Ugly Guitar Truth: EHX Grand Canyon Delay and Looper

It's been a year since the release of the EHX Canyon Delay and now EHX has announced the Grand Canyon Delay and Looper. It is a full-featured delay with expanded capabilities, a longer list of features, and dual switches. For fans of the original Canyon Delay, this is an obvious upgrade. While I loved the Canyon for its overstuffed feature set and compact size, the question of whether or not the Grand Canyon continues this trend is harder to answer. Let's take a look.

Size Isn't Everything

While I personally love dual-sized delays (mostly because of my fondness for my DD-20) the form factor plays a big rule in how this pedal is used. The original Canyon Delay was packed with features such as a "secret sub-menu" that allows you to edit modulations and other features depending on the settings. This would allow you to edit settings on the fly that you normally wouldn't be able to on a normal compact delay. However, there is no interface on the pedal, so the learning curve is a little steep, and on-the-fly edits would require a pretty deep familiarity with how this pedal operates. That's why the size of the Grand Canyon is important. The increased size lets you interact with pedal relatively easily. It also allows the addition of stereo ins and outs.

Quarter-Of-A-Grand Canyon

Price. When you pedal was announced, my biggest question was about price. I loved the original, but what was going to make or break this pedal is the price. It was a given that the price-floor for this pedal was going to be around $200. The Canyon sells for $140. It is a direct competitor to the TC Flashback II. The Canyon undercuts the price of the Flashback by $30 and offers a load of options without needing to be connected to a computer/phone. There is definitely a market for those that want a full featured, single-sized delay pedal that has no intention on updating patches. EHX delivered to those people. The Grand Canyon is yet another calculated play by EHX. This is a full-featured dual-sized delay that slides in under the price of every other modern delay in its category. While I would have loved to see this pedal in the $200-225 range (because I'm cheap), The $250 price tag is more than enough to not cannibalize sells of the original, but any higher it would start getting compared to the big flagship digital delay without the vibranium shield of "for the price".

For The Price

$200 doesn't buy the pedal it used to. I walked into my local guitar shop ready to buy the best delay they had. I had my choice of a Line6 DL4 and a BOSS DD-20. Both were about $200 bucks. Now, delays are just a computer with a special purpose. The BOSS DD-500 Costs $350 and blows the DD-20 out of the water when comparing features. A modern, high-powered, digital delay will cost $300 and up. Since the Grand Canyon is slipping in just under that mark, then you are going to hear a lot of "for the price arguments". "It doesn't do everything the DD-500, but for the price..." Feel free to substitute DD-500 for another big brained delay and mark my words.

Conclusion

The Grand Canyon looks like a feature-rich, intuitive pedal that seems poised to be successful. I think about the guy walking to the guitar shop looking for a delay. He doesn't want to spend the rest of the day reading a user manual. He wants to buy a pedal, head to a gig, and find some cool sounds. Sure, he might buy a DD-7 or a Flashback II, or maybe he'll buy the Grand Canyon.

Ugly Guitar Truth: EHX Mod Rex Polyrthymic Modulator

EHX is one of those companies that cannot be defined in a single sentence. Most people know them for their guitar effects. Many think of their Big Muff Fuzz pedals, others may think of the Memory Man analog delays when they hear EHX. But still, others think of their weird and/or wacky modulation pedals. EHX has done all of these things to varying degrees of success. The Mod Rex definitely fits into that last category. This is Ugly Guitar Truth, so let's look at this pedal.

While there are some terms that guitarists are familiar in the description of this pedal like Flange, Trem, Vibe, and Chorus this pedal is anything but ordinary. It is no wonder that the demonstration of the Mod Rex is as much synth mod as guitar pedal. The demonstrator shows how easy (once set up) to control and create spacey synth rock with this pedal. It's easy to get the impression that the pedal can make you the next Killers, but it is key to remember that the demonstrator is very talented and likely very familiar with the product.

It is true that I like EHX, there are a few things that we need to address. This pedal is impressive, but for a guitarist with a singular focus, this pedal may not be what you are looking for. Yes, it may give you a handful of mod options. It will allow you to control them in many ways that stand-alone pedal may not, but there is a lot in this box that may go completely unused. Not to say this unit isn't an impressive sound modulating tool, but there may be other options out there that better meet the needs of a guitarist looking to mix and blend filters.

Conclusion

For me, I'm passing on this unit. It has loads of features that I'm just not going to use. There are plenty of effects that offer similar feature sets that are more tailored for guitar application. While I commend EHX for their ever forward attitude towards new sounds and features, I'll pass.

5 Worst Pedals Of 2017

Just as there is best of the year, there is also some pedals that didn't really seem to hit their mark. This isn't to say that they don't do the job their were meant to do, its just that sometimes the fact that they even exsist is a a head-scratcher. Let's take a look at some of the worst pedals of 2017.

EHX Blurst

I wanted to like this thing when I saw it. EHX has the habbit of bringing unexpected and fun products to market, but the Blurst was flirting with line between junk and genius and fell right over to the junk side. This is a pedal that dares you to try and use it. There is are some interesting special effects in this box, but I can't see that anyone could find use for it other than a noise maker. Some may need weird and interesting noises and this will provide, but for many of us, this is a waste of space.

DOD Rubbernecker

This pedal is actually a solid delay. It has some unexpected features and it expands of what you are capable of with analog delay. However, it suffers from timing. The Rubbernecker is now in the shadow of its big brother, Carbon Copy Deluxe. These two delay may possibly share some DNA, but given the choise between the two, most are going to go with the pedigry that the Carbon Copy brings with it.

BOSS/JHS AngeryDriver

This pedal came straight out of left field. The Angery Driver is a colaberation between JHS and BOSS. It combinds the Angery Charlie and Blues Driver. Both pedals are outstanding in their own right. So the decition to combind the two comes as a big surprise. Although, the pedal works on a technical level, it robs itself of some the best qualitiest that come with each respective pedals.

Keeley D&M Drive

What is basically a signature pedal, the D&M Drive actually works against itself. I understand why this pedal happened. These two brits that talk about pedals on the internet have the capability to sell plenty of pedals if they recomend them, so why not give them an endorment deal? Well, the whole perpuse of their show is to help guitar experience many differnent guitar product and maybe help with purchasing choices. If it turns out that they just shill for whoever is lining their pockets, then it doesn't help their credibility.

TC Electronic Rush Booster

This year we saw a whole slew of new pedals from TC Electronic. It's no coinsedence that this come after the buy out of TC by Behringer's parent company. What make the Rush booster worse than most other pedals in the same line is that TC already make a great boost for the same price. The Spark Boost is great and compact. For a one knob boost, you don't need a huge, heavy enclosure. This seems like some kind of oversight.

5 Best Pedals Of 2017

Happy 2018 everyone. I just wanted to take a moment to look back at the previous year and recognize some of the best things to happen to guitar pedals in 2017. This isn't everything that was great, nor is in any particular order. These are just the five pedal of last year that stand out the most. Starting with:

BOSS RV-500

Boss expanded their line of 500 series effects. In a somewhat predictable manner, Boss added to the well-received DD-500 with an equally impressive Reverb unit. BOSS loyalist have been long-suffering devotees to a brand that took its time to catch up, but many feel like the 500 series is BOSS's answer to Eventide and Strymon. Not only do BOSS fans have an answer to the huge do-everything-delays, but so do those that can't bring themselves to throw down the big bucks. At $350 these delays look like a bargain.

TC ElectronicFlashback II

2017 seemed like the year everyone was stepping up their delay game. TC was no different. Many love the Flashback delay, and for good reason. TC Electronic's Tone Print features are massive. How do you improve upon a pedal that you can update endlessly via a cable plugged into your computer? More functionality. Somehow TC crammed, even more, features into their Flashback II. The Smash feature is, for the most part, unprecedented. Now you can have an expression pedal built into your compact pedal. The Flashback II is a solid win.

Wampler Deluxe Tumnus

Wampler stepped up their game with the Deluxe Tumnus. Despite its recent release, it has taken over pedalboard everywhere. I follow tons of guitarist and guitar pages and it seems like nearly all the boards posted on the internet in the last few months have a Deluxe Tumnus on them. The Klone Wars may be over. Many guitarists want more out of their light overdrives, and the Deluxe Tumnus delivers.

EHX Green Russian OD

For the last few years, EHX has been the go-to place when looking for inexpensive pedals that deliver (especially if those pedals have a striking resemblance to another, rather iconic, pedal). Stopping short of making a re-issue, EHX opted to release a clone of an EHX classic. The Green Russian Big Muff is a copy of the Russian made Big Muff Pi. This isn't an original idea, but it's cool to see EHX reaching back to their roots. It doesn't hurt that it is inexpensive and compact.

MXR Carbin Copy Deluxe

I'll be honest. I've never really seen what was so special about the carbon copy. Analog delays are nice, but I've always like the expanded capabilities of digital delays. Not until I owned a Carbon Copy did I understand that it has a sound all of its own. The worst thing you can say about that pedal is that it is limited. The Carbon Copy does away with that complaint. The Deluxe is an improvement on the original in every way. This is a textbook example of how you update a fantastic original.

Ugly Guitar Truth: EHX Op-Amp Big Muff Reissue

Here we are, just weeks away from NAMM 2018. EHX decided to beat the rush and unveil another Big Muff Reissue, just in time for the holidays. (Well, probably not really in time for the holidays. You might be able to pre-order them for your loved ones.) Seem to be a theme emerging. Hot on the heels of the Green Russian reissue, this pedal seems strangely fitting. Why? Let's look.

The Market


Vintage versions on the Big Muff Pi have always been sought after. It's almost as if once a particular version goes out of production, then it become much more sought after. A quick search for "OP Amp Big Muff" will yield tons of results for vintage pedals going somewhere north of $300. Clones sell for over $100. So, an $80 EHX reissue is probably a welcome sight for all those that can't pony up big bills for vintage gear.


Dizzying Variants


If you happen to be like me, you might be a little confused by all the variations of the Muff. While I'm aware of most of them, I'll admit that I never really viewed the Op-Amp version to be very sought after. However, as I look around, I find that they are favored by many. Overlooking the Op-Amp isn't hard to do. There are 9 version of the circuit out there and the lion share are based on four transistors instead of the three Op-Amps in the V4/V5 Muffs. For those that speak Muff, Russian, Triangle, Civil War, Ram's Head all have very specific meanings. But to the uninformed it can be dizzying.


Fatigue


Can you keep all the Big Muff Straight. I mean all the big muffs. There are tons of these things. Most fans of the Muff are familiar with a handful, but there are still many in production that may fly under many's radar. The Little Big Muff, Tone Wicker, Deluxe and Germanium versions are rarely mentioned in the same breath with the vintage ones. They all have at least one thing in common though. They all wear the Big Muff Pi badge. They range from overdrives, to metal distortion, to fuzz, but they are all Big Muffs. Electro Harmonix gets a lot of mileage out of their Muff. Honestly, it could be the worst thing to say about this pedal. It's just another is a long line of others.


Conclusion


I had to read a little bit about this particular pedal before I really excited about it. I didn't know much about the Op-Amp Big Muffs. Now, knowing slightly more, I see that it's release make a lot of sense. Although, it may be a black sheep in the Muff family, it's sound is unique and distinct. A nasty, gungy pedal that has spawned many clones, finally has a well deserved reissue.

Ugly Guitar Truth: EHX Hot Wax Overdrive

Somehow, EHX was about to the keep the announcement of their new overdrive pedal a secret from me for the last few weeks. They have produced a new dual overdrive pedal that has taken me by surprise. The Hot Wax is not at all what I expected for Electro Harmonix. As it is explained by EHX, the Hot Wax overdrive is basically the Hot Tubes overdrive mated with the Crayon overdrive. Is this a match made in heaven or some hellish concoction? Let's discuss.

It's Probably Not What You'd Expect

Unlike previous match ups, the two drive circuits share some functions. This means the two drives are not independent from one another. Unlike the Turnip Greens and Soul POG, this pedal shares tone controls and does not feature an effects loop. Were these cost cutting measures or lazy design? Maybe neither. Electro Harmonix is, if nothing else, a company that doesn't suppress creation. Does this mean that everything they make is a winner? Hardly. I imagine when something at EHX make Mike Matthews say, "That's cool." it gets produced. At least they aren't telling us that this is the latest and great, brand new, totally original design from EHX. They're honest. They told us that if these two pedal had a baby, then this is the result. It's not two pedals in the same box, it's a product of commingling,

It's Nothing New

I know we discussed how it was the product of two other pedals, but there is a problem whenever you have these situation. These two pedals, respectively, have been on the market a while. I checked out the Hot Tubes when I first noticed it a few years ago. I passed then. I was rather excited about the Crayon during its release, and it continues to be a go to pedal for me. It could be that these pedals sound great together, but that would only prompt me to buy a Hot Tube pedal to test that theory.

Rebranding

What EHX may be doing is branch out into larger, more complected drive pedals. Looking back at the catalog of EHX drive pedals, you'll notice their wasn't much that didn't have MUFF in the name. The popularity of their (for the lack of a better word) clone pedals is allowing them to move in a different direction. Let the Muff return to its fuzz roots and develop overdrive circuits that stand on their own. While most drive options have been compact, three-knob-jobs, the line needs more complete and capable gain stage options. Instead of reinventing the wheel, Eletro Harmonix married two existing circuits. Instead of blowing (cigar) smoke up our collective butts, they gave us the truth. Respect. But this could all just be EHX trying to flesh out there Drive pedals with a more diverse offering.

Conclusion

For me, I already own a Crayon, so it doesn't make a lot of sense to pick up this pedal. I would like to give a run through. For someone looking for a overdrive/boost or dual overdrive pedal, then this might be your thing. The Hot Tubes in my opinion does a fine job at being a mid/light gain, mid-humped overdrive. The Crayon is a good sounding, flexible overdrive. Put them together and what do you get? Magic? Gold? ... Hot Wax...

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Ugly Guitar Truth: EHX Dual Expression Pedal

So, as much I look forward to new products from Electro Harmonix, Expression pedals are not extremely exciting. EHX did release several rocker pedals a couple years back. The "Next Step" line of rocker pedals looked futuristic and new, but that's always a gamble with guitarists. The fact that you couldn't attach it to your pedal board and unfamiliar functionality kinda doomed them. However, the new Expression Pedal is back to basics and that is the best news we could hope for.

It's Plastic

Yes, this pedal is basically the Wailer Wah, but in expression pedal form. It has great features, for an expression pedal. You can reverse the polarity and set a minimum value via trim pot. It works with a wide range of pedals and has a conventional construction. Constructed out of glass-reinforced nylon (plastic), the pedal is light weight and hopefully affordable.

Expression Impressions

I like that EHX is providing choices. They've taken risks with unproven ideas, but they've also provided a good option to those who prefer conventional pedals. It Seems like they are covering all bases. The Expression Pedal is much more affordable than the "Next Step" Expression pedal. Just moments ago, EHX posted the list price of $49.30, which is roughly half the price as their previous expression. However, It's hard not to compare this pedal with the MOOG expression...

Deja Vu

Plastic construction and identical feature set, make this pedal a near clone of the Moog EP3 Expression pedal. Not that EHX is a new-comer to cloning pedals. However, not everything is a direct clone of the Moog. First off, the EHX pedal looks like it is larger than the Moog. I don't have exact dimensions of the EHX pedal, but by simply looking at the promotional photos, you can tell that the EHX looks much like a typically Dunlop Wah shape (if not size). The Moog is sized between a full sized and the mini sized pedals that we've seen released lately. With the larger size, you have a slightly larger price tag. The Moog sells right at $40. So, less than $10 difference for a near identical pedal.

Conclusion

I like this pedal, if only for the fact that it is a departure from those weird rocker pedals that they put out previously. It comes with a 6' TRS cable (just like the moog). It doesn't work with everything, probably. I know that the Moog expression doesn't play with Line6 very well. Also, the Moog seems to use an audio, rather than linear, pot. This means that moving the pedal half way won't necessarily give you a 50% value. This lends its self to wah-type applications, but it will still work with effects like pitch bending and other non-wah types. If you liked the Moog but wished it was a little bigger, this might be your thing.

So, as much I look forward to new products from Electro Harmonix, Expression pedals are not extremely exciting. EHX did release several rocker pedals a couple years back. The "Next Step" line of rocker pedals looked futuristic and new, but that's always a gamble with guitarists. The fact that you couldn't attach it to your pedal board and unfamiliar functionality kinda doomed them. However, the new Expression Pedal is back to basics and that's the best news we could hope for.

It's Plastic

Yes, this pedal is basically the Wailer Wah, but in expression pedal form. It has great features, for an expression pedal. You can reverse the polarity and set a minimum value via trim pot. It works with a wide range of pedals and has conventional construction. Constructed out of glass-reinforced nylon (plastic), the pedal is light weight and hopefully affordable.

Expression Impressions

I like that EHX is providing choices. They've taken risks with unproven ideas, but they've also provided a good option to those who prefer conventional pedals. It Seems like they are covering all bases. The Expression Pedal is much more affordable than the "Next Step" Expression pedal. Just moments ago, EHX posted the list price of $49.30. Which is roughly half the price as their previous expression. However, It's hard not to compare this pedal with the MOOG expression...

Deja Vu

Plastic construction and identical feature set, make this pedal a near clone of the Moog EP3 Expression pedal. Not that EHX is a new-comer to cloning pedals. However, not everything is a direct clone of the Moog. First off, the EHX pedal looks like it is larger than the Moog. I don't have exact dimensions of the EHX pedal, but by simply looking at the promotional photos, you can tell that the EHX looks much like a typically Dunlop Wah shape (if not size). The Moog is sized between a full sized and the mini sized pedals that we've seen released lately. With the larger size, you have a slightly larger price tag. The Moog sells right at $40. So, less than $10 difference for a near identical pedal.

Conclusion

I like this pedal, if only for the fact that it is a departure from those weird rocker pedals that they put out previously. It comes with a 6' TRS cable (just like the moog). It doesn't work with everything, probably. I know that the Moog expression doesn't play with Line6 very well. Also, the Moog seems to use an audio, rather than linear, pot. This mean that moving the pedal half way won't necessarily give you a 50% value. This lends its self to wah-type applications, but it will still work with effects like pitch bending and other non-wah types. If you liked the Moog but wished it was a little bigger, this might be your thing.

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