BOSS Nextone Amps vs BOSS Katana Amps... FIGHT!

Recently, BOSS has given us the Nextone amps. They are heavily inspired/based on the Roland Blue Cube amps. If you can remember, there was a time before BOSS release the Katana amplifiers where Roland's (BOSS' parent company) biggest amp line was the Cube series. Many people played and loved the Cube amps. Some of the most praised amps in the line were the Blues Cube. The Blues Cube was designed as a direct competitor to the Fender 1x12 amps. Following in that line, the Nextone amps are a continuation of that idea. I think that the Nextone is better than the Blues Cube in nearly every way. However, is it worth it?

I've talked a lot about the BOSS Katana on here so I won't go in a lot of detail in this post. I, like many other people like the Katana amps. I own a Katana amp. It makes a great practice amp. It makes a good gigging amp. You can record direct and mic it with reasonable (or even impressive) results. I think the most impressive thing about the Katana amps is the price. BOSS may have not have realized how big of a success the Katana was going to be. The Katana was priced less than it is now when it was released, suggesting that it was undervalued at release. So the Katana if a huge value that can serve in a multitude of roles.

There are key points were the Nextone amps are similar to Katana. Obviously, BOSS wants to emulate the Katana's success. The most obvious similarities are the power limiting feature (which actually was featured of the Blues Cube before the Katana) and the way the back panel is set up. The Blues Cube had much less in the way of options. However, the back panel of the Nextone and Katana look almost identical. There are some major differences as well. The biggest may be the effects that are built in. Katana promised a huge list of effects that you could select from and control. The Nextone gives you some effects that you might find of small tube combos (reverb, trem, and even delay). Where the Nextone can really flex is power section emulation. This is a solid state amp, but you can select the type of tubes emulated the amp emulates. In practice, this voices the amp like two different American amp or two British amp.

Both of these amps sound good.

Both of these amps have good In/Outs.

The Katana has more effects.

The Nextone models/emulates 4 different Tube amps.

The Katana has 5 amp charactors/modes (which is different?!)

The Nextone has software support to customize your amp voicing.

But UGT! Which one should I buy? The obvious answer is to play both side by side and buy the one you like more. But let's say that you have to buy one or the other without playing either one. If the difference in price doesn't matter, then it mostly comes down to effect. If you have a pedal board then I'd lean toward the Nextone. However, if you need a amp that does effects as well, you might want to go with the Katana, but they are limited. Which one is better overall. Not surprisingly, the more expensive one is going to have a better speaker and cabinet.

Conclusion

BOSS is killing it with their amps. I am very impressed. At a very glance, these amp look very similar. There are some key differences that make the Nextone very impressive. I'd go so far to say that these amps are what the Katana Artist should have been. If the Nextone retained the effects section from the Katanna, it would be game over.

Ugly Guitar Truth: Boss Katana Artist Amp

When the BOSS Katana was first announced, I wrote up my impressions of it. I liked the idea of it. It seemed like a well though out and executed design but it wasn't without it faults. I never did like the look of the amp. It was simple, but the overall look was a little bland. There was too much black on black. While I like the concept of the Kanji symbol for Katana being the amp's main design feature, it too was underwhelming and too close to familiar English letters. The price and features were too good though. BOSS had nearly every competitor beat hands down. So it's no surprise that BOSS has once again expanded their line of Katana amp with the 100 watt Artist model.

Still 100 Watts




If you are familiar with the BOSS Katana 100 Watt, then you are familiar with most of the features of the Artist. The five amp models are still there. The tone section still lets you control Lows, Mids, and Highs. You still have your Three FX: Boost/Mod, Delay FX, and Reverb. You still get Presence, and Master controls with 100/50/0.5 Watt settings. So if you were a fan of the Katana before, then you are still going to like the Artist, but is there enough to really call this an upgrade?




What's New




For starters you get a WazaCraft speaker in the Artist model. Waza is BOSS Premium line, but personally, I've never really thought that the Waza amps met the hype (or the price for that matter). The Waza was a feat for sure, but the Katana was were BOSS really hit the homerun. Having said that, is the Waza speaker an upgrade? After hearing a side by side comparison, the Artist does have the edge. However, that might be due to the cabinet construction. Another key feature is the more robust cabinet construction and the semi-open back cab. My money is on the shape and size of the cab having more to do in the change in sound than the speaker, but that's just my two cents. Other than that, the Artist gives you Cabinet Resonance and Line Out Air Feel functions.




Is It Worth It?




So, right now the Katana is priced at $600. The 2x12 100 watt Katana is priced at $500. You're getting one less speaker for 100 more dollars. While this seems like a bum deal at first, there is a fair amount of value for your money. The cabinet alone is a huge improvement. The Waza speaker may help as well. The Cabinet Resonance and Line Out Air Feel could help breathe a little life into you signal. The overall look of the amp is much improved in my opinion. Will I buy a Katana Artist? Personally? I'd love to see the head version, but I love what they done. BOSS has done an impressive job topping their already impressive line of Katana Amps.

Hands On Review: Fender Mustang GT Modeling Amp

Recently I was able to sit down with not just one, but all three model of the Fender Mustang GT. There is a lot of information out there about these amps. Some rave about the features (and there are some innovated and ambitious features in these amps). Others complain about performance. The best way to navigate all the information out there is to spend enough time to get to know these new amps form Fender. That's exactly what I did. Here's what I've found:

Fender Does Fender Well

Fenders Modeling amps have always done their clean tone the best. This may be because they know their particular tone better than anyone, or maybe they just aren't that good at doing models of other amps... The Basic 65 and Bassman models are my favorite. Now, this is across all version of the amp. The clean tones are standout, but that is partly due to the fact that the dirty channels don't really hold up. Marshall type tones aren't hitting mark here. Vox tones don't come across convincing either. Although the worst offender here is the metal sounds. The preset isn't impressive, but changing the setting, at least in my experience, just made things worse. Muddy tones and tons of mush are found in the metal tones. This amps doesn't djent (not that I'm an expert here).

Tech Troubles

I was prepared to check out the app that accompanies this amp, and I did sort of. As I was getting everything set up, I connected my phone to the amp via bluetooth... for a few minute until I lost my connection. I did not reestablish the connection after that. It wasn't for lack of trying. It did force me to get to know the physical controls on the amp. Lets be honest, if you are at a live show, you aren't relying on bluetooth to do on the fly changes. The controls are cleaned up from the previous model. However, that's not always the most convenient when making fast changes in the middle of a set. The large wheel is pretty integral to making any changes. You have to make selections by rotating the knob and then pressing it. This is not always the easies thing to do. I'm sure you can get used to this, but I found my self scrolling past my intended selection and rotating the knob when trying to push it. I will say that the controls are rather easy to get the hang of, but quick and reliable changes aren't easiest thing to do with this set up.

Pecking Order

How does this amp compare to other amps. Well, put this next to other fender amps and you'll find it wanting. Next to a Blues Jr., this amp doesn't stand up well. Even more so with a Princeton. Typical with solid state amps, there seems to be a cap to how loud the amp gets. There is an organic volume level and when you pass that the amp just can't handle it. Instead of tube break-up, these amps react harshly to high volume applications. Comparing the GT next a BOSS Katana is where it really get interesting. These amp are very comparable in price, however they function is a different way. The Mustang and Katana both start in the mid $200 range, but they have different strengths. The Mustang has decent cleans and can mock many of its high dollar relative. The Katana is a little sterile on some clean settings. Other than that, the Katana takes the cake. The higher gain models of the Mustang do not have the convincing openness of the cleans. The Katana shines in the higher gain settings. The Katana also handles effect in the front of the amp better than the Mustang. Which brings up a another point... The effects in the Mustang are a little less than convincing. The list of overdrives is a little thin as well. Just a reminder, the Katana has access to 55 effects... The Mustang doesn't stand up very well to many other amps...

Conclusion

I really wanted to like these amps. Fender took their time coming to market with their latest modeling amps. It looked like Fender had everything wrapped up, but the most important part of the amp is performance. No matter the feature set, at the end of the day, you want the amp to sound good. The more features you add, the more opportunity you have to get it wrong. We want an amp that does everything, and it's tempting to think that "Now they've done it", but they haven't yet. Specifically, the Fender Mustang GT hasn't.

Support the blog by shopping on Amazon by using my link!

There should be an ad below:

Ugly Guitar Truth About Pedal Board Amps

Diffidently not a new thing, but a huge trend this year at NAMM, the pedal board amp has seen a huge rise in popularity among manufactures. Seymour Duncan, among others, have put forth product that are designed to basically take the place of the power section of your amp. Vox has put out a tiny amp head that would be easy enough to mount on a board. Hotone has designed a 20 watt head that is to be paired with their amp model pedals to create a varity of tones. A conglomerit of boutique amp called Boutique Amps, have devised a system of enterchangable preamp circuits to recreate a range of... boutique amps. What does all of this have in common? Not very much, I kind of went off the rails there a little bit. What I want to talk about is that we are seeing tiny little power amps flood the market and what that fact means for the world of guitar players. Shall we?

First Things First

Guitar player hate change, or we love it depending on who you ask. I can't wait to see what pedal or piece of kit come out next. Then I plug my Telecaster directly into a Vox AC15... Loopers, Delays, pretty much everything Strymon does, has facilitated progression in the guitarist spectrum. However, we still love playing amps that were designed in the 1950s with antiquated technology. We can plug a pedal into a Blues Jr. to make it sounds like a space ship taking off and then talk about the richness and warmth that you value from that amp (to make space noises with).

Then Something Happens




Something that the average guitarist has is pedals. Collect a few of those, and you get a pedal board. The most common pedals, or the ones that seem to pile up, are drive pedals. The ones that give you a boost or gain can really help your amp be all that it can be. In fact, so pedals emulate completely different amps. Pedals like the 30 Something, or Golden Plexi practically tell you, "This is a Vox sound," or "This pedal sounds like a Marshall." So if your pedal sounds like an amp, what is your amp doing.


What Are We Doing?


On my board there are several pedal that handle Gain, EQ, Reverb... so I set my amp clean, flat and kill any reverb. If I set my amp to a nice tone (not hard) I will be finding it difficult to find a application other than simple signal processing for my pedals. However, set my amp flat, and I can use my pedals to create a wider range or tones leaning more heavily on the pedals to come up with the distinct sounds. What I'm saying is: you can have a range of great sounds from a particular amp, but they are going to sound like that amp, but a flat (pedal friendly) power section can give you more room to let you pedals shine through.


Conclusion


I meant to talk about amps like the one Seymour Duncan are putting out, but looks like I've just chased my tail for 500 words. Long story... still long actually... pedals are covering a multitude of tasks. Some of those tasks have long been associated with guitar amplifiers. As we are doing more signal processing before the amp, we are asking less of the actual amp. Thus, we are seeing amps that compliment this by having few features and simply push our tone into a speaker. I like this, and at the same time, I don't really like this.

Support the blog by shopping on Amazon by using my link!

There should be an ad below:

The Ugly Truth About The Vox AV Series

Vox unveiled its new line of amp ahead of NAMM. They are impressive to look at and they boast a list of features that sound pretty ambitious. The stand out features are: Valve Operation, Analog Amp Modeling, Adjustable bias control, and Retro-Inspired Looks.

From Vox:

Drawing upon nearly 60 years of tube amplifier design, the all-new AV (Analog Valve) Series from VOX offers players a full pallet of authentic amplifier sounds via eight, all-analog pre-amp circuits .VOX’s AV amplifiers also feature a true analog circuit design based on the classic 12AX7 tube, which lends classic, harmonically rich tones to these amps. The innovative Valve Stage section modifies the circuit to add, or reduce, brightness & bass response, and also allows users to adjust the bias and response of the power section on the fly. Additional features like a unique, sealed cabinet design, three classic effects (Chorus, Delay & Reverb), and a retro-inspired aesthetic establish the AV Series as one the most exciting, and unique, offerings in the VOX lineup.

This all looks appealing, but there are some points that are cause for concern...

Exactly How "Tube" Is It?

Vox is all too happy to call this thing Analog Value, but what seems strange is that it uses two 12AX7 tubes. If you notice, Vox usually puts a EL84 in the power section of its amps. 12AX7s are usually doing the light duty in the pre-amp section, even in 15-watt amps. The presence of the these tube make think that it is solid state that is doing the real heavy lifting in these amps. If that is the case, then it hearkens back to the old "valve reactor" line that failed to excel, despite doing something that Vox has had a great track record doing: good sounding hybrid amps (VT series and Cambridge amps.

This Isn't A New Idea

Amp modeling and on-board effects have been done before. Vox's VT series has been doing just that for years, and doing a rather decent job at it. This amp claims to accomplish its amp-tones from analog circuits rather than digital modeling. It also included a second 12AX7 tube in the "power section" and that all sounds rather exciting, but there is nothing really new to the table. I'd be impressed if there is a measurable difference between the VT and AV tones.

I Still Kinda Want One

Sure, there are somethings that look a little fishy, but the proof is in the pudding. These amps look amazing in the pictures that Vox has put out. I can't wait to see one in person. I'm more excited about playing one of these and seeing how well it stacks against the VT amps. These amp sort of remind me of the Fender Excelsior amps that came in went a few years ago. These have a few more tricks up there sleeve though. There hasn't been a price point set yet, so there is still a chance these things are overpriced/ a bargain.

Check out the update: HERE

The Ugly Truth about Fender's new Rumble V3 Series

The other day I was in my local music store and I had some extra time. I wouldn't normally sit down with a bass when spending time at the music store (just too much other stuff to look at). But I did see something that caught my eye. It was the new look of the Rumble series amps. I was surprised by how much I liked it. Fender's bass amps have been somewhat of a eye sore. I love their classic line of their guitar amps. The tweeds and silver grills add something to the mojo of the tone that a modern looking amp just doesn't seem to have. I've played Fender's Rumble amps before. In fact, a band mate of mine use one of the larger combos for his bass rig. No only did I play through it pretty often, but when he snapped off a knob, I took it in and worked on it. I really spent some time playing with all the features and finding out what it was capable of. There is nothing that I can really rant about. It wasn't very standout. Everything have very simple and everything worked as advertised. All in all, I'd call it a "safe bet". It was relatively inexpensive and decent sounding. It was heavy. It was a combo with a 15 inch speaker. Fender also offered the same set up in a head/cab form. When moving this thing I wish my band mate would have decided to go that route.

The new Rumble:
.

When you look at these amps you think "Fender Twin". Its hard not to. Black tolex, silver grill, but it has an odd shape so maybe its more "Vintage Bassman". Despite the throwback looks, the real beauty of these amps are the modern features. Forever the bass player has had little in the way of features. Sure there are "options" in bass amps, but most of those center around EQ. There may be a "Bass Boost" or "Ultra Bass" button, but often these features don't really add to the function of the amp. The V3 Rumble has added a real feature that has really been missing from the bass amp game for too long. The most notable addition to these amp is the overdrive. Finally something that most bass player can use the expand the range of sounds in a useful way. I'm not a huge fan of over saturated bass sounds. Many times a bass can loose the very nature of the bass sound when overdriven or distorted too much, It can start to sound hissy, or worse, like a guitar. The V3 Rumble has struck a good balance between adding a useful feature and making something novel. It is easy to add a little gain and get a little bit of grit while still sounding very much like a bass. I sat down with the 40 watt version of this amp and was surprised at what I could get out of it.

The Ugly side:

Pretty exterior, useful and modern features, lightweight make this amp sound like a dream boat, Well I wouldn't call it a ten out of ten just yet. Lets look at the small combos in this line. After all, these are priced to appeal to the beginner and hobbyist. The smallest model is the 15 watt with a 10 inch speaker. Sounds exactly like what a beginner would buy. With a street price below $100 it is a deal, but no one it their right mind should buy one of these. Why? Because for twenty dollars more you can get the 25 watt combo with the same speaker. That is 2 dollars per watt, not a bad deal for just under $100. What I can figure out is why the next step up in this line (another 15 watts up) is double the price! You still have the same 10 inch speaker with a little more power, but they tack on an extra 80 buck to let you control the overdrive and have a couple buttons to push (nothing special there). Really the price jump is more like due to the fact that this unit might appeal to someone who would actually play outside the house, meaning they might be willing to part with a little more money. So for a $20 upgrade you wind up paying $100. Not cool. Speaking of cool, The new compact, lightweight designs are nice. They are great selling points when considering the other options. Both of those things paint a positive picture when imagining owning a piece of equipment. Keep in mind why those other units are big and heavy. The old Rumbles were tanks, but these new one are untested. Thinner sides to the cab and less bracing might account for the weight loss. Also, amps make heat. That compact design is going to trap that heat. I don't remember seeing a fan on any of the units I tried. sorta scary when planning a purchase.

In closing, These amps are really a step forward. It meets all of my part-time bass playing needs. If there was a tuner on this thing, all I would need is a bass and a chord and I'd be ready to rock. However, when looking at amps in this price range its important to consider how they are able to offer these product for the price. Chinese manufacturing doesn't hurt. These are great little amps. I really enjoyed playing through them and for a bedroom combo these are a solid option. Are they perfect? No. But they are a step above most of what is out there at the price range. At a glance these are pretty little amps, but look hard enough and you'll see the ugly truth.

Boss TR-2 Tremolo Guitar Effect Pedal Mod

A good while back I picked up a Boss TR-2 Tremolo. I like the pedal. I have a Vox Cambridge amp that has tremolo built in but I wanted to be able to switch the effect on and off, hence the pedal. As many people have commented on this particular pedal, there is a little drop in presence when switching the effect on. Go figure right... So I search for a mod that would help with this issue. I found Moute Allum. He offered a cure for a reasonable price.

Here's what Moute says:


Well, you asked for it and here it is. The stock TR-2 is noisy and has a volume loss when engaged. With this mod I have fixed each issue. I have also incorporated my new Dual Stacked Chip Adapter Mod using a very high quality Burr Brown OPA2134PA and RC4558P Chips. The effect is like lifting a blanket off the pedals tone. I can boldly say without a doubt this is now one of the best Tremolos available in a stomp box at any price point.

With this mod I have incorporated a pot that not only solves the volume loss issue but also now allows the pedal to be used as a clean boost with the depth knob all the way down. I also modify a resistor which increases the brightness of the LED. A Super Bright White LED is also supplied.
With this mod I have incorporated a pot that not only solves the volume loss issue but also now allows the pedal to be used as a clean boost with the depth knob all the way down. I also modify a resistor which increases the brightness of the LED. A Super Bright White LED is also supplied.
I'm so glad that I did. The pedal is excellent now. It does add a knob on the side of the pedal. Keeley has a similar mod that replaces the depth knob with a concentric knob. Super sleek. The mod includes some "hi-fi" parts and replaces a in-line op-amp with two 8-pin IC's. I really recommend this mod or one like it if you own this pedal and think you may benefit from it. All the changes it makes are good one. It makes a good pedal great. 

Bugera V22 22W 1x12 Tube Guitar Combo Amp

This is only a teaser. I don't own this amp, but I have given it a fairly good run through and so far I'm impressed. It has two channels running through an all-tube amp. These amps are cheap and china-made, but the sounds they produce don't lie. The sounds are good, but some what limited. The 22 watt version breaks up a little too early to play much outside the bedroom. It will get volume but at the cost of your clean tone. Serious musicians would be advised to get the heavier-watt model. As for a bedroom/recording amp aimed at getting nice vintage "brown" tones, this is a solid contender. (of corse you can add pedals, mod, and tweaks and a whole world of options opens up) Its not the greatest amp I've played through, but it has some serious bang of the buck. If you are interested then I would suggest finding one and playing through it. The quality control may be and issue since they do descend from behringer. I'd like a 2x10 or 2x12 model combo, but then again I'd end up replacing the speakers in the cab any way.

The sounds are nice and the potential is there, plus it looks cools...