob. So Tone isn't all that new, but the Degrade feature is... neat. We all know what happens when we set a DigiDelay to "TAPE". The repeats get darker as they continue. Basically this pedal takes that idea and runs with it. When I sat down to play with this pedal, I was expecting weird sounds, trippy effects, and chaotic noise. What I got was a delay with flexible tone degradation on the repeats. There are some cool warpy noises that you can create if you adjust the "TIME" knob while the repeats are going, but that's a feature of most delays... 

It Shoots Its Self In The Foot

Why do guitarist love analog and tape delays? Because those effects become subtle and fill in the background to give a soft pallet of noise to make are sound fuller. This pedal is a great example of that effect. It does that perfectly. You are almost defied to find a setting that does not create a noisey "scene" to endlessly riff over. BUT the subtle differences between settings (that aren't standard delay 'TIME, LEVEL and REPEATS') made it hard to distinguish if you are using TAPE, LO-FI, are ANALOG. They are become soft, washy background noise. 

In Conclusion

When I picked up this pedal (besides being blown away by the mere fact that Digitech produced it) I was expecting something radical out of it. The image on the front made me think that this pedal could produce a "death-rattle" effect. After cranking knobs and playing to its strengths, I could hardy tell that this pedal was anything but a delay. In that regard, it is a fine delay. It is reasonably fun to play with the DEGRADE knob and it is almost look one of those 'Look and Find' puzzle to spot the differences in the MODE settings. The reverse doesn't really fit in with the whole "degrade" angle, but it too is fun to play with. If you are into ambient noise you might be interested in this pedal for the fact that it extremely flexible in the ways of degrading delay trails. If you are looking for a good work horse delay, you may want to look into a DD-7 for the some money. The build of this pedal is super-solid and the graphic is very cool (way cooler than a Boss box). It's just not the crazy-sound-inducing pedal that it's hyped to be. 

Monday, July 13, 2015

Ugly Truth About The New Boss DD-500 Delay Pedal

Let me just say that when I saw the new delay play from Boss. I was excited. It has been years since I've seen something from Boss that I actually got excited about. In the last couple of years we've seen some special edition Blues Drives and Distortions. We even got a remake of the old analog delay. Somewhat recently Boss unveiled their Tera Echo. My local music store clerk was pretty excited about that one, but I didn't exactly go to pieces over it. I wan't to like these pedals, but they just came off as overpriced and over-hyped. But The DD-500 is something that I can honestly say that I'm excited to get my hands on.



I've used the DD-20 delay for years and loved it. The features are great and the operation is simple. The twin pedal design has had limit success. Boss has offered many effect in the twin format. Most are forgettable. The OD-20 is a completely lack luster overdrive pedal, Space Echo and Slicer are not far behind. The Loop Station and Giga-Delay are the most recognizable and prolific of the twin series. But even those have started to look a little dated. It's been a considerable time since Boss pedal were held as trendy pedals. The design and look of their pedals have remained the same since the conception with little exception. That is until now.

The DD-500 is a direct departure from Boss' standard line of effects. Completely redesigning their pedal from the enclosure up. The addition of metal switches seems strange on a boss pedal, but good kind of strange. It is the the kind of strange when you realize that you like the way a Ford Torus looks. The market has changed for delays recently. I went to buy a good delay about 5 years ago. My choices were pretty limited. There was the Line6 DL-4 and Boss DD-20. Now we have a head spinning decision when shopping for delay. TC Electronic, Visual Sound, Strymon, and Empress making top notch delays.  The new Boss Pedal is trying to compete with these pedals. They have packed this pedal with features and options. It looks great, it sounds great and it's not outrageously expensive. It fits in Boss' current line of delays. The DD-20 is sitting at $200 and the DD-500 is set to debut at $300. While they compete with the top of the line Delay pedals, they sit near the bottom price wise.

The feature stack up and leave the previous models in the dust. It borrows from nearly every outstanding delay in the boss catalog. Vintage and Tape modes are pretty standard, but the Tera Echo also makes a contribution. The addition of the Tap/Control switch is a welcome addition. This switch is actually programmable. For a full list of features check out Boss' page. I have to say that I really want test drive one of these pedals and see just how this pedal stacks up against everything else out there is the market. Boss has made a departure from their norm, which is shocking.

Will there be more?

What pedal would you like to see get this treatment from Boss?

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