MXR make some of the most iconic pedals on the market. I was excited to hear that this year at NAMM they've added several pedals to the line. Addmittedly, the pedal I most excited for is the MXR Sugar Drive. I'm a sucker for a transparent overdrive and this one seem to fit that description to a tee. In fact, several times, the guys at the MXR booth stop just short of calling it a Klone clone by name. So, if you like your pedals tiny and you are also a fan of MXR, then this is right up your ally. I would be remiss if I didn't mention that there are some other pedals strikingly similar to the MXR (Tone City Bad Horse) but the MXR does have a bypass-able buffer, so there is that.
More Information:
This year, MXR is releasing its own take—dubbed the Sugar Drive—on a rare, beloved circuit from the '90s. Packed into a pedalboard-friendly mini chassis, the pedal provides a wide range of tones, from driving boost to lush overdrive.
The pedal's interface is clean, with only three knob controls—Tone, Drive, and Volume—and an on/off footswitch on its face. Despite its simplistic aesthetic, the pedal's finely tuned circuitry is a bit more dynamic than it appears.
Instead of a Drive knob that simply increases the pedal's intensity, it actually grabs your clean, unaffected signal and blends it with the overdrive as you turn the knob. Then, the pedal's "Charge Pump" increases headroom by increasing the operating voltage. This makes for a deeper, more progressive move from clean tone to affected dirty tone and allows your sound to open up more naturally.
On the side of the chassis, you'll find a selectable switch and corresponding LED indicator for choosing between true bypass or MXR's buffered bypass.
When I think of Earthquaker Devices effects I think about the weird stuff. The Rainbow Machine and Organizer come to mind. So when I saw that Earthquaker was releasing a "Translucent" overdrive I was kind of surprised. The first thing I thought was, "Klone". This is a light to medium transparent overdrive, but to think that this an ordinary Klon clone, you are way wrong.
This pedal boasts a lot of impressive features. The active EQ section on this pedal is a powerful feature. 20db boost/cut to 2kHz and 80Hz really let you take control of your tone. However, the addition of center detent pot easily let you find the perfect center letting your tone pass through unaffected. Relay switching and an all-analog path make sure that you don't hear any click when turning on the effect while leaving your tone alone. It is touch-sensitive and volume-responsive like an amp making it attractive for dynamic players.
Everything looks great, but the Klone wars were some time ago. There is a good chance that you already have a light overdrive that you favor. If not, this pedal already has some pretty tough competition out there already. We've seen light overdrives with Treble and Bass controls. The Wampler Deluxe Tumnus gives you a three-band EQ. So is the Westwood too late? Well, probably not. The market for these beefed light-duty overdrives isn't quite oversaturated yet, and the Westwood seems to add enough of its extra special flair to stand out from the rest.
Klon is surrounded be a mystic cloud that plucks magic and pixie dust out of an another dimension, then mixes them with electronic components and creates other-worldly pedals that entrance the unwitting player. That very same Klon has now bestowed us mere mortals with another creation of pure essence
...and it's a boost.
Klons first 'new' pedal in years and it is basically a Klon overdrive without the overdrive. As it was explained, This is the same pedal, but without the clipping section, so to give you a boost without the drive. This came about from the typical use of Klon pedal. Mostly use to boost the signal in a chain of other effects. Now we have a unit to do just that, but nothing else. May this is a lower cost offering from Klon. Maybe this is just an uninspired follow up to an outragously popular pedal. I don't know.
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If you suffer from GAS as I do, then you are probably aware of the influx of pedals from china. I'm not talking about BOSS, or Digitech, or Mooer, or Mod Tone or any of the other pedal brands that manufacture overseas. As I remember, it started with Joyo. They made a brand for themselves by mostly copying other pedals and rebranding them, all at discount prices. There has been several others to come about. These pedals have a bit of a stigma already. The first time I ordered a Joyo pedal, the wrong pedal came, and customer service was so bad that I opted to sell the pedal outright instead of returning it. There has been several brands to come about since, and service and quality seem to be improving as well. However Tone City don't seem to be turning out the 'same old stuff' as these other brands. When I first saw their pedals, I did think they were just shined up Chinese copies. To start, you can find lists of the pedals that most of their micro-pedal like is emulating. What caught my attention was their release of their larger, seemingly more original, pedals. I learned of these when I saw my favorite two Brits fool around with them:
Chappers and The Captain are amusing to watch and their production quality is nearly unmatched on YouTube. Something that you have to remember is that they are representing a store. This store sells the products that they are demonstrating. Bare in mind that it would not be beneficial for them to complain about or criticize these pedals. They are going to speak favorably about them, but one thing that Lee 'The Captain' Anderton said made my ears perk up. Most of these dual button Tone City pedals are voiced like very particular amps. All except one, one is just called, "King of Blues". Lee mentioned that he thought that it could be a aNaLoG MaN King of Tone clone. I decided to find out for myself.
I Haven't Played A King of Tone
So this first one is telling on myself. I haven't had a chance to play through one of the more iconic boutique pedals. I have listened to many high quality demonstrations, but I know that there is a lot missing from these. There is no way of sensing the attack sensitivity or feeling how the pedal reacts with the amp. I will say that I've heard a wide range of tone from this one pedal. Obviously the amp these pedal being played through are very important, also the guitar and anything else that is in-line with the pedal. So everything taken with a grain of salt, the KOT is a full sounding flexible overdrive. It is capable of clean-ish 'transparent' boost and thick saturated overdrive. So I may not have played one of these pedals, but I've spent a lot of time researching just what makes this pedal so sought after.
The Pedal Has A Mix Message
Several descriptions of this pedal include that the first stage of this pedal is a straight Klon copy. Stating the the second stage is an 'original' design. I find this a little over simplified. I also think that this description is a little lazy. However, you can't dismiss it entirely. Tone City makes a spot on Klon copy in the 'Bad Horse' pedal. The famous circuit shrunk down just like the Tumnus from Wampler. This is completely likely, however, the KOT and the Klon have similar features as it stands, so the comparisons between each of these pedals may not be totally baseless. I've recently put the King of Blues pedal against every Klon circuit I could get my hands on, and my verdict is that it may share characteristics, I can't say that its a direct copy of the Klon. For one, the Tone knob works like a tone knob (low pass filter) rather than a treble boost. The amounts of gain are similar but the output from the pedal is notably less. The King of Blues of much warmer than any Klon or Klone that I've ever played. From what I've heard of the Tone City 'Bad Horse' (klone) these are not the same circuits.
If It Is A KOT Clone, Then I Have Bad News
Let's say that this is a KOT copy. The real deal goes for north of $300. That's three times the price I paid for this pedal. That's KTR money. Sure, there are other pedals that fetch that kind of money, but what is really striking is that the pedal is only so-so. I do like the pedal. It is capable of several good sounds, and it is really flexible. Two 'channels' make it a great option to handle your overdrive tones. But, if this is a actuate copy of the famous pedal, then I don't see what is so great about it. I'm able to do everything this pedal does with a couple of other overdrives already on my board. This might have had the appeal at the beginning of the boutique boom, but now it's just riding the way of hype from its glory days.
Conclusion
This is a fine pedal. If you are looking for a multi-stage low/medium gain overdrive then this might be the thing for you. I'd put it above a Fulltone Fulldrive (a pedal that I don't really care for all that much), but I'm probably not going to replace what I already have on my board with this. There might be certain situations that I'd prefer this pedal to others, like if I wanted to run a small-ish board for some running around, but it fall short of the litany of pedals that occupy my board. Its good, but it's not "sell all your pedals now and get one of these" good.
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If you are up on your pedal, then you are familiar with JHS pedals, they started offering a service to mod popular pedals for those that are so inclined. They started developing custom circuits and offering a line of pedals. Some of these pedals are very highly respected and sought after. I've been a DIY guy for the most part and have done many mods to Boss and Ibanez pedals, so I've never gone in for sending pedal off. Planning mods and tracking down parts has been a fond hobby for a long time, but this mod in particular seemed like a solid candidate. Now, on with the truth!
Here's what I got back form JHS
It's Uncomfortably Long Process
When dealing with send pedal through the mail, the worst part is the wait. Anyone who has order a piece of gear knows that it hard to wait. They have your money, you've made your decision, but you have days before you can play with your new piece of kit. Unlike an order from a retail web-store, The modding process is a service. So you mail your pedal, in this case, it took three days to arrive at JHS. Then they have to process your order in the order it was received. I was alerted that since I had mailed it just before the new year, then there would be a delay. The website stated that a typical order could take up to three weeks to process. So, I wasn't stoked. It ended up taking right up to the three week mark to receive my pedal, so according to the website, it was quite timely. If you were a active musician with gigs, then you would be out an important part of you rigs for weeks.
There A Hidden Fees
The enticing point of all of this mess is that you (yes, you!) can have a boutique-quality, professional-grade piece of gear for the price of a popular, mass-produced piece of gear. All you have to do is get these wizards to do their special brand of voodoo to it first. All for a nominal fee, of course. But that is to be expected. Nothing is free, but you probably already have one of the massively popular pedals that they offer a mod to, so its not like you are spending more money on your pedal, you are investing in an upgrade. So you come to accept the seemly exorbitant cost or changing a few part that total to a couple of dollars, but you rationalize it to yourself somehow. Then you come to find that they stick you with the cost of shipping it back to you. (not only that, but it's twice as much as you paid to ship it there...) In all I nearly doubled the price of my Soul Food, but it was all worth it, right?
It Might be worth it
Of course, I was excited to receive my pedal back from JHS. It just like getting new gear, expect that it was yours to begin with... So I spent a fair amount of time playing with my newly modded pedal, as I do, and I'm happy with it. That is, in the since that it was any worse than way I left it. Also the bass knob made a considerable difference when rolled all the way up. The switch that controls the clipping diodes made a very minute difference. I'm pleased with the changes made. I didn't have to lift a finger to do them, and everything looks great.
Conclusion
Is it worth it to get your pedal modded by JHS. I think we already know the answer to that question. No. It is absolutely not worth it. Do I think that my $60 dollars (yes, all told I spent $60 on the mod plus shipping both ways) would have been better spent toward another pedal that already accomplished what I was trying to do the the original pedal. Unless it is directly related the the functionality of the pedal (like adding addition modes or settings) then a mod is mostly that special incantation that only those practitioners of the dark arts know. Or you know, google and soldering...
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There has been a lot of talk about this little pedal. Most web-stores don't even have the Crayon on there sites yet. A local store selling through Reverb.com was able to hook me up with one. The main thing is that everyone wants to know what other pedal it sounds like. Well I've tried it out and I can now tell you. However, that would be blowing my load a little too soon. So here's what owning and using this particular pedal has shown me.
It's Pretty Good.
A lot of people liked what they heard from the EHX video demos. The Soul Food was a huge hit, so when they debuted a new light/medium overdrive peoples ears perked up. The Four knobs are a departure from most of their small drive pedals. Giving us Bass and Treble to manipulate is a step up. The clipping is musical and satisfying. The Bass and Treble are responsive and flexible. The Gain take you from clean to filthy with a twist. There is plenty of meat on these bones too. Playing a Tele through a Vox AC15 you'd expect twangy and spanky, but with this pedal engaged you plenty of grunt to thicken up that Tele sound.
The Name Is A Little Silly, Considering...
This pedal is one of the best clean boosts with the gain dialed back. It really preserves the sound of your guitar when playing through it. It doesn't jack with your tone in a bad way. Tube screamers will always add that mid-hump, but this pedal, when set correctly, will give you your tone right back to you, only louder. But not much louder. Much of the volume remain hidden until you start to add gain. But that is the reason to buy an overdrive, right? Besides being named after a childish art utensil, "coloring you tone" is considered a no-no, so when the hype video said the pedal did just that, well, it was a little bit of a face-palm moment.
It Gets You Close To That Sound With Minimal Effort
If you look at my pedal board, you will see that I like stacking my gain pedals. I have a Soul Food almost always on and cranked up to push the next pedal (Tube Screamer/OCD/Super Badass). Some times I'll run the TS into the OCD to get really noisy. I like combining Overdrives with other pedals to simulate the effect of a overdriven amp while keeping to bedroom levels. Not to say that other pedals need a another in front of it, but this pedal has gotten pushed-a-little-too-hard (in a good way) sound all by it's self. There are a lot of things that I like about the Soul Food in this pedal, but mixed with better EQ and great clipping section.
In Conclusion
If you are in the market for a single pedal to do must of the heavy lifting of your dirt section and don't want to full with stacking different pedals, then this might be right up your ally. What the Soul Food lacks in flexibility, The Crayon Does rather well, with the bonus of being transparent in the best way possible. This pedal is a little more than just the "pre" section of you gain section. It has the grunt to be your entire overdrive section. It does play well with other though. Especially if the other pedal is heavier. All in all this pedal is a great box. Even if it turns out to be heavily "inspired" by another pedal, this pedal is a great addition to an already pretty stellar list of pedals in EHX's line.
There has been a lot said about this pedal since it was teased by EHX a few days ago. Forums and blogs have been abuzz about how it shares it's name with a JHS pedal. Personally I am excited to check this pedal out for myself. There is a lot of speculation about what this pedal might have in common with other pedals. In other word: What kind of clone is this pedal. As exciting as it would be to have a inexpensive pedal to do the job of a pedal that might be financially out of reach of some player, other look at copy-cat pedals as rip-offs that are just attempts to make money off of other peoples work. No matter wear you fall on the issues of clones, new pedals are exciting. Lets look at what is being said about The Eletro Harmonix Crayon
It's a JHS Color Box Clone
Yep, this one is a little on the nose. JHS has not only put out a pedal of the same name, but they are similar in function as well. Some have mentioned the differences in the two, such as the toggle that is missing from EHX's pedal. Although they have added internal switches that match other clones. The Soul Food pedal has internal buffer switching. Maybe this is a little surprise they are waiting to expose closer to it's commercial release. EHX hasn't really been this spot on with a name before. The TS clone is almost entirely green, but it was named East River Drive. The Klon Centar gives clones lot opportunity to riff on the name, my favorite being the Tumnus from Wampler, but EHX went with Soul Food. Still don't really 'get it', but hey...
Mike as he hints that the Crayon is a Fulltone clone...
It's a Timmy Clone
This is a little more simple to unpack. The Crayon has four knobs. The Timmy has four knobs. The Timmy is a popular pedal. EHX has a habit of copying popular pedals. This one isn't as much reserch driven theory as it is process of elimination. Whats the most popular four knob, light-to-medium gain pedal on the market... That must be it. The Timmy is based on the Tube Screamer with more control over the EQ. It's a great pedal. It might, in fact, bear more than a passing resemblance to the Crayon. What I've heard so far doesn't really lead me to think that, but I'm wrong a lot.
It's an RC Booster
This one is a little bit of a stretch. The circuit could share some similarities, but the reasons the comparison has been made in the first place is just mind-blowing. So, people other than my self have stated that the link between these pedals are the names. Crayon begins with the letters C and R. Turn those around and you get RC. There you have it. Rock solid proof that the Crayon is a RC Booster. The RC is a popular four-knob pedal, so there is that as well. But like I said before, word play is not one of EHX's strong suits. Nor naming things in general. Muff, Cock Fight, Glove... eh, I guess we'll buy anything that we think sounds good.
It's a Soul Food With a JHS Type Mod
Jeez, I hope so. I would buy two if this was the case. The only thing is, this would be utterly stupid for EHX to do. Why put out a pedal so closely related to your other pedal, but better. The Bass Soul Food is just that, a four knob Soul Food, although the fourth knob with a signal mix. The pedal went form transparent overdrive to just transparent to the point you can't tell if it is on. But you'll notice that the extra feature came with extra cost. Again we have extra features with the bass knob, but no added cost this time. It looks like they are able to assemble these pedals for no more that the other affordable clones they've been putting out. What makes this hold a little bit of water is the fact that they are marketing this 180 degrees from the Soul Food. The Soul Food is a "transparent overdrive" where as this is meant to "color" your tone. Now they can sale you two pedals to do the job that normally one pedal has done. Sneaky...
It's a Robert Cray pedal
This is fun, Robert Cray is a blue musician. I have him playing it the background as a write this right now. Fun fact, it been said that Mr. Cray doesn't use pedals. Although I hear delay on his guitar right now... anyhow. I have not been able to confirm and use of drive pedals in the video of the live set that I am playing currently. He does have a Fender and Matchless amp among other accessories (none of which are pedals) on stage to shape his tone. Why would he. He is employing overdriven amps to make his overdrive. Why use a pedal that emulates an amp when you can just use a cranked amp. Robert Cray's tone is awesome and I would buy just about any pedal that could make me sound like that. Why have people said that this is true? The name, and the fact that his tone is mostly clean, much like the Crayon. Cray...Crayon... just too close to not be mentioned...
What do I think about all this... well, in a few days it won't even matter. We will have all the answers. But it's fun to speculate in the meantime.
So EXH have done it again. They have birthed a new pedal that everyone (that pays attention to such things) is talking about. I noticed a post this morning about these colorful pedal. I first thought that it was something old catalog that hadn't seen the light of day in ages. It doesn't seem to really fit in with the modern aesthetic that EHX drive pedl have been given lately. It almost looks more at home with the Pitch Fork or Key Board modulators put out recently. Looks aside, this pedal has gotten my attention. It's is a low gain overdrive that adds 'color' to your sound. Whatever that means... Electro Harmonix released a promo video that makes it looks like the bee's knees, but given their long list of drive boxes, do we even needs this thing?
It Is A Light Overdrive
With a million klones out their, why do we need yet another light overdrive? The Klon is the end-all be-all right? Well, even with the relationship that the Soul Food pedal and Klon share, there are still those that tamper with the circut. I've considered having mine modded to add more bass with the JHS Meat and Potatoes mod. There is room for improvement. However JSH add a oddly placed knob on the side of the pedal. The layout of the pedal does not allow for it to be front facing. Is this an attempt to to capitalize on that trend without hindering the Soul Food's reputation and sales?
There Is Another Crayon
So remember when I called "crayon" a dumb name for a pedal? Well, looks like JHS disagrees with me too. Sure, pedals color our tone, but do we really want to name a pedal after a waxy, fagile relic of our childhood? Two major pedal manufactors do. I will admit, I like the designs that EHX have done for the Crayon. JHS has done a modern flat design that has always appealed to me. The two of these pedal coming out like this is almost uncanny, but they appear to be different enough to be unrelated. Will one maker bend and rename their box? Have we run out of good names to call these things? I do see a trend in EHX pedal names though. Glove, Food, River, Fork, Key... They are just looking around the room and naming things!
"What should I name this pedal? Where did that crayon come from? Wait! That's it!" Honestly, look around the room you are in. If you look hard enough, you'll find a crayon... Somewhere. Please, people in charge of naming these things, talk to the guy that names the Earthquaker Devices pedals. Get some tips.
Im Going To Buy It
Yes, I have a problem. I own too many dirt pedals. The problem is that they are all so different (yet all the same). And for the most part, they are affordable. There is no pedal I enjoy more than a dirt pedal. I love them. I always like to see how they effect my tone. EHX has made them rather affordable and to me, that is a recipe for disaster. I've already hounded my local music store about getting one. When I inquired about the availability of the Crayon, my friendly pedal pusher asked me "How do you know about that?!" I make it my business to know these things. And I follow EHX on Twitter...
Spending my morning reading some threads over at the fretboard, I found one about the new Wampler Tumnus. One thing led to another and I found this page. Brian Wampler, of Wampler pedals, seems to be very engaged with the online community. This isn't a surprise since he has a podcast and has even comment on this humble blog. Brian has engaged the people interested in his product better than most any other pedal developer.
When reading a the thread linked above, I noticed that there is a little disdain surrounding the Tumnus pedal. I enjoy the transparent-overdrive/treble-boosty qualities that come with a KLON circuit. I also enjoy saving space on crowded pedal boards. The Wampler Tumnus seemed to fill a gap in the KLONe offerings. Regardless, people seem to find fault will what Brian is doing. The idea that Wampler is only trying to cash in on making a compact KLON clone while that trend seem to be in full swing (thanks to the EHX Soul Food) is touted about. I find this a tad unsavory. It seems unfair to criticize a person for wanting to make a pedal that people want to buy. But this is what we find. Brian has done an excellent job of explaining why he has build this people (people asked him to).
Is There A Deluxe Version On The Way?
Allow me to step off my soap box for a moment and get back to the point at hand. If you clicked on the link at the beginning of this and read through everything, then you might have noticed that Brian alluded to a Deluxe Tumnus. Saying that if he put the circuit in a bigger box then he'd be temped to add extra features and mods. This is a more exciting prospect then a tiny KLON. So Brian, if you are reading this, please explore the Deluxe Tumnus. I have been a fan of your dirt pedals for a while and I have nothing but faith in your abilities to make an amazing pedal.
This morning I woke up to this in my Twitter feed:
Yes, this is a micro pedal from Wampler. It is only the second one, that I know of, from this company. Two things stand out from this picture: 1) the presence of a Treble knob and 2) the half hooven animal/half man image. Anyone who has been following trends in effects would say that it's a Klon copy. It is also described as a "transparent overdrive" by Wampler. So in all likely hood, this pedal will serve the same purpose as a Klon and Klon-type pedals.
Why do we need a new Klone? Well, we don't. Now we have another pedal doing the same thing as other klones, but it's twice the price as everyone's favorite Klone. The thing that this pedal offers is the compact size. I've actually been toying with the idea of a mirco-sized pedal board that's easy to transport. This would be ideal for that application. It would also be the most expensive piece on the board. I'm excited to see how this compares to the rest of the Klones out there. It looks like we will find out a lot more on October 1. That is when Wampler says this will drop!
This might be a little behind the curve, but let's talk about the Electro-Harmonix Soul Food. There is a common assumption that it is a Klon clone. That's not a terrible assessment. From the outside, this is a very similar pedal. We have Treble, Volume and Gain knobs on both pedals. You get sounds that are similar out of both pedal. The circuit them selves might be very similar, but then again are most gain circuits "similar". I'm a fan on the Soul Food. I have one on my board currently. I'd probably like the Klon Centaur too. Did EHX just rip a massivly popular pedal off? Probably. But there are differences that separate the two, and they are:
1. It's Smaller
Let's start slow. The original Klon and the Klon Centaur are larger pedals. If you look at the insides of one these pedals you notice ample space. EHX created a circuit that fit in their small enclosure. Not ground breaking, but its a key difference.
2. It's Less Expensive
Right, again, duh... But lets take a look at what other Klones cost and see what EHX did. They made a pedal that performed a similar function and made it for a fraction of the price. Other similar pedal tend to take advantage of being klones and charge similar prices. This pedal bucked the trend and filled a gap in the market.
3. Switches, Please...
The Klon KTR (the red one) has a buffer. On the KTR it is optional, but the Soul Food is true-bypass. The Klon buffer is so fabled that people have made klones of the Klon buffer. The Soul Food has a switch as well. Hidden inside is a voltage switch. It takes your 9-volt supply and doubles it for more headroom. So, that's neat, and different.
4. Some Things Just Aren't The Same
We've discussed some finer points, but crack this pedal open and thing just aren't the same. Values and specs aren't one for one. The main difference being the diodes are germanium like in the Klon. Alchemy Audio has a mod that corrects this. What you get is a clipping section that more closely resemble that of a Klon. Is the mod worth you $35? Maybe,
In Conclusion
The EHX Soul Food is a great pedal. Many people have added it to their pedal boards for good reasons. Whether it is a klone or not shouldn't matter. What matters is that when you plug it in and turn it on, you like what it does. Nuf Said
