Ugly Guitar Truth: Nux Atlantic Delay and Reverb

Nux has been a brand that many guitarists have either ignored for the most part or have appreciated for offering inexpensive alternatives. I haven't really given much weight to most of their pedals because it has been my experience that cheap, Chinese pedals don't stand up when they are put next to comparable products from major manufacturers. Is this the pedal to change all that? Does Nux really think it can take on some of the most respected pedals on the market and win?

Strymon Killer?

You can't talk about this pedal without mentioning Strymon. Obviously, they are going for a look based on the Strymon El Capistan. Upon closer inspection though, the features are not parallel. While the Capistan is a Tape Echo that lets you dial in the exact time of delay you want, the Atlantic is a Delay and Reverb much fewer features. Don't let slight resemblance fool you. These pedal will not perform the same task.

Worth It?

 Although this won't kick an El Capistan off your board. It might be a decent pedal for those looking to consolidate. If you are looking at buying a couple budget pedals for you delay and reverb needs, then you might want to wait and try this pedal. Although we don't know yet what the asking price of this pedal will be, around the hundred dollar mark is a safe bet ( I actually heard back from NUX. They said that it will be around $160, but I would assume that is MSRP. I expect to see something more like $120 Street). The difference between the cost of two budget pedals and this one is probably not much. With Tap, Line Level, Stereo outs, and Footswitchable Shimmer this pedal has features that most inexpensive single pedals don't.

Conclusion

Although this isn't a dead ringer for a Strymon pedal, the looks of this pedal are a step above most other far east offerings. Add that to the useful features and hoping that it falls into the budget-friendly category, this is one of the more interesting product to come out so far this year.

Ugly Guitar Truth: Boss MD-500 Modulation Effect Pedal

Along with the RV-500 Reverb and Katana Mini, Boss announced the MD-500 modulation pedal. It sport the same frame of the RV and DD 500 pedals, but it specializes in modulation effect such as Chorus, Flanger, Phaser, Classic Vibe, Vibrato, Tremolo, Dimension, Ring Mod, Rotary, Filter, Slicer and Overtone. If that seems like a huge list of various effects, it is. So is this unit a shiny new 10/10. Let's take a look at what we know and what we can gather.

Inspiration

I think that most of us know realise that the BOSS 500 series is heavily influenced by the Strymon line of effects. The Timeline, Big Sky, and Mobius are legendary in their own right and few choose to compete with them in the compact, powerful, dedicated, floor-based effect market. By no means do I mean that BOSS cloned the Mobius, but the format and function of the 500 series sync up with flagship Strymon pedals pretty well. BOSS has put their unique touch on all the pedals in this line. They've also put great thought into the features and effect that went into this pedal. Although it share some characteristics with the more established pedals, the MD-500 is a stand-out in its own right.

Something New, Something Old

This brand new pedal has a list of feature that stretches long. Included in those are some that are familiar with  those who know their BOSS pedals. The Slicer and Dimension effects hearken back to pedals of BOSS' past. Long loved effects that have found a home with those that desire eclectic, vintage tones and those that want unique, creative effects. Also available in this unit is an effects loop. Place it before or after the main effect, the loop can be set to be triggered by the Control/Tap foot switch. Don't let the simple layout of the pedal fool you, this pedal fully editable.

More Than Meets The Eye

On the surface you get a powerful modulation pedal, but that's just scratching the surface. Each effect is deeply editable through an LCD screen or by linking to a computer and using BOSS' effects editor. All of these features are packaged into an unassuming, attractive frame. What make this particular pedal special, is the fact that it does so many different effects. Where the DD-500 does delay and the RV-500 does reverb (and a little delay) this pedal does so much. It's hard to say that a ring mod and rotary effect are related, but there they are sharing space on the same pedal. That's where this pedal shines. Where you may not use tremolo on every song, you very well may find one of the many effects available in this unit that you do need. So where as the DD-500 might replace your delay and the RV-500 could replace you reverb, the MD-500 might well well take several pedals off you board.

Conclusion

The MD-500 is something that the market has been looking for. Does it complete kill the Mobius? It's hard to tell since the pedal is currently only in pre-sell. Personally I think that the Mobius is a little more exhaustive. However, the MD-500 is offering a lot and the price seems like a bargain compared to similar units from Strymon and Eventide. It will be very interesting to see how this pedal stacks up with established top dogs in this section of the market.

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Ugly Guitar Truth: BOSS RV-500 Reverb

What many have considered a long awaited debut, BOSS has announced their first additions to the 500 series pedals. The RV-500 Reverb has been anticipated since the release of the original 500 pedal, the DD-500 Delay. While the DD-500 was a welcome update to the DD-20, the RV-500 (along with the MD-500) has now established a line of pedals that are poised to compete with Strymon and Eventide. With 32-bit processing, and 96 kHz sampling rate, the hardware under the hood is virtually matchless. 12 modes and 21 reverb types that are all highly customizable leaves little to be desired. The feature stack on this is impressive, so whats the ugly truth...

It's actually Not That Ugly

Visiting local music stores is a little bit of a hobby of mine.When I see a well stocked effects pedal display case, it is akin to visiting an art gallery. There are hints of style and theme (or lack there of) and you can tell the difference between pedal manufactures like artists' motifs. BOSS, for the most part, stopped stylistically somewhere in the 80's when they introduced their compact pedal line and the familiar shape of most BOSS pedal that we know today. The 500 series however complete redesigns the look of their pedals. The inspiration of the redesign clearly comes from some of their competition. The three button layout, knob layout, and even the stamped aluminum enclosure all seem rather similar to other high-end, powerful effect units. Did BOSS copy other effects? Well, that word does have a lot of stigma attached to it in the effects market, but yes they totally did.

It's Not A Big Sky Clone

Obviously, some of the exterior element of the pedal have been "borrowed", but this pedal is not trying to be a Strymon Big Sky or a Eventide Space. What it is trying to do is complete crush those exact pedals and any others that may stand to rival it. When Line 6 released the DL4 delay in 1999. BOSS took their time and came out with the DD-20. Like the 500 series. the DD-20 was on the front end of a whole line of pedals that would follow the same twin pedal format. I actually debated those two delay pedals back when they were two of the most powerful delays on the market. My decision then was the DD-20. The BOSS pedal beat the Line 6 in features and performance. It also cost less. It did take nearly four years after the DL4 to come to market, but when it did, it came to win. 

Too Soon?

If you remember when the DD-500 came out, it debuted at the same time as the RV-6. Needing a reverb pedal, I bought a RV-6. It has been my primary reverb ever since. While there was a sizable chunk of time between RV-5 and RV-6, it has barely two years between the RV-6 and RV-500. While two years is the standard dwell time between modern consumers and smartphones, many guitarists don't typically replace their pedals every other year. (I've been using my DD-20 for nearly 10 years.) However, there is probably little cross over is those that would buy the RV-6 and the RV-500 despite their apparent similarities. Instead of a update to their compact pedal, The RV-500 serves to entice the players considering other high-end, powerful units. 

Conclusion

I won't lie, I was very excited about the announcement of this pedal. This is probably the most exciting pedal announcement in the last 18 months. It seems that BOSS has been on a roll. The DD-500 was a huge step forward for them, the Katana amps are being praised over higher price competition, and now we get a powerful Reverb at a fraction of the cost of comparable units. It is hard to imagine that the RV-500 reverb will be anything other than great success.

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