Showing posts with label Delay. Show all posts
Showing posts with label Delay. Show all posts

Monday, November 19, 2018

Ugly Guitar Truth: Boss Nextone Amplifier

Boss has been known for creating some of the most iconic and memorable guitar products of all time. A few years ago the world was taken aback when BOSS gave us the Katana amplifier. The internet was abuzz with talk about an amplifier that gave you tonnes of useful features and BOSS-quality effects. The Katana was not the first, but what made it a darling was that it started for $200. For what many pay for their first "beginner" amp, you could have an amplifier that could get you through your first gigs or be a respectable studio tool. I personally love the line-in and headphone functions. Many of my larger amp and combos don't include this feature. So it's nice to have this on an amp that doesn't make me feel like a compromising tone-wise.

I like the Katana, but why am I take about the Katana on a post about the Nextone amp? Well, my first thought I had about the Nextone, was that it was just an update/addition to the Katana series. Since the introduction, BOSS has added many more Katana models. I can't speak to have the success they all have been, but the Nextone seemed to be at home next to the Katana amp. However, this is not the case.

We've Seen These Before

The Nextone amplifiers are the newest amps from BOSS, and you wouldn't be wrong to think that they share some DNA with the runaway success that was the Katana line of amps. However, these amps are more closely related to the Roland Blues Cube. With just a look, we can see the similarities on the control panel. The channel controls are set up exactly the same. You still have the Tone and Boost controls, Tube Logic and Power Control that we are used to seeing of the Blues Cube. Is this a reheated Blues Cube sold under the BOSS brand? Well, in a word, no.

Something New

While this might have started life as Blues Cube, BOSS has taken lessons from the Katana and applied them to this amp. We can see it most clearly in the effects. The effects are one of the most impressive features of the Katana (besides the solid foundation of good tones). While we don't have the impressive library of effect from the Katana we do have delay, reverb, and trem built in with similar controls to the Katana. The main claim to fame the Nextone is the selectable "Power Section". You can select from 6V6, 6L6, EL84, and EL34 which are just coded names for American and British-type amps. In addition to what we can see on the outside of the amp, BOSS has created an editing software tool to support the backend of the amplifier. This is supposed to give you in-depth control over the "Bias" and "Sag" just like a tube amp. You can also change the EQ across the entire amp and play with how your effects loop operates. The Nextone editing software will also let you change the Boost function into a compressor. So, that's kinda neat.

Conclusion

I never really liked the Blues Cube series. In theory the Blues Cube is a good choice, but I always felt that if you were going to spend Blues Jr. money, then you should probably buy a Blues Jr. (although if you picked up a used Blues Jr. and put the money you saved and bought some effects, then you'd be much better off). However, BOSS has put a lot more into the Nextone. There a lot of features packed into these amps. Sometimes that spell disaster, but BOSS has impressed me with this kind of thing before. "Nextone" is a trash name, however. There is no getting around that. It brings to mind brands like Nux and Hotone for some reason. Both of which I wouldn't want to be associated with my top-shelf combo amps. They are handsome, so hopefully, that's enough to offset a throwaway name. Will I buy one? Let's just say that I'm interested.

Friday, October 12, 2018

Ugly Guitar Truth: EHX Grand Canyon Delay and Looper

It's been a year since the release of the EHX Canyon Delay and now EHX has announced the Grand Canyon Delay and Looper. It is a full-featured delay with expanded capabilities, a longer list of features, and dual switches. For fans of the original Canyon Delay, this is an obvious upgrade. While I loved the Canyon for its overstuffed feature set and compact size, the question of whether or not the Grand Canyon continues this trend is harder to answer. Let's take a look.

Size Isn't Everything

While I personally love dual-sized delays (mostly because of my fondness for my DD-20) the form factor plays a big rule in how this pedal is used. The original Canyon Delay was packed with features such as a "secret sub-menu" that allows you to edit modulations and other features depending on the settings. This would allow you to edit settings on the fly that you normally wouldn't be able to on a normal compact delay. However, there is no interface on the pedal, so the learning curve is a little steep, and on-the-fly edits would require a pretty deep familiarity with how this pedal operates. That's why the size of the Grand Canyon is important. The increased size lets you interact with pedal relatively easily. It also allows the addition of stereo ins and outs.

Quarter-Of-A-Grand Canyon

Price. When you pedal was announced, my biggest question was about price. I loved the original, but what was going to make or break this pedal is the price. It was a given that the price-floor for this pedal was going to be around $200. The Canyon sells for $140. It is a direct competitor to the TC Flashback II. The Canyon undercuts the price of the Flashback by $30 and offers a load of options without needing to be connected to a computer/phone. There is definitely a market for those that want a full featured, single-sized delay pedal that has no intention on updating patches. EHX delivered to those people. The Grand Canyon is yet another calculated play by EHX. This is a full-featured dual-sized delay that slides in under the price of every other modern delay in its category. While I would have loved to see this pedal in the $200-225 range (because I'm cheap), The $250 price tag is more than enough to not cannibalize sells of the original, but any higher it would start getting compared to the big flagship digital delay without the vibranium shield of "for the price".

For The Price

$200 doesn't buy the pedal it used to. I walked into my local guitar shop ready to buy the best delay they had. I had my choice of a Line6 DL4 and a BOSS DD-20. Both were about $200 bucks. Now, delays are just a computer with a special purpose. The BOSS DD-500 Costs $350 and blows the DD-20 out of the water when comparing features. A modern, high-powered, digital delay will cost $300 and up. Since the Grand Canyon is slipping in just under that mark, then you are going to hear a lot of "for the price arguments". "It doesn't do everything the DD-500, but for the price..." Feel free to substitute DD-500 for another big brained delay and mark my words.

Conclusion

The Grand Canyon looks like a feature-rich, intuitive pedal that seems poised to be successful. I think about the guy walking to the guitar shop looking for a delay. He doesn't want to spend the rest of the day reading a user manual. He wants to buy a pedal, head to a gig, and find some cool sounds. Sure, he might buy a DD-7 or a Flashback II, or maybe he'll buy the Grand Canyon.

Saturday, January 27, 2018

NAMM 2018: Fender Mirror Image Digital Delay Pedal

If I asked you to imagine a Fender effects pedal what would it look like? Would you think of the vintage Fender Bender, or the recent line of micro pedals? Either way, you probably would picture what Fender brought to NAMM 2018. These sleek, brushed aluminum bodied effect are rather impressive coming from fender. While it is rare to see a brand have a successful line of guitars and effects, Fender wants provide everything from the instrument to your effects, to the amp you play through (not to mention Fender branded cables, tuners, picks, etc...) What is surprising is that these effect look like a solid offering. They look high quality, and from the demonstrations that available, they don't sound bad at all.




The Mirror Image is no lazy nock-off of a popular delay. It seems functional and well thought out. I can honestly say that this is the first Fender effect pedal that I've seriously considered purchasing. I'm sure we will find out more about the pedals as more people are able to review. This is a step is the right direction for Fender effects.




More Information:


Pugilist Distortion

The Pugilist Distortion features a dual circuit design that can provide a huge range of distortion tones, from light breakup through to fully-encompassing saturation.
The two circuits can be run independently and blended together, or cascaded (one running into the other) which can provide a thick saturation and a high degree of interactivity.

Dual Circuits

Each of the Pugilist's distortion circuits features tone and gain control to let you shape your sound to how you desire. The circuits can be operated in blend mode, which runs them in parallel and means you can blend both sounds together for an incredible amount of diversity. This mode is fantastic for achieving a nuanced distortion tone for riffing and complex chordal work.
In the Pugilist's Series Mode, the two distortion circuits are cascaded, and this has the effect of letting circuit A become a 'boost' into circuit 'B'. This mode lets you achieve a full-on saturation with thick sustain and dynamic articulation that is ideal for crushing rhythm sounds and liquid smooth lead guitar playing. A bass boost also lets you achieve a thick low-end response.

Professional Features

The Pugilist has a rugged and lightweight aluminium chassis with a brushed metal finish. This gives it both read-ready durability and a classy-aesthetic that can take pride-of-place on your pedalboard. The pedal is built by Fender who have a multitude of experience in amplifier design and you can be sure that this pedal will last a lifetime of gigging, rehearsing and recording.

Magnetic Battery Door & Jewel Light

The jewel LED light not only looks great, it also adds a handy on-stage visual indicator of the pedal's operation. The pedal has a clever battery compartment door; it has a magnetic latch which means you can easily change the battery with no fiddly screws to worry about.
This is a thoroughly professional pedal - both in tone and appearance - and would make a welcome addition to your pedalboard.

Features

  • Dual circuit distortion pedal
  • Dual circuits can be cascaded for thick saturation with great versatility
  • Bass boost to bring back the low-end
  • Series/blend lets you control the two circuits (parallel or series operation)
  • Dual tone controls
  • A very versatile pedal, with great interactivity between the two circuits
  • Rugged anodized aluminium construction
  • Classy brushed finish and jewel light
  • Battery door with magnetic latching opening (no screws needed)
  • Powered by 9V battery or DC

Specifications

  • Effect Type: Distortion
  • Controls: Tone A, Drive A, Tone B, Drive B, Blend (A/B), Blend/Series Toggle, Bass Boost Toggle (On/Off), Output Level, Bypass Footswitch
  • Inputs: 1 x 1/4'' Instrument
  • Outputs: 1 x 1/4'' Instrument
  • Power Requirements: 9-Volt Battery or DC Negative AC Adaptor
  • Power Consumption: 22mA
  • Input Impedance: 1M ohm
  • Output Impedance: 1k ohm
  • Material: Anodized Aluminium
  • Colour: Gold

Saturday, January 20, 2018

NAMM 2018: Mad Professor Kosmos Ambient Reverb Pedal

Mad Professor is a steller making of guitar effects. They have made some of the most acclaimed overdrives and delays. Just before NAMM, they've announced that they are issuing the Kosmos Ambient Reverb. All demos make this pedal seem like a powerful reverb capable of huge, ambient, shimmering reverb sounds. 11 modes (including 3 different shimmers) and a freeze function make the Kosmos a versatile tone-tool. I'm looking forward to NAMM and giving the Kosmos a closer look.

Here are some details:

The Mad Professor Kosmos is a small, easy to use but super versatile pedal for a wide variety of ambient reverbs and delays.

With just one footswitch you can, of course, turn the pedal on and off, but also hold the reverb for eternal ambiance or make beautiful sweet effects without the need for a volume pedal.

All the 11 ambient tones are carefully designed, and you can further adjust the tones with four knobs. The special Control knob has a different function on different presets, so please take time to explore all the possibilities.

The Kosmos pedal will open a universe of ambient tones.

From Plate and Room delays to Spring and Hall delay, different shimmer tones, Swells and reverb with delay.

The tone simply got even more organic!

source: effects database


Monday, January 15, 2018

NAMM 2018: Alexander Quadrant Audio Mirror Delay

Anyone saying that we are not in the golden age of guitar effects needs to get their head checked. I remember a time when looking at $200 delays meant choosing between a BOSS DD-20 and a Line6 DL-4. That was me. I did that. I went with the BOSS and I think it was a little more than 200 at the time. Fast-forward to today and Alexander pedals are giving us the Quadrant Audio Mirror. This thing is sleek and compact and full of features. The demos are great and it has a street price of $200. Check it out.

Here are the details from Alexander:

Neo Series:
The sonic scientists at Alexander Pedals have been working overtime to cram the most pedal into the smallest box, and we now present the Neo Series!  Each Neo Series pedal incorporates an advanced 32-bit microcontroller adding presets, expression, and MIDI capability.

The Neo Series pedals are small but mighty!  Imagine having a single pedal on your board that can access up to 4 separate preset tones with a touch of your toe.  Connect an expression pedal to "morph" between two distinct settings for each preset for dynamic real-time effects.  Or connect the Neo Footswitch to enable your choice of preset select, tap tempo, or an automatic ramp "morph!"

Presets:
All Neo Series pedals feature a simple yet powerful preset functionality.  Hold the bypass footswitch to move the pedal to the next available preset, and the pedal will reconfigure itself on the fly.  All knob values and the effect mode settings are recalled, allowing you to set up to four unique tones.  Want more presets?  Simply connect a MIDI controller to the EXP port on the side of the Neo Series pedal and access up to 16 presets total.

To load a preset, hold the bypass footswitch down or send a MIDI program change from 0-15.

To save a preset, hold the Select button down and then hold the bypass footswitch.  The pedal will save the current settings to the current preset.

Any changes you make to the pedal settings will be lost when switching to a new preset unless you save the current preset first, so be careful!

Expression and MIDI:
The EXP port on the left side of the pedal can function as an expression pedal, foot switch input, or a MIDI input.

Expression Pedal:  Set the expression pedal to the heel down position, then adjust the knobs to your preferred setting.  Sweep the pedal to the toe position and set the knobs to a different setting.  Now the Quadrant will allow you to seamlessly morph between the two settings!

Foot Switch:  The Neo Footswitch (sold separately) allows for preset select, tap tempo, or ramp morph control - all with LED indication.  The Quadrant will also work with a standard tap tempo footswitch.

MIDI:  The Neo Series pedals can connect to a compatible MIDI controller to control all of the pedal functions plus access 12 extra presets, for a total of 16.  The USB port may also be used as a MIDI interface to your computer or mobile device.

Controls:
Controls in parentheses () are accessed by holding down the Select button and turning the indicated knob.

Rate:  Controls the delay time from 0-915ms.  If Glide is disabled, the time will adjust seamlessly.  If Glide is enabled, the time will pitch-shift and get all "rubber-bandy" (technical term.)

(Tone):  Controls the tone of the delay engine.  Controls the grunge and grit of the LOFI mode.

Feedback:  Controls the repeat level of the delay.  The BBD and LOFI modes will go into infinite / runaway feedback.

(Glide): Controls the delay time change method.  If Glide is set to less than 12 o'clock, the delay time will adjust seamlessly when tapped or adjusted with the Time knob.  If Glide is set to greater than 12 o'clock, the delay time will pitch shift when adjusted.

Mix:  Controls the blend between the dry and delay signal.  Equal mix is at 12 o'clock.

(Level):  Controls the overall output level of the pedal, from -20dB to +10dB.  Unity gain is near 1 o'clock.

Mod:  Adjusts the depth of the delay modulation.

(Rate):  Adjusts the rate of the delay modulation.



Select Button - tap to choose a new effect mode:

MAG - Magnetic tape echo, warm and rich.  The MAG mode captures the frequency response of the tape heads and preamp of a vintage tape delay.  The Mod knob controls the "wow" or "flutter" of the tape.  Each delay repeat loses both treble and bass, for a warm and compressed sound.  The Tone knob controls the age of the tape, making the echo brighter or darker.

BBD - Analog delay, murky and wet.  The BBD mode is based on a classic solid-state analog echo.  This mode is capable of infinite repeats for the classic analog delay "spaceship" tone.  The Mod knob adds analog chorus or vibrato.  The Tone knob controls the analog delay filter.

DIG - Digital delay, bright and present.  The DIG mode captures the sheen and clarity of the early digital delays.  Each repeat sounds just like what you put in, with the classic digital "clang" you will either love or hate.  The Mod knob adds wide-ranging pitch modulation, be careful!  The Tone control sweeps the delay between low-pass and high-pass filtering for a wide range of delay tones.

LOFI - How can we put this?  This mode sounds terrible.  Don't use it.  It's all dirty and grungy and sounds like you're playing through a payphone or an AM radio.  Roll the Tone control down to clean things up a little, or crank it for minimum fidelity.

Bypass Switching and AutoTrails:
The Quadrant features a buffered bypass using a soft-touch footswitch.  The dry signal path is analog, to maintain your tone no matter how much delay you add!  The bypass signal is 100% analog.

The Quadrant features an innovative new feature - AutoTrails.  Some delay pedals cut the delay signal off as soon as you hit the footswitch - that sounds odd and unnatural.  Some leave the delay signal on all the time - that's better but you still get the noise from the delay signal even when you're not playing.  We give you the best of all worlds by letting you choose how long the delay trails persist, from instant-off to always-on.  When you bypass the Quadrant, the delay signal persists and then fades out smoothly after a time you set.  You want no trails?  Trails all the time?  No problem.  Set it any way that fits your playing style.

Configuration:
To configure, power on while holding the center Select button and release when the program LEDs start to flash.

Tap the Select button to choose Expression (upper LED green,) Foot Switch (upper LED orange,) or MIDI (upper LED red.)

Turn the Delay knob to select the function for the Neo Footswitch - Counterclockwise for ramp, center for preset select, clockwise for tap tempo.

Turn the Feedback knob to set AutoTrails - counterclockwise for no trails, clockwise for longer trails settings.  Fully clockwise will leave the trails on at all times.

Turn the Mix knob to select the Foot Switch Ramp speed - Lower LED green slow, lower LED orange medium, lower LED red fast.

Turn the Tweak knob to set the main LED brightness.

If you wish to assign the Quadrant MIDI channel, simply send a program change message from your controller on the correct channel while the pedal is in configuration mode.  Hold the Select button to save the pedal settings.

The Quadrant MIDI port requires the use of either a MIDI converter box such as the Disaster Area / Chase Bliss MIDIBox or a MIDI controller that supports 1/4" devices such as the Disaster Area Gen3 series.  The Quadrant defaults to using MIDI Channel 1.

HOLD THE SELECT BUTTON TO SAVE CONFIGURATION

Power Supply:
The Quadrant requires a 9V DC power supply with a 2.1mm pin, center negative, 80mA.  The Quadrant is not designed to be powered on supplies higher than 9V and does not use a battery.  The Quadrant should work fine on a multi-pedal "daisy chain" connector, but if you encounter excessive noise or hum try a separate power supply.

Friday, January 12, 2018

Ugly Guitar Truth: TC Electronic Gauss Tape Echo

Just ahead of NAMM, TC Electronic announced the Gauss Tape Echo. This new pedal rounds out their line of inexpensive effects. Digital, analog and now tape echo gives you plenty of options to choose from. Delay, Volume and Sustain controls make this an easy pedal to control. Also, you can turn on and off the wow and flutter mod. All these features make a $60 pedal very attractive.

Is this a pedal that can compete with a full-featured delay? No. But if you don't already have a good option for a Tape style echo, then you could do worse than picking up one of these. You won't be disappointed. You also won't be overwhelmed. Just like all the other pedals in this line, this effect is simple and light on features. And that's probably the worst thing you could say about this pedal. It does what it does, but that's it. What more do you want? It's a Tape Echo for the amount that I spend on energy drinks in a month.

Conclusion

I do like this entire line of pedals. They are everything the Behringer line of effects could have been. This pedal is an excellent example of the entire line. It is simple but well built. It gives you a great taste of a valuable effect, and it leaves you wanting more. I'll just take a second to remind you that you can pick up a second-hand Flashback v1 for just a little bit more. Just saying...

Wednesday, January 10, 2018

Ugly Guitar Truth: Nux Atlantic Delay and Reverb

Nux has been a brand that many guitarists have either ignored for the most part or have appreciated for offering inexpensive alternatives. I haven't really given much weight to most of their pedals because it has been my experience that cheap, Chinese pedals don't stand up when they are put next to comparable products from major manufacturers. Is this the pedal to change all that? Does Nux really think it can take on some of the most respected pedals on the market and win?

Strymon Killer?

You can't talk about this pedal without mentioning Strymon. Obviously, they are going for a look based on the Strymon El Capistan. Upon closer inspection though, the features are not parallel. While the Capistan is a Tape Echo that lets you dial in the exact time of delay you want, the Atlantic is a Delay and Reverb much fewer features. Don't let slight resemblance fool you. These pedal will not perform the same task.

Worth It?

 Although this won't kick an El Capistan off your board. It might be a decent pedal for those looking to consolidate. If you are looking at buying a couple budget pedals for you delay and reverb needs, then you might want to wait and try this pedal. Although we don't know yet what the asking price of this pedal will be, around the hundred dollar mark is a safe bet ( I actually heard back from NUX. They said that it will be around $160, but I would assume that is MSRP. I expect to see something more like $120 Street). The difference between the cost of two budget pedals and this one is probably not much. With Tap, Line Level, Stereo outs, and Footswitchable Shimmer this pedal has features that most inexpensive single pedals don't.

Conclusion

Although this isn't a dead ringer for a Strymon pedal, the looks of this pedal are a step above most other far east offerings. Add that to the useful features and hoping that it falls into the budget-friendly category, this is one of the more interesting product to come out so far this year.

Wednesday, November 1, 2017

Why I Still Use A BOSS DD-20 Delay

For nearly ten years, I've used the BOSS DD-20 as my main delay. I've had several others come and go, but I've always stuck by the BOSS Twin Pedal. When I bought it, it was one of the best delays you could buy. As the years have gone by, I've seen many impressive delays come to market. There are a few reasons why I haven't upgraded.




It's Simple




If you can use a any of the BOSS digital delays, then you can use the DD-20. With just a few turns of a knob, you can dial in just about any delay sound you want. That's not to say that it's lacking features, but the interface is very easy to understand and use. There are no menus. There is a screen to give you all the information you need. It's all right there in front of your face. So simple, it's almost dumb. Just the way I like it.




It's Deep




This pedal does a little bit of everything. It's not perfect by any means. However, there are plenty of options to choose from. Not only that, but there is feature that you don't see often on a delay. Not only do you get Tape, Analog, Ping Pong, Looping and other modes, but you get a Tone knob. I know that's not super exciting, but it let's you dial in how dark or bright you want your repeats. I'm sure that some of these uber delays can do the same thing or similar, but when this was new on the market, it was very unique.





It's A Value





I paid top dollar back when I bought mine, but now you can regularly find this pedal for under $100. I've done a lot of looking recently, and $100 doesn't buy you a lot in regards to delay. In this case, You can get tons of delay for your money.




Conclusion




If I had the 200-250 dollars it would take to buy a DD-20 at its original price, I'd do one of two things. I'd save up for the DD-500 or I'd get the Carbon Copy Deluxe. The DD-500 might be a little overkill, but it won't leave you wanting. The Carbon Copy Deluxe is a great delay made even better. I'm running analog type delay sounds most the time anyways, and the Carbon Copy is just about the best deal going for one of those. If I had to put together a full feature pedal board for the least amount of money, then the DD-20 is my pick. For about a hundred dollars, the DD-20 is very hard to beat.

Friday, October 6, 2017

Best Delay Under $50

A delay pedal is one of the most intimidating pedal-decision that a guitarist can make. There are endless features, staggering costs and tons of options. Despite this, a delay is a core effect on the pedalboard of most guitarist. The first time I bought a delay, I just asked the guy working at the guitar shop what the best one was. I bought it. And that was it. I spent over 200 dollars and luckily ended up with a great pedal that I enjoy, but I easily could have ended up with a turd. So here is a list of pedals that are cost-effective and useful.  If you are in the market for a "cheap" delay, then here is my list of the top eight pedals to take a careful look at.


Behringer DD600


This pedal is inspired by the BOSS DD6. Behringer has done a decent job of copying BOSS pedals. The feature list is nearly unheard of on a pedal in this price bracket. The availability of tap tempo and tons of different delay modes make this pedal a tempting pick. I'd encourage you to test one out. There are reports of noise with this pedal, so be sure to test drive before you buy.


Behringer EM600


This pedal is a long time favorite. This is based off the Line6 Echo Park. The Echo Park is still loved by a loyal set of fans. The Swell effect only made this pedal very desirable. Besides that, you have analog and tape filters included in this digital delay. Tap tempo and available Mod filters on your delay tails add a cherry on top. As of a few weeks ago, this pedal was difficult to get a hold of, so prices might top $50 on the used market, but keep an eye out for one of these.


Ibanez DE7


The Tonelok series from Ibanez was unfairly overlooked. Fortunately, you can still find these pedals relatively easy and for $50 or less. 2600ms with an available 'echo filter' give you plenty to play with. Solid metal enclosures are a plus over the plastic Behringer boxes, but the feature list takes a bit of a hit. Overall this pedal is a solid choice with few drawbacks. Not to mention the key feature of these pedals: the set-it and forget-it knobs. If you have a core sound you can lock it in and not worry about it getting knocked around.


Danelectric D-8 FAB Delay



This is one of the cheapest options for a standard type delay. At $25 this pedal is tempting to pick up just because. Obviously, there are limited features on this pedal, but it's a solid choice for bargain-ben prices. It has about 600ms of delay which is decent for half of some of the other pedals on this list. It's another plastic pedal, so it's not one to beat around. If you don't ask much from your delay and want to save some money this one might be one to consider.


DigiTech Digidelay


This is another full-featured delay that has come and gone. Although you can't pick one up new from the store, there are plenty out there to be had. Up to 4 seconds of delay and handful of useful modes, including looping, make this a top contender for best delay under $50. The used market goes up and down, but you can find these hanging around $50 fairly common. All this and tap tempo make this a must watch.


TC Electronic Prophet


Fair new to the market is the TC Prophet. This is a simple digital delay. The most impressive features of this pedal are structural. Top jacks and super-solid construction make this pedal impressive just to hold. Features wise, this pedal doesn't really impress. There are three modes, but they aren't extremely useful. For being one of the most impressive on this list, the features of the actual delay doesn't seem impressive, but this pedal probably has the best "feel" on the list. Street price on these pedals is $60, but I've caught them on sale for well under $50.


Behringer VD400


Another bargain is the Vintage delay from Behringer. Plastic? Check. But you get the feel of an analog delay for under $30. Your delay time is limited, but if you don't like the D-8 but want to find a bottom dollar delay, then give this pedal a try. This is another one you want to test drive. Find a local dealer is see if it's right for you.


TC Electronic Echobrain


Everything that you can say for the Prophet you can say for the Echobrain. The delay time is limited, but it's built like a tank and the delay sounds great. This is probably the best/interesting sounding delay on the list. While the digital delays do their best to sound like analog, this pedal delivers on the authentic analog sound. It's a little on the dark side, but that's what the appeal of these pedals is. Dark, dirty delays are what this pedal does. Again, the list price is over the limit, but if you want to check one out, then wait until they go on sale and snap one up.

WHAT NOT TO BUY:

JOYO Digital Delay

This pedal did not make the list, but I thought that I'd put it on this post in case you were looking at inexpensive delays. This pedal has an issue with passing signal while in bypass. Don't buy this pedal. There are better options. In my opinion, every pedal is a better choice than this one. This pedal also goes by the name "Time Space" but I'm pretty sure it is the same pedal. Check out the full review of this pedal here.



Conclusion

These pedals aren't in any kind of order. All of these pedals are worth a look if you want to spend minimal dough. I've played all these pedal personally and tried to share some useful information to help you make your delay decision. There are several from Behringer. I don't particularly like their pedals, but they have a large list of inexpensive pedals. So, what do think? Did I miss any pedal that should have been on the list? Leave it in the comments below!

Tuesday, October 3, 2017

Hands On Review Of Joyo Digital Delay

Those that shop thrifty pedal know the Joyo brand. It's been years since I've played my first Joyo pedal. It was an Ultimate Drive. I didn't like it very much despite the fact that it's supposed to be an OCD clone. I've tried other offerings of their to varying level of, "Meh". But I saw a Digital Delay sitting in my local music store's used bin and I bit. I've been on somewhat of a delay search, so I decided this would be the black horse. Oh boy...



Right Off The Bat





I wanted this pedal to be more. I wanted it to defy the expectations that pedal snob would have for it. I love to find a sleeper pedal. Too cheap to appeal to the cork-sniffers, but those willing to get it a shot would know it is indispensable. This pedal, well, it's not that. As soon as I power-up and plug in, there is a very audible, screeching noise (and it's not even on!). I turn it on and it's deafening. I quickly turn it back off and contemplate the mistake I made when purchasing this pedal. However, I realize that the delay is dimed and the signal bleeds through while in bypass. Not a good start.



Not Much Else



So, there are the standard features of a delay of this type. It has about 600ms of delay and standard Time, Repeats, and Level controls. The repeats are the rather standard digital type, nothing special there.



Conclusion



I know that there aren't as many points as I usually have, but there just isn't that much more to say about this pedal. That's about the worst thing you can say about this pedal. It is exactly what you might think. It's super cheap and you get what you pay for. Actually, you probably don't get what you pay for because if you have this pedal in your chain then you are going to get unwanted noise. You'd have to put it in a bypass loop. The only application I can see for this pedal is a practice rig, or a paperweight.

Tuesday, September 26, 2017

Hands On Review Of Behringer EM-600 Echo Machine

If you are familiar with the Behringer line of guitar effect pedals, then you know that they are mostly BOSS clones. They are basically plastic versions of our favorite BOSS pedals. So what BOSS pedal is the EM-600 Echo Machine? It's actually a facsimile of a Line6 Echo Park. You may have know that. Actually, If you are reading a review for the EM-600 then you probably already knew that.  So, is the EM-600 a decent replica of a Echo Park? Let's see...


Old School


So, just like all the other pedals in this line. It is very similar to the size and shape and function of the BOSS format. However, that format is old. If you look at the pedals of twenty years ago, you'll see that a lot of companies made pedals just like that. DOD, Digitech, Ibanez, and others made pedals just like that. However, form and formats have changed over time. BOSS is huge and doesn't have to change, but inexpensive pedals attracts younger players and younger players follow trends. Those that want trendy pedalboards will have to weigh economy against style.


Where's It At?


Just in the past few weeks, this pedal has become hard to find. Most of the main online retailers have gone from 'item backordered' to 'no longer available'. You can still find this pedal on the used market, but there are few to be had and people are already asking more than street price. It may be easier to get a hold of an actual Echo Park.

The Sounds

So, this has been a pretty solid Ugly Truth post, but we have to talk about how the pedal actually sounds. This pedal have a ton of modes, but the ones that matter to me are the Taps, (quarters, eighths, and dotted eighths) Swell, Multi 1, Multi 2, and Reverse. The taps are super basic. I'm just stoked to have a tap tempo on a $50 delay pedal. Swell is a key feature of the Echo Park. It was a big deal when the pedal came out and its still cool to play with. The Multi (pattern delay) setting are really cool. I wish they were a little more flexible. Reverse is a pretty standard feature, but when you add all the feature together, then you have a deep mode selection for minimum cash. If that wasn't enough, you have a Analog and Tape filter. And you have Mod control. There is just a stupid amount of feature packed into this pedal. I wouldn't say that all the sounds are 100% convincing, but just the fact that they are there is impressive. It's close enough to fake it in a pinch.

There Is A Problem

There is always a problem. There problem with this pedal (other than the plastic construction, old format, an unoriginal design) is that with the mix knob is at 100% the bypass signal can completely drop out. I noticed this on the Swell setting. On the swell setting the mix knob works like a mix know rather than a effects level, so when it is at 100% then you have 0% dry signal. However, even when the pedal is in bypass mode the signal is lost.  So, if you are using the Swell feature, then you can kill your entire guitar signal. Unless... you turn the tails to off. So, there is a work around. But in that particular circumstance, it is a little annoying.

Conclusion


I've tried out a few delays lately. This is the only one that I've thought about adding to my board. It does some things that I can't do with my current delay (swell) and I'd like to have a number 2. If I did add it to my board it will probably be a place holder until I get one of those uber delays, then move my number 1 into my number 2 slot. That all said, this is a solid delay. I might even recommend it higher than a DD-6. When its half the price of any pedal that objectively beats it, and it can compete with any delay under a hundred dollars its hard to put it down. Check one out, if you can.



Hands On Review Of TC Electronic's Echobrain Analog Delay

I have neglected a realm of effects. So I apologize to fans of analog delays, I haven't really delved too far into analog delays. People die on the hill of which analog delay is the best. EHX is known for their Memory Man series, MXR has the Carbon Copy, BOSS has DM-2, Ibanez has their Analog Delay. These are all beloved for their own reasons. I've used many of these pedals at one time or another, but I've never really connected with any of them. That probably explains why I settled on the DD-20. Then there is the Echobrain.

It's Chewy

The first thing I noticed about this delay is that the filter on these repeats is dark and gritty. This is an analog delay that stands up against the classic delays that we all know. The benefits of the Echobrain is that it is housed in a box that is more geared toward the trends of today. Top Jacks, True Bypass, Clickless Footswitch, Unique and attractive design. All these things make it a solid option for today's guitarists.

Money Grab?

If you love TC Electronic, you may know that they were recently acquired by Music Group (the parent company of Behringer and others). This happened only a few months before the unveiling of the Smorgasbord of affordable, simple effects. The two may be unrelated, or it could have been Behringer trying to legitimise their second phase of effects. It was smart to imitate BOSS and other industry-leading pedals of fifteen years ago, but now people are focused on form as well as function.

Season To Taste

So analog delay is a little bit of a strange subject. There are many different options for an analog delay, but they are basically the same. I don't really understand the basic differences between most of the basic analog delays. Obviously, there are some pedals that have interesting and novel features, but the basic features are the same. Their max delay time is typically very limited compared to digital delays, but there is a special character that analog delays have. Analog delays degrade with each repeat, and they all do it differently. It depends on a person's taste, but you won't know till you try.

Conclusion

I dig it. Playing this pedal is just fun. Playing with the repeats and time controls is rewarding. This pedal is done correctly. True analog delay with noiseless operation at this price point is crazy. If you are a fan of analog delay, then this is worth a try. However, it suffers in the same way that all classic analogs do. It's limited. This whole line is an update of simple effects into a format that many players are looking for. However, analog delays are now being expanded into much more sophisticated effects with tap and other controls. Even though it fits within its own line of effects, it is a little underwhelming compared to most other analog delays released lately. Lastly, you get what you pay for, but you may be left wanting more.

Thursday, July 13, 2017

Ugly Guitar Truth: Chasebliss Tonal Recall Red Knob Mod Delay

Those familiar with Chasebliss know the amount of engineering that they put into each one of their products. No product more recognizable of their than the Tonal Recall. An absolutely stunning display of quality, features, and control, the Tonal Recall has made a name for its self on its hard-earned merit. Just before Summer NAMM Chasebliss announces that they've produced a second version of this pedal with some very special features. Let's check it out...

The Tonal Package

It's hard to improve on such a beloved pedal, but Chasebliss have done just that. They've increased the delay time to 1100ms while still using the MN3005 that gave the first version its character. It now carries more repeats before its signature breakup. Its runaway hold control has been improved to sound more natural. The overall tonal range has been expanded to be able to sound a bit brighter. Quite simply, the people over at Chasebliss have made their amazing delay even better.

Still The One

Although they have made many changes, the Tonal Recall is very much the same pedal. There are a dizzying array of options available in this pedal. Deceptively simple look at a glance, the Tonal Recall lets you control nearly every aspect of your delay sound. These controls are also controllable via expression pedal as well. Rest assured that this is still the pedal that everyone knows and loves.

Conclusion

No doubt that the fans of the original will love the Red Knob Mod just as well. It is hard to believe that they've created a way to make this absurdly great delay even better. The only thing that you could criticize is the price tag. Not to say that the price isn't worth it, (I'm pretty sure that had to put actual magic in there) but when you start looking at $500 delays you find a lot of great options. Chasebliss has declared war of the big box delays with this one.



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Friday, June 30, 2017

Ugly Guitar Truth: TC Electronic Flashback 2 Delay And Looper

TC Electronic has been hard at work lately. You'd be hard up to name a pedal producer that has put out more new product than TC Electronic. Just a few months ago, they release a entire line of 'value' pedals. Now, they are issuing an update to the Flashback Delay. The Flashback 2 makes some changes to the acclaimed original. So, whats changed? Lets take a look...

Double Down

If you are familiar with the TC line of effects, then you are probably familiar with their "Tone Print" editor. This allows you to edit functions that may not be available manually. Not only that, but you can save your custom setting on the "Tone Print" setting. The Flashback 2 has taken away some of the settings to make room for two more custom, Tone Print setting on the mode selector switch. What you wont see on the front of the Flashback 2 is LoFi, Ping Pong, and Slapback. These features are probably still available via the Tone Print editor, but not available manually.

Tapping That

I neat feature that in included in the Flashback 2 is the ability to set the tap tempo with your guitar. After triggering the pedal to 'listen' to your guitar, the pedal with sync itself to the rhythm of you right hand. For those that have trouble setting a steady rhythm with your foot, this could be your answer. It also allow for you to set the rhythm on the fly without an addition tap switch pedal, so its a space saver as well. You can use a normal tap tempo pedal, but to do that you need to use one side of the stereo input, so it can only be used in mono. You may ask, "Why not just use to switch on the Flashback to set tap tempo like a regular delay?" Well, the foot switch on this pedal has other things to do...

Smashing

New to the Flashback 2 is the Mash function. This basically turns your foot switch into an expression pedal. Listening to demonstrations of the function, it's clear that the effects you can create with this feature very interesting. Being able to summon self osculation sound in real time while you can continue playing is very impressive considering you can do all this with a single compact pedal. What might be even more interesting is that you can combined the Mash function with the shimmer effect to be the envy of all you shoegazing friends.

Conclusion

This update brings a well loved delay up to date with the addition of shimmer. While the Mash function is innovative, its usability may be limited. BOSS have done similar functions with the Space Echo and Giga-delay, but the option to customize the function of Mash is at least novel. I believe that TC Electronic has done an excellent job at updating one of their best pedals.  

Thursday, February 9, 2017

Ugly Guitar Truth: EHX Canyon Delay/Looper

This little pedal flew completely under my radar. I paid attention to all the NAMM 2017 debuts but somehow didn't even get a hint of this pedal. Tell me if I'm wrong, but did you see anything about this pedal before now? Regardless, here it is, and we have to talk about it. Thankfully this pedal should drop on the 13th of February (2017) so there isn't much waiting for this one. As for price, well, there seems to be a little confliction as to what can be found online. Musicians Friends had posted a price tag of 158 USD, but EHX has been caught tweet a cost of 139 USD street price. So with the information that we have, Is this pedal a yay, or a nay. It's mighty morphing Ugly Truth Time...


It's Small...


Alright, small can be a good thing. Lots of good things come in small packages, but delays that occupy tiny spaces are usually lacking in the feature department. I mean, look at the Strymon and Eventide well-endowed delay boxes. Those are feature packed and massive. So this little box couldn't have that much to offer... Except it kind of does. 11 modes give you more than a BOSS DD-20. It can loop for a full minute and you get 2 "secret knobs when you hold the Tap/Divide button. This has to be one of the most feature laden delays in the size box. No, it isn't stereo. But you can control the rate and depth of the modulations. Correct me if I'm wrong, but that's a new trick for a compact delay.




Don't EHX Have A Lot Of Other Delays?




Yes. Yes, they do. The Memory Man/Boy/Toy line is extensive. And they do have some cross over as far as price. There is even a DMM (Deluxe Memory Man) setting on this pedal. However, this is a digital pedal. Kind of different for EHX, but I guess they were just waiting until they really had something that they liked before they put one out. Analog Delay users are going to analog, digital are gonna digital, that's just what happens. What has a lot of people looking at this pedal is the long list of modes and the affordable price. It could also be the neat tricks that this pedal is capable of that has people interest as well.. hmm, guess there is a few thing to like about it...



Wasn't There Another 3 Second Delay Released Recently?




Yes. I even wrote my thought on the DOD Rubberneck here. I like the DOD delay a lot. It has a lot of cool things going for it. It also has a $250 Street price, so fair is fair. The DOD pedal has features that this pedal can't touch. The titular feature, Rubbernecking, is pretty unique to that pedal. It also has a built in tap feature. Admittedly, the DOD looks cooler. But If I had to go with one delay on my board and also had to choose between these two pedals, then I would be picking the Canyon. The Rubberneck is a pedal that I'd be proud to own, but if I had to choose one, then I'd pick the one that can Loop, Reverse, Shim, Octave and Verb.

Conclusion




I like this pedal. I like this pedal a lot. You could probably tell that already. This pedal would be a great addition to a pedal board that wasn't already fitted with a delay. I'd even pick this one over the BOSS DD7 and the smaller Flashback delay. If you are looking to upgrade your delay but don't want to get one of the larger "do everything" units or if you looking to save a buck, then this pedal would be something to look at seriously. Should you drop everything and get this pedal for its wonderfully healing properties? Of course. But try to remember that this people isn't as powerful as one those others that have all the blinking lights and MIDI and extra holes... Oh, it has a dumb name too...






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Thursday, January 26, 2017

Ugly Guitar Truth: DOD Rubberneck Analog Delay



DOD just released the information on their newest analog delay. there is a lot more than meets the eye with pedal. It has 1.5 seconds of delay time, adjustable rate and depth of modulation, bypassable buffer (tails/no tail), quarter/eighth/dotted eighth note subdivides. There is a rubbernecking feature that allows "rubber band" stretched sound, whatever that really means. You can hold the tempo footswitch and engage a regen effect with an adjustable parameter. An actual effects loop will let you insert effects that only affect your trails. Lastly, there is a remote input, so there you go. That all seems fine. Is there any ugly truth. Well...


It's Actually A Strong Offering


So, you look at the features and you can get a little overwhelmed. It seems like you have way more than you could make use of. The features are really all related. For delay users that really capitalize on the analog part of this pedal, the feature list make a lot of sense. You might be tempted to call this a 'shoegazer' pedal. But really, the interface is simple enough to quickly set or tweak. But it is $250. Is that good or bad? Well, take a look at similar pedals: EHX Deluxe Memory Man, Empress Tape Delay.. It's spot on really. It actually packs a lot of features in a pretty package for a reasonable amount of money. Not to mention that it sorta has a feature that is somewhat unique.


Conclusion


I like it. I want to use it and experience the rubbernecking feature for myself. I don't think it would get a spot on my pedalboard though. I really dig these analog delays. They make really cool noises. But digital delay do it well enough. And that might be the ugliest truth. I would put a Boss DD-500 on my board because it could probably do 95% of what this pedal does and then a lot more. Not to mention it is in the small ball park cost wise. I can't tell you that  you should pay 250 dollar for a pedal that does so much less, but if you are in the market for an analog delay that does neat things, this one is a great option.






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Wednesday, August 12, 2015

The Ugly Truth About The Obscura Altered Delay From DigiTech

The Obscura Altered Delay from Digitech is without a doubt one of the nicest-looking, solid-feeling, vibe-inducing effect that I've seen, possibly ever. Digitech has done a good job of capturing the buitque look and feel with their recent releases. The Obscura Delay is diffently a standout unit, and players are drawn to the looks as well as the promis of some exciting and expressive new features. 


Digitech has this to say about there lastest offering:

The Obscura Altered Delay from DigiTech allows you to turn your delays upside down and inside out. The Obscura’s four delay types can be darkened, degraded and distorted on the fly with the stacked Tone and Degrade controls. Combine these controls with the Obscura’s Repeat/Hold feature and lose yourself in long, trippy, gurgling repeats or backwards-manipulated sonic mayhem. In addition to its Tone and Degrade controls, the Obscura features independent Level, Delay Mode and stacked Time and Repeats controls. Complimenting those versatile controls, the Obscura offers four excellent-sounding Analog, Tape, Lo-Fi, and Reverse types, Tap Tempo mode with Beat Divisions, Stereo Inputs/Outputs, a Delay Tails On/Off Switch and True Bypass circuitry. With its compact size and vacuum-style footswitch, the Obscura furthers DigiTech’s evolution in pedal design. We’ve put years of experience into every detail of its mechanical and sonic blueprint. The Obscura uses a 9V DC power supply to easily integrate into your existing pedalboard.

Like the pedal its self, that's the pretty picture. But we're here to discuss the ugly truth. Let's talk about what this pedal really does and get to the bottom of this pretty, little, dressed-up box.

It's A Delay



It is easy to forget that this pedal is a pretty basic effect. One that most guitarist, like myself, have on their board already. It does everything that a standard Boss DD-"whatever" does. It has "LEVEL", "RATE" and "REPEATS", but that is literally half of what this pedal does. It have 4 modes just like Digitech says. What makes this pedal "different" is the Tone/Degrade knob. So Tone isn't all that new, but the Degrade feature is... neat. We all know what happens when we set a DigiDelay to "TAPE". The repeats get darker as they continue. Basically this pedal takes that idea and runs with it. When I sat down to play with this pedal, I was expecting weird sounds, trippy effects, and chaotic noise. What I got was a delay with flexible tone degradation on the repeats. There are some cool warpy noises that you can create if you adjust the "TIME" knob while the repeats are going, but that's a feature of most delays... 

It Shoots Its Self In The Foot

Why do guitarist love analog and tape delays? Because those effects become subtle and fill in the background to give a soft pallet of noise to make are sound fuller. This pedal is a great example of that effect. It does that perfectly. You are almost defied to find a setting that does not create a noisey "scene" to endlessly riff over. BUT the subtle differences between settings (that aren't standard delay 'TIME, LEVEL and REPEATS') made it hard to distinguish if you are using TAPE, LO-FI, are ANALOG. They are become soft, washy background noise. 

In Conclusion

When I picked up this pedal (besides being blown away by the mere fact that Digitech produced it) I was expecting something radical out of it. The image on the front made me think that this pedal could produce a "death-rattle" effect. After cranking knobs and playing to its strengths, I could hardy tell that this pedal was anything but a delay. In that regard, it is a fine delay. It is reasonably fun to play with the DEGRADE knob and it is almost look one of those 'Look and Find' puzzle to spot the differences in the MODE settings. The reverse doesn't really fit in with the whole "degrade" angle, but it too is fun to play with. If you are into ambient noise you might be interested in this pedal for the fact that it extremely flexible in the ways of degrading delay trails. If you are looking for a good work horse delay, you may want to look into a DD-7 for the some money. The build of this pedal is super-solid and the graphic is very cool (way cooler than a Boss box). It's just not the crazy-sound-inducing pedal that it's hyped to be. 

Tuesday, June 9, 2015

The Ugly Truth About The Hardwire DL-8 Delay Looper




In search of a possible alternative to my trusty DD-20 Delay from Boss, I sat down with the Hardwire DL-8 Delay/Looper. In many repects the Hardwire pedal is the equal to any from the boss line. Offering a load of useful features, that you can read in full detail elsewhere, The DL-8 closely aligns its self to the Boss DD-7. It outshines it with more delay time and a few extra settings, such a Lo-Fi and Slapback that allows you to really scrutinize the delay time of your slap. Lo-Fi is an intresting setting. It allow the trails to get covered by the guitar's dry signal allowing you tone to remain unmuddied by delay trails in busier parts of the song. All in all its a solid little pedal. But its not all so pretty...



Its Awkwardly Sized



This pedal was thought through. The packaging is definitely a step above the rest. It comes with pre-cut velcro and a cover to keep your knobs from turning. I like that they have thought about these things. It makes it easier for those that run pedalboards and need to secure their settings. The wide footprint, however,  is evidence that these pedal were designed before the "micro" fad really hit its stride. EHX and Line6 both had large delay boxes that were doing very well, so when this had come out it was considered middle of the road. I like the sturdy feel, but  I also have a small pedalboard. I don't know if they needed the extra room due to pedal design, but it is a little bit of an odd shape for a single button pedal. Maybe they couldn't fit all that delay into a "standard" size box.



It's True Bypass-ish



 There is a hidden switch they've included. Which I'm sure does something. However, knowing what I know, I can feel pretty sure saying that the switch does little in the way of bypassing the entire pedal. Like most of the pedals built in the "Boss" style, it has a momentary switch and that corresponds with a flip flop circuit and that by nature is not "true" bypass. I believe that it might bypass the buffer, or even the whole delay circuit, but that pedal wont switch without running though that flip flop. But the option to have a truer bypass is nice. I wish Boss would follow suit. This is a great feature and out of the box thinking, but before we praise them too much for their features, there is one feature that is such an oversight that Homer Simpson called them to tell them they were idiots.



There Is No External Tap Tempo Out



Sweet mercy! This is this the mother of blunders! To their credit, The Hardwire series that Digitech designed was put out just before everyone went crazy about tapping their tempos. Some of the bigger boxes like the Line6 DL4 and Boss DD-20 had either a disignated tap tempo button or jack for an external pedal. The DD-7, the most comparable pedal to this one, has nearly every feature plus the external tap tempo for the same money and less space on the pedalboard. However these pedals were most like designed at the same time by different people, so it is not like that had something to compare themselves to. Actually when you compare this pedal to the Boss DD-6, the Hardwire DL-8 beats it on all fronts. The DD-6 has less delay time and no external tap temp out. Too bad Boss upped the ante with the DD-7 and supplied a feature that was actually in demand.




Looper Might Be A Bit Of An Exaggeration.




To be honest I bought this pedal for a delay, but the Looper feature was surprisingly useful. I'm not a particularly enthusiastic fan of loops, but they can be useful. I use a Digitech JamMan for a band that was the only guitar player for. The looping feature is similar to the Sound On Sound feature found on most Boss delays. In fact, Boss could call all of their delay pedals delay/looper if Hardwire can call this pedal a looper. If you are looking for a delay and don't have great need of a superlative looping pedal, then this works for you. The best feature of the loop setting is that it is triggered by the input, making the beginning of the loop easier to start than timing the perfect stomp. This works at a great practice tool, but I wouldn't buy this pedal for the Looper portion of it name.


In Conclusion


Buy a Boss DD-7. I find it very hard to use delays much longer than a few seconds, so the difference, to me, in the max delay time means little. The setting are almost exactly the same and an external tap temp option means a lot. Hardwire might be going the way of the Dodo so there are chances to get these pedals at closeout prices. Digitech, the makers of Hardwire, played their hand wrong. Everything about the pedal says "quality" but its just a little too underdeveloped. Its not a bad pedal, but it can't compete with the other options in its bracket.

Tuesday, May 26, 2015

Building A Pedal Board Under $300

Recently I've been putting together a large pedal board that hold the majority of my pedal collection. After all, what the point of having great pedals if you can't play with them. So I decided to have "all" my pedals at my disposal when playing. Have all my pedal in one location got me to thinking though. What if something happened to my board? Stolen, caught in a fire, run-a-way elephant stampede. I've been collecting these pedal for years. Below, I've included a list of just about everything in that rig. It's not what I pay for some of this (I bought a lot of these second hand), but its what I would take to replace it on a functional level. So I laid out a short board that covered the basics for me to play. Drive, Distortion, Boost, Delay and Tuner. With price in mind this is the outcome of my search. There is a couple Donner pedals that I have no experience with, but I'll explain my choices below.

Donner Black Arts Delay - $60
Donner Compact Tuner - $22
Outlaw Effects Boilmaker Boost - $50
(alternative Donner Boost Killer - $30)
Visual Sound Drivetrain - $60
MXR Distortion III - $80

Total= $272 (252)


Delay - $200
Tuner - $100
EQ - $218
Soul Food $78
Glove - $60
TS - $60
MXR Bad@ss Distortion - $100
Metal Muff - $90
Bypass Box - $12
Tap pedal - $10
Fuzz - $50
MXR Distortion III - $70
Volume - $75
Wah - $90

Total= $1213

Donner Black Arts Delay: Why this delay? If you start looking for a delay you'll notice that they are one of the most expensive effects to buy. My DD-20 set my back $200. I've had it for years and it works great. What I couldn't do is replace it at the drop of a hat. So what am I to do? Get the closest thing without spending big bucks. The Black Arts Delay has many of the same features, simply controls and tap built in. That covers 90% of what I need a delay to do. For less than half the price, it's a win.

Donner Tuner: This is simple decision, What fulfill the function for the lest amount of money. Reviews have been pretty positive for this little tuner. I love my Boss TU-2, but when you have funner stuff to spend your money on, you have to make choices. 

Outlaw Boilermaker Boost: I like Outlaw Effects. Their boost very well may be Donner's Boost Killer pedal, but the features are the same. It is a volume boost with EQ (Low, Mid, and High) Not quite a GE-7, but it'll get the job done for the most part. Bring the total down by going to Donner again. But this boost fits the bill.

Visual Sound Drivetrain: This pedal has gotten a lot of love. It offer a wide range of sounds and costs less than many pedals with the same features. It is so loved that Visual Sound included it in their VS-XO pedal. With cost in mind this pedal tends to shine. 

MXR Classic Distortion (III): This pedal is what comes to mind when you think "distortion". It has lot of power behind it. It is also the only pedal on this list that I would directly replace. The Super Bad@ss pedal is more flexible and more expensive. The EHX pedals on my board are a little too narrow as far as range, so the one flexible and affordable enough is the Classic.

You may have noticed that I am relying pretty heavily on the Donner brand. No, I am no being paid to promote them (I wish I was). They import pedals from china and sell them pretty cheap. I could have saved I little more with just going with the cheapest options in each category, but I tried to pick the pedals that would give me the best result for the least investment. The Delay was really what got my attention, and the tuner and boost just made to much sense. That left the dirt. That being the most used and expressive part of the signal path I decided to splurge instead of trying to find cheaper sound-a-like pedals. 

All this is ignoring the other solution:

Multi effects.

So here are some of those:

DigiTech RP360XP Guitar Multi-Effects Pedal  ($200)

DigiTech's latest face lift on its RP series. Hopefully improving on its last line up of these effects. It offers three metal switches and an expression pedal. There are tons of features listed for these. They've even gotten to use the actual product names that they emulate now. So there is that.

Its Features:
FEATURES
  • 126 effects (32 amps, 18 cabinets, 74 stompboxes)
  • 198 presets (99 factory, 99 user)
  • Expression pedal
  • Power supply included
  • 40-second looper
  • 60 High-quality drum patterns
  • Durable metal chassis and footswitches
  • 2 x 2 USB audio streaming
  • Built-in chromatic tuner
  • External control input for a 3-button footswitch
  • Configurable footswitch modes (Stompbox, Preset, Bank)
  • Up to 5 seconds of delay time
  • USB editing via DigiTech Nexus
  • Stereo 1/4" Output
  • Stereo 1/8" headphone output
  • Stereo 1/8" Aux Input
  • Amp / Mixer mode optimizes 1/4" outputs for amps and mixers
  • 24-bit/44.1kHz sample rate
Dimensions:
  • 9.125" x 15.188" x 2.625"
Weight:
Add to your tone collection with this special pedal.
SPECIFICATIONS
RP360XP Guitar Multi-Effects Pedal
  • Volume/Wah Models inspired by:
  • Volume Pedal
  • DigiTech Full Range
  • Dunlop Cry Baby Wah
  • Vox Clyde McCoy Wah
  • Compressor/Limiter Models inspired by:
  • DigiTech Compressor
  • Boss CS-2
  • MXR DynaComp
  • Pickup Simulators:
  • Single Coil > Humbucker
  • Humbucker > Single Coil
  • Acoustic Simulators inspired by:
  • Dreadnaught Acoustic
  • Jumbo Acoustic
  • Noise Gate/Auto Swells:
  • DigiTech Noise Gate
  • DigiTech Auto Swell
  • Chorus Effects inspired by:
  • Boss CE-2 Chorus
  • TC Electronic Chorus
  • DigiTech Dual Chorus
  • DigiTech Multi Chorus
  • Flanger Effects inspired by:
  • DigiTech Flanger
  • DigiTech Triggered Flanger
  • MXR Flanger
  • Electro Harmonix Electric Mistress
  • Phaser Effects inspired by:
  • DigiTech Phaser
  • DigiTech Triggered Phaser
  • MXR Phase 100
  • Electro Harmonix Small Stone
  • Pitch Effects inspired by:
  • DigiTech Whammy
  • DigiTech Pitch Shift
  • DigiTech Detune
  • DigiTech IPS
  • Boss OC-2 Octaver
  • Vibrato/Rotary Effects inspired by:
  • DigiTech Vibrato
  • DigiTech Rotary
  • DigiTech Vibro/Pan
  • Uncord Univibe
  • Tremolo Effects inspired by:
  • DigiTech Tremolo
  • DigiTech Panner
  • Fender Opto Tremolo
  • Vox Bias Tremolo
  • Envelope/Special Effects inspired by:
  • DigiTech Envelope Filter
  • DigiTech Auto Ya
  • DigiTech YaYa
  • DigiTech Synth Talk
  • DigiTech Step Filter
  • DOD FX25
  • Equalization
  • 4-band EQ
  • Delays inspired by:
  • DigiTech Analog Delay
  • Boss DM-2 Analog Delay
  • DigiTech Digital Delay
  • DigiTech Modulated Delay
  • DigiTech Pong Delay
  • DigiTech Tape Delay
  • Maestro EP-2
  • Echoplex Tape Echo
  • Reverbs inspired by:
  • Fender Twin Reverb
  • Lexicon Ambience
  • Lexicon Studio
  • Lexicon Room
  • Lexicon Hall
  • EMT 240 Plate
  • Amps inspired by:
  • '57 FenderTweed Champ
  • '57 Fender Tweed Deluxe
  • '59 FenderTweed Bassman
  • '65 Fender Blackface Twin Reverb
  • '65 Fender BlackfaceDeluxe Reverb
  • '65 Marshall "JTM-45
  • '68 Marshall 100 Watt Super Lead (plexi)
  • '68 Marshall Jump Panel
  • '77 Marshall Master Volume
  • '83 Marshall JCM800
  • '93 Marshall JCM900
  • '62 Vox AC15
  • '63 Vox AC30 Top Boost
  • '69 HiwattCustom 100 DR103
  • '81 Mesa/Boogie Mark II C
  • '01 Mesa/Boogie Dual Rectifier
  • '96 Matchless HC30
  • '88 Soldano SLO-100
  • DigiTech BlackBass
  • DigiTech Bright Clean
  • DigiTech Brownsound
  • DigiTech Chunk
  • DigiTech Clean Tube
  • DigiTech Dark Metal
  • DigiTech High Gain
  • DigiTech Metal
  • DigiTech Monster
  • DigiTech Solo
  • DigiTech Stoner Rock
  • DigiTech Tweedface
  • DigiTech 2101 Clean Tube
  • DigiTech 2101 Saturated Tube
  • Distortion Stompboxes inspired by:
  • Arbiter Fuzz Face
  • Boss DS-1 Distortion
  • Boss MT-2 Metal Zone
  • Demeter Fuzzulator
  • DigiTech Death Metal
  • DigiTech Grunge
  • DigiTech Redline Overdrive
  • DOD 250 Overdrive/Preamp
  • DOD Classic Fuzz
  • DOD Gonkulator Ring Modulator
  • Electro-Harmonix Big Muff Ï€
  • Guyatone Overdrive OD-2
  • Ibanez TS-9 Tube Screamer
  • Ibanez TS-808 Tube Screamer
  • MXR Distortion+
  • ProCo Rat
  • Roger Mayer Octavia
  • Voodoo Labs Sparkle Drive
  • Cabinet Types inspired by:
  • '57 Fender Tweed Champ 1x8"
  • '57 Fender Tweed Deluxe Reverb 1x12"
  • '65 Fender Blackface Deluxe Reverb 1x12"
  • '57 Fender Blonde Bassman 2x12"
  • '65 Fender Blackface Twin Reverb 2x12"
  • '63 Vox AC30 Top Boost withJensen Blue Backs 2x12"
  • '59 Fender Tweed Bassman 4x10"
  • Marshall 1969 Straight withCelestion G12-T70 4x12"
  • Marshall 1969 Slant withCelestion 25W Greenbacks 4x12"
  • Hiwatt Custom withFane Speakers 4x12"
  • Johnson Straight withCelestion Vintage 30's 4x12"
  • '96 VHT Slant withCelestion Vintage 30's 4x12"
  • DigiTech Solo 4x12
  • DigiTech Bright 2x12
  • DigiTech Metal 4x12
  • DigiTech Rock 4x12
  • DigiTech Alt 4x12DigiTech Vintage 4x12

DigiTech RP500 Guitar Multi-Effects Switching System & USB Recording Interface  ($200)

The RP 500 tries to feel like a pedal board with its switchable effect. While this is nice, the idea have been improved upon elsewhere. Boast many of the same effects and features as the RP360 it looks like this is more about the interface. The menu editing seem like the old style that harkens back to the 90's.
FEATURES
  • Exclusive Pedalboard mode changes the RP500 into 5 individual stompboxes and effects
  • Amp/Cabinet Bypass turns the RP500 into a true effects processor that works with your amp's tone
  • Heavy-duty vacuum switches for program changes, effect on/off changes, bank up and down, tap tempo and tuner
  • Bright LEDs display program status and effect on/off
  • Large 8 character LED display for program name, bank name, and tuner
  • Large 2 character display for program number and tuning reference
  • Built-in expression pedal controls the RP500's internal wahs, volume, Whammy, and other parameters
Get everything you need to rule stage or studio. Call or click today to order.
SPECIFICATIONS
RP500 Guitar Multi-Effects Switching System & USB Recording Interface
  • Stompboxes based on:
  • Compressor / Sustainers:
  • Boss CS-2Compressor / Sustainer
  • DigiTech Main Squeeze Compressor
  • MXR Dynacomp
  • Wah / Volume: Dunlop Cry Baby Wah
  • DigiTech Full Range Wah
  • Vox Clyde McCoy Wah
  • Volume Pedal
  • Distortions & Overdrives:
  • SCREAMER (Based on an Ibanez TS-9)
  • TS 808 (Based on an Ibanez TS-808 Tube Screamer)
  • SPARKDRIVE (Based on a Voodoo Lab Sparkle Drive)
  • OD OVERDRIVE (Based on a Guyatone Overdrive OD-2)
  • DOD 250 (Based on a DOD 250 Overdrive/Preamp)
  • RODENT (Based on a Pro Co RAT)
  • MX DISTORTION (Based on an MXR Distortion +)
  • DS (Based on a Boss DS-1 Distortion)
  • GRUNGE (DigiTech Grunge)
  • ZONE (Based on a Boss MT-2 Metal Zone)
  • DEATH METAL (DigiTech Death Metal)
  • GONKULATOR (Based on a DOD Gonkulator Ring Modulator)
  • 8TAVIA (Based on a Roger Mayer Octavia)
  • FUZZLATOR (Based on a Demeter Fuzzulator)
  • CLASSIC FUZZ (Based on a DOD Classic Fuzz)
  • FUZZY FACE (Based on an Arbiter Fuzz Face)
  • BIG PI (Based on an Electro-Harmonix Big Muff Pi)
  • DigiTech Redline Overdrive
  • Amplifiers & Acoustics:
  • 57 CHAMP Based on a '57 Fender Tweed Champ
  • 57 DELUXE Based on a '57 Fender Tweed Deluxe
  • 59 BASSMAN Based on a '59 Fender Tweed Bassman
  • 62 BROWN BASSMAN Based on a '62 Fender Brownface Bassman
  • 65 TWIN REVERB Based on a '65 Fender Blackface Twin Reverb
  • 65 REVERB(Based on a '65 Fender Blackface Deluxe Reverb
  • 65 JTM-45(Based on a '65 Marshall JTM-45
  • 68 SUPER LEAD PLEXI Based on a '68 Marshall 100 Watt Super Lead (plexi)
  • 68 JUMP PANEL Based on a '68 Marshall Jump Panel
  • 77 MASTER VOLUME Based on a '77 Marshall Master Volume
  • 83 JCM800 Based on an '83 Marshall JCM800
  • 93 JCM900 Based on a '93 Marshall JCM900
  • 01 JCM2000 Based on an '01 Marshall JCM2000 (Solo Channel)
  • 62 AC15 Based on a '62 Vox AC15
  • 63 AC30 TOP BOOST Based on a '63 Vox AC30 Top Boost
  • 69 HIGH WATTAGE Based on a '69 Hiwatt Custom 100 DR103
  • 81 MARK IIC Based on an '81 Mesa Boogie Mark II C
  • 01 DUAL RECTIFIED Based on an '01 Mesa Boogie Dual Rectifier
  • 99 LEGACY VL-100 Based on a Carvin Legacy VL-100
  • 96 MATCH HC-30 Based on a '96 Matchless HC30
  • 88 SLO-100 Based on an '88 Soldano SLO-100
  • Gibson GA-40
  • Peavey 5150 II
  • Roland JC-120
  • Sunn 100S
  • Randall HT-100
  • DIGITECH SOLO DigiTech Solo
  • DIGITECH METAL DigiTech Metal
  • DIGITECH BRIGHT CLEAN DigiTech Bright Clean
  • DIGITECH CHUNK DigiTech Chunk
  • DIGITECH CLEAN TUBE DigiTech 2101 Clean Tube
  • DIGITECH CRUNCH DigiTech Crunch
  • DIGITECH BLUES DigiTech Blues
  • DIGITECH FUZZ DigiTech Fuzz
  • DIGITECH SPANK DigiTech Spank
  • DIGITECH HIGH GAIN DigiTech High Gain
  • DIGITECH MONSTER - Maxed out gain
  • DIGITECH "TWEEDFACE" — Tweed preamp w/Blackface power amp
  • DIGITECH "65 Blackface Bassman" — '65 Blackface preamp with Bassman power amp
  • DIGITECH STONERROCK — Thick, sludgy distorted amp tone
  • DIGITECH DARKMETAL — Responsive, tight metal tone
  • DIGITECH TRANSISTOR — Solid state transistor amp sound
  • DIGITECH BROWNSOUND — Hot rodded '80s stack tone
  • DIGITECH MOSH — Chunky metal tone with just the right amount of sizzle
  • 2101 CLEAN TUBE DigiTech GSP2101TM Artist Clean Tube
  • 2101 SATURATED TUBE DigiTech GSP2101 Artist Saturated Tube
  • DIRECT No amp model
  • DREADAUGHT ACOUSTIC
  • JUMBO ACOUSTIC
  • Cabinets:
  • CHAMP 1X8 Based on a 1x8 '57 Fender Tweed Champ
  • DELUXE 1X12 Based on a 1x12 '57 Fender Tweed Deluxe
  • DELUXE REVERB 1X12 Based on a 1x12 '65 Fender Blackface Deluxe Reverb
  • BRITISH 1X12 Based on a 1x12 '62 Vox AC15 w/20W Vox Speaker
  • BLONDE 2X12 Based on a 2x12 '57 Fender Blonde Bassman
  • TWIN 2X12 Based on a 2x12 '65 Fender Blackface Twin Reverb
  • BRITISH 2X12 Based on a 2x12 '63 Vox AC0 Top Boost w/ Jensen Blue Backs
  • BASSMAN 4X10 Based on a 4x10 '59 Fender Tweed Bassman
  • BRITISH 4X12 Based on a 4x12 Marshall 1969 Straight w/ Celestion G12-T70
  • GREENBACK 4X12 Based on a 4x12 Marshall 1969 Slant w/ Celestion 25W Green backs
  • FANE 4X12 Based on a 4x12 Hiwatt Custom w/ Fane Speakers
  • BOUTIQUE 4X12 Based on a 4x12 '96 VHT Slant w/ Celestion Vintage 30's
  • VINTAGE 4X12 Based on a 4x12 Johnson Straight w/ Celestion Vintage 30's
  • DIGITECH SOLO 4X12 4x12 DigiTech Solo
  • DIGITECH BRIGHT 2X12 2x12 DigiTech Bright
  • DIGITECH METAL 4X12 4x12 DigiTech Metal
  • DIGITECH ROCK 4X12 4x12 DigiTech Rock
  • DIGITECH ALT 4X12 4x12 DigiTech Alt Rock
  • DIGITECH VINTAGE 4X12 4x12 DigiTech Vintage
  • DIGITECH CHUNK 4X12 4x12 DigiTech Chunk
  • DIGITECH SPANK 4X12 4x12 DigiTech Spank
  • DIGITECH SPEAKER COMP 4x12 DigiTech Speaker Compensation
  • DIRECT No cabinet model
  • FX Models:
  • Chorus Stompbox Models based on:
  • Boss CE-2 Chorus
  • DigiTech Dual Chorus
  • DigiTech Multi-Chorus
  • TC Electronics Chorus
  • DIGITECH GLISTENING Chorus
  • Flanger Models based on:
  • MXR Flanger
  • DigiTech Triggered Flanger
  • Electro Harmonix Electric Mistress
  • ADA Flanger
  • Phaser Models based on:
  • MXR Phase 100
  • DigiTech Phaser
  • Electro Harmonix Small Stone
  • Pitch Models based on:
  • DigiTech Whammy
  • DigiTech Pitch Shift
  • DigiTech Detune
  • DigiTech IPS
  • Boss OC-2 Octaver
  • Vibrato/Rotary Models based on:
  • DigiTech Vibrato
  • DigiTech Rotary
  • DigiTech Vibro/Pan
  • Unicord UniVibe
  • Tremolo Models based on:
  • DigiTech Tremolo
  • DigiTech Panner
  • Fender Opto Tremolo
  • Vox Bias Tremolo
  • DIGITECH SCATTERTREM — Dual tremolo effect
  • Envelope/Special Models based on:
  • DOD FX25 Envelope Filter
  • DigiTech Auto Yah
  • DigiTech YaYa
  • DigiTech Synth Talk
  • DigiTech Step Filter
  • DigiTech Sample & Hold
  • Delays:
  • Digital Delay
  • Analog Delay
  • Pong Delay
  • Modulated Delay
  • Tape Delay
  • Reverse Delay
  • DM Analog Delay - based on Boss DM2 Analog Delay
  • Echo Plex - based on Maestro EP-1 Tube Echoplex
  • Reverbs based on:
  • Lexicon Ambience
  • Lexicon Hall
  • Lexicon Room
  • Lexicon Studio
  • EMT Plate - based on EMT 240 Plate Reverb
  • Spring - based on Fender Twin Reverb
Zoom G3X Guitar Effects & Amp Simulator Pedal  ($200)

Zoom has offered a lot of bang for the buck in their effect for years. Finally rising to the level of DigiTech and Boss (yay?). This processor even gives you little screens to look at the facsimile of the pedal that its supposed to sound like. That's neat.

FEATURES
  • Three large LCD displays with intuitive amp and stompbox interface
  • 22 amp or 94 stompbox models can be used in any combination
  • Over 100 built-in ZFX-IV DSP effects
  • Create and store up to 100 original tones
  • Looper function with 40 seconds of phrase recording and overdubbing
  • Integrated drum machine and auto-chromatic tuner
  • USB audio interface for DAW recording
  • Balanced XLR output and selectable modes for DI use
  • Over six hours of operation using four AA batteries/USB bus power (AC adapter included)

Line 6 AMPLIFi FX100 ($300)

The most expencive option here, but just over the cost of my low-cost replacement rig, is the Line6 AMPLIFI FX100. As most fun as that is to say, this seems to be the brains of the AMPLIFI amps series. Note: The 150 watt AMPLIFI amp is only $200 over the cost of this unit. Meaning the actual amplifier adds less than half of the cost of the unit. Take that for what it's worth.
FEATURES
  • AMPLIFi FX100 multi-effects pedal
  • Over 200 amps, effects and speaker cabinets
  • Access 100 onboard presets—and unlimited presets via AMPLIFi app*
  • Change presets and switch banks using 4 pro-quality, backlit footswitches
  • Bluetooth streaming audio for playing along with your music library (compatible with iOS, Android, Mac and PC)*
  • Rugged construction with bent metal chassis
  • 1/4" Guitar input
  • 1/4" Headphone output, 1/4" stereo full-range balanced outputs and 1/4" Amp output
  • Tap tempo/tuner
AMPLIFi Remote app for iOS*
  • 8 simultaneous effects
  • Remotely control amp and effects parameters to dial in the perfect tone
  • Automatic tone matching instantly provides the perfect tones for jamming with songs in your music library
  • Access thousands of tones online
  • Share and rate tones in the cloud
  • Backup and store unlimited presets in the cloud
  • Compatible with iPhone 5s, iPhone 5c, iPhone 5, iPhone 4s, iPhone 4, iPad (3rd and 4th generation), iPad 2, iPad mini and iPod touch (5th generation)

Tech 21 Fly Rig 5 Multi Effects Pedal ($250)

The only thing that I would consider buying on this list is the Tech 21 PUTITALLINONEBOX thing. Having said that, I'd most likely not use the middle button. If it had a tuner then it would be a homerun. You could add the Donner Tuner and still come very close to the same money. There is also an artist version of this for a little extra. 
Five pedals, including a SansAmp, reverb, delay, boost, and and Plexi distortion.
Free yourself from the signal chains of bondage. Emancipate yourself from the oppression of evil backline loaners. Liberate yourself from the tyrannies of over-loaded flight cases and stress of airport security. It is time. For you. To rock. In a free World.

Sleek, compact, and simply awesome, the gunmetal-finish Fly Rig 5 is a tiny tonal titan, a thoroughbred professional unit armed with sweet analog tones. Weighing in at just over 18 oz. and under 12 inches in length, you can rule the road, rehearsal or recording gig. No stinkin' van, no heavy flight cases, no cable spaghetti, no dead weight.

With the Fly Rig 5, no arena is too large and no stage is too small. Just grab your guitar and tap into five must-have pedals in Tech 21's award-winning arsenal: a genuine SansAmp, a reverb, a delay, a powerful boost and the incredible Plexi distortion. All of this in a streamlined, rugged metal housing that will easily fit in your guitar case. There are illuminated mini-controls to show active status, an included power supply and studio-grade, metal footswitches and jacks. It's everything you need and nothing you don't.

With the functionality of a full pedalboard, minus the crackling patch cables, dying batteries and ground loops, the Fly Rig 5 is a simple step to the rich, expressive combinations you can use for any session. Even when you want to use the latest digital supercomputer or a vintage tube amp, the Fly Rig 5 covers your ass like yoga pants. It's the perfect instant back-up rig when your boutique gear goes down exactly when you need it most.

At its heart is the omnipotent, all-analog SansAmp - a ground-breaking amp emulator, speaker and mic simulator - that will dial-in your favorite sounds for consistent tone every time. This version has been optimized for lush, chiming clean tones and has a Drive control to add just the right amount of gain from warm break-up to snarling grind, with an incredibly flexible 3-band EQ. The adjustable Reverb is also found in this section, voiced to create the rich ambiance of a vintage spring reverb without clattery pings, canyons of doom, or other annoying artifacts.

The roaring Plexi tone is the stuff of legend, with its muscular crunch, detailed mids and mule-kick low end. Providing the dirty side of the Fly Rig, the Plexi section produces exquisite, ripped-ab rock tones that can be kicked into Hot mode with up to 21dB of pre-amp gain. The Hot footswitch operates independently to boost any of the Fly Rig sections whenever you feel the urge to punch it up.

An inspiring delay section completes the Fly Rig 5. Voiced to emulate vintage tape echo, the DLA features a separate tap-tempo footswitch and adjustable tape drift-style modulation for authentic textures. From thickening slap-backs to deep cascading repeats, the DLA adds space and attitude.

Get the Fly Rig 5 and arrive at your next gig as easily as a happy, magical fairy - with face-melting guitar tones.

• SansAmp tube amplifier emulator, is pre-voiced for clean tones. It includes 3-band active EQ, Level,
and Drive to adjust the overall amount of gain and overdrive.
• Reverb, within the SansAmp section, is based upon the Boost RVB pedal. It emulates the rich ambiances of a vintage spring reverb without clattery pings, canyons of doom, or other annoying artifacts.
• Plexi, based upon the Hot-Rod Plexi pedal, brings in the organic distortion of a stock ‘68 Plexi and includes Level, Tone and Drive controls.
• Hot, within the Plexi section, kicks in up to 21dB of pre-amp gain. It can be used independently to
boost the SansAmp and/or DLA functions, as well as on its own to boost the gain of your amp.
• DLA is based upon the Boost DLA pedal. It is voiced to give you the sounds of a vintage tape echo
and features Level, Time, Repeats, and Drift, which adds a random element to the modulation for authentic textures. A dedicated Tap Tempo switch makes it super simple to just tap in the delay tempo you want during your performance.