Showing posts with label Mod. Show all posts
Showing posts with label Mod. Show all posts

Saturday, November 4, 2017

Ugly Guitar Truth: JHS Russion Big Muff Moscow Mod

The JHS Chernobyl Moscow Mod for the EHX Russian Big Muff Overdrive was announced on the official JHS Instagram. And yes, the original name for the mod was Chernobyl, as in the massive nuclear disaster at the Chernobyl nuclear power plant. At first glance I thought that the name was metal AF, but then I thought about naming a product after a horrible tragedy and profiting off it. So I support the name change. Other than the name, there are some interesting things about the pedal. Why don't we take a look are what in the mod.


All The Hardware


Two switches and a knob are added in this mod. If you like your new Russian Big Muff, but want it a little bit heavier, then boy does JHS have a deal for you. All joking aside, reading the description of the mod of the JHS website, I'm not exactly impressed. Straight from the JHS site description: "Experiment with all the knobs to see what kind of sound you get." Wow, I'm surprised that they didn't include the detail, "This pedal makes sounds!" or just the word "GREEN". The description is just senselessly lazy.

It Does... Something

So, the description does mention "lower gain synth style gated fuzz sounds". Which makes me wonder what a lower gain-gated fuzz sound would sound like. Perhaps a "dying battery" effect, or a super saturated, compressed clipping section. IDK, sure wish the description could clear that up. Anyways, After my personal experience with a JHS modded Soul Food (I could hardly tell that there was any change in tone when changing the mod's 3 different modes) I'm not waiting in line to get this one done.


Is It Better?


There once was  a time with adding switches and knobs would make me believe that the modded pedal with new and improved. But I've come to learn that just because it is different/altered/modded doesn't mean that it is better. I like the Green Russian Big Muff. Do I really think that it needs a mod? No. Does the description tempt me into wanting it? Not even close. Are people going to get this mod even though it had barely been described in any way? Sure, just look at the comment section on their facebook or Instagram. I think I'll hold off.


Conclusion




I think I end my last paragraph with my conclusion. I don't think I want this mod in any shape or form. Maybe I'm wrong, I haven't heard the pedal in question, but it was just announced so lets wait and see what it actually does. But we can all agree (probably) that their description needs some what...

Saturday, October 7, 2017

Ugly Guitar Truth: MXR Carbon Copy Deluxe

Whether you love the Carbon Copy or you passed on it. Nearly everyone's ears perked up when MXR/Dunlop announced the Carbon Copy Deluxe. Nearly everyone agrees that's the original Carbon Copy sounds great (or it is too dark). Whatever you think about the original, the Deluxe fixes some problems about the original and gives us everything that you could want, right? Let's take a look.


There's More To Love


So those that love the Carbon Copy have a lot more to happy about. A larger format allows for additions like Tap Tempo and moves the Width and Speed of the Mod to the outside of the pedal this time. We also get the bright mod added to the Deluxe. I glad they added this, that way we avoid the predictable Carbon Copy Deluxe (Bright). All this in addition to the neat add-ons like expression and instrument/line level options make this a well thought out pedal. So is it all roses?


It's Not All Roses


Yeah, The Carbon Copy is loved by many players, but is it really live up to all the hype? It's not an all-around type delay. Coming from the point of do-it-all digital delay, analog delays have a big gap to make up in way of value. There are no fancy tricks (well, not many) or dizzying specs. One could argue that an analog delay with 1.2 seconds of delay is a pretty good trick. Others would say that a mono delay just doesn't cut it anymore. With the addition of sub-divides, tap-tempo, and expression, one would difficult not to admit that the Deluxe is a serious step up for the Carbon Copy

It All Adds Up

Given the popularity of the Carbon Copy and the current trend of analog delays, the Carbon Copy Deluxe gives players looking for that sound even more. The sound that many of us love is still there, but now there is so much more to love. It is even in a top-jack format, which is more-and-more becoming my favorite format. The price of the original, to me, seems a little steep. Then again, I'm a penny-pinching, old so-and-so. The Deluxe, on the other hand, seems to fit well in the market for modern analog delays.

Conclusion

The worse new in this entire post might be for the original Carbon Copy (including the Cabon Copy Bright). There just isn't enough reason to buy the original anymore. There is so much more in the Deluxe that it would just make sense to make the leap. Does it do everything? Of course not. What it does do, it does very well.

Wednesday, October 4, 2017

Hands On Review On MXR Carbon Copy Analog Delay

For a long time, the Carbon Copy analog delay has been the darling of many analog delay users. It wasn't until recently that I was able to sit down and fully review one of this pedal. I've been going through tons of delay pedals recently and I was looking forward to really get to know this pedal. So with that in mind, let's get into it.


Solid




This pedal is compact. Messing around with the new line of TC Electronic's economy line has gotten my used to a bit larger format. Even a BOSS pedal make this pedal seem slender. It also has a lot of heft. The enclosure is thick. In fact, I took the screws out of the bottom and fit of the bottom plate was so solid, I almost had to pry it off. When you hold this pedal next to something like the JOYO digital delay, the differences are huge. Quality is evident even before you plug it in. MXR did an awesome job at building a super solid pedal.


It Does What It Does


There isn't a lot of extras with this pedal. Mono in, mono out, but what is cool is that it includes a mod buttons, so that's fun. There are three controls, but you do have internal controls to control the mod. That is good, because when I first engaged the mod button it was too present. Other than Tap Tempo and longer delay times (both are almost always limited on analog delays. Also, the carbon copy has longer times than the Echobrain analog delay.) This isn't a feature pack pedal, but what it does it does quite well.


The Sounds



I did want to compare the Carbon Copy to the other delays that I had laying around. I was excited to compare the Carbon Copy to the Echobrain. The Carbon Copy blew the Echobrain away. Delay time (which is a big deal for me) was a lot of it. The Mod switch just made the Carbon Copy so much more of a pedal. I also put this up against the Behringer EM-600 Echo Machine. I set a good tone on the Carbon Copy and tried to copy it with Echo Machine. It got 90% there. The Carbon Copy just has a way of not coloring your dry signal. When making a big ambient swell, other pedals cover up higher frequencies, but the Carbon Copy is a champ. I could hear delicate note despite the huge amount of noise behind the playing. Impressive.


Conclusion





This pedal I lovely. There is a reason that this pedal is so popular. Yes, it was trendy, but there is something to be said for when I pedal is done well. There is very little to complain about with it as well. You might want stereo operation or tap tempo, but that is still rather uncommon is a small format, sub $200 pedal. The only thing that really detracts this pedal is the price tag. I'm not saying that this pedal isn't worth $150, but that price point puts it next to pedals like the EHX Canyon, BOSS DD-7 and TC Electronic Flashback II. Yes, they are all digital pedals, but I am Ok with running digital if it sounds good. So for the analog loyalist, this is awesome pedal, but those that play the field might want to check out their options.

Thursday, February 9, 2017

Ugly Guitar Truth: EHX Canyon Delay/Looper

This little pedal flew completely under my radar. I paid attention to all the NAMM 2017 debuts but somehow didn't even get a hint of this pedal. Tell me if I'm wrong, but did you see anything about this pedal before now? Regardless, here it is, and we have to talk about it. Thankfully this pedal should drop on the 13th of February (2017) so there isn't much waiting for this one. As for price, well, there seems to be a little confliction as to what can be found online. Musicians Friends had posted a price tag of 158 USD, but EHX has been caught tweet a cost of 139 USD street price. So with the information that we have, Is this pedal a yay, or a nay. It's mighty morphing Ugly Truth Time...


It's Small...


Alright, small can be a good thing. Lots of good things come in small packages, but delays that occupy tiny spaces are usually lacking in the feature department. I mean, look at the Strymon and Eventide well-endowed delay boxes. Those are feature packed and massive. So this little box couldn't have that much to offer... Except it kind of does. 11 modes give you more than a BOSS DD-20. It can loop for a full minute and you get 2 "secret knobs when you hold the Tap/Divide button. This has to be one of the most feature laden delays in the size box. No, it isn't stereo. But you can control the rate and depth of the modulations. Correct me if I'm wrong, but that's a new trick for a compact delay.




Don't EHX Have A Lot Of Other Delays?




Yes. Yes, they do. The Memory Man/Boy/Toy line is extensive. And they do have some cross over as far as price. There is even a DMM (Deluxe Memory Man) setting on this pedal. However, this is a digital pedal. Kind of different for EHX, but I guess they were just waiting until they really had something that they liked before they put one out. Analog Delay users are going to analog, digital are gonna digital, that's just what happens. What has a lot of people looking at this pedal is the long list of modes and the affordable price. It could also be the neat tricks that this pedal is capable of that has people interest as well.. hmm, guess there is a few thing to like about it...



Wasn't There Another 3 Second Delay Released Recently?




Yes. I even wrote my thought on the DOD Rubberneck here. I like the DOD delay a lot. It has a lot of cool things going for it. It also has a $250 Street price, so fair is fair. The DOD pedal has features that this pedal can't touch. The titular feature, Rubbernecking, is pretty unique to that pedal. It also has a built in tap feature. Admittedly, the DOD looks cooler. But If I had to go with one delay on my board and also had to choose between these two pedals, then I would be picking the Canyon. The Rubberneck is a pedal that I'd be proud to own, but if I had to choose one, then I'd pick the one that can Loop, Reverse, Shim, Octave and Verb.

Conclusion




I like this pedal. I like this pedal a lot. You could probably tell that already. This pedal would be a great addition to a pedal board that wasn't already fitted with a delay. I'd even pick this one over the BOSS DD7 and the smaller Flashback delay. If you are looking to upgrade your delay but don't want to get one of the larger "do everything" units or if you looking to save a buck, then this pedal would be something to look at seriously. Should you drop everything and get this pedal for its wonderfully healing properties? Of course. But try to remember that this people isn't as powerful as one those others that have all the blinking lights and MIDI and extra holes... Oh, it has a dumb name too...






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Wednesday, June 29, 2016

Ugly Truth: Boss Waza Craft CE-2W Chorus

Boss announced that they are issuing a new Waza pedal. This time it is the Boss CE-2 that is getting the Waza treatment. The CE-2 is probably the most iconic chorus pedal. Many of the pedals that we have now are based off the CE-2. As with most (if not all) Waza pedals, it features a switch. In this case, it switches between CE-2 and CE-1 settings. There are added features as well. Original CE-1 did not have depth. This pedal adds that function to the CE-1 circuit. Also added is the stereo out puts. A function that is highly sought after by chorus enthusiasts.



Waza's main flaw has been that they are a little too impressed with themselves. I've only seen what I'm guessing is the MSRP of this pedal. At 180 British Pounds Sterling it's a little steep. I'm guessing that it will be somewhere north of $200 in the states, but street price probably settling down the an average $149.99 street. When you find decent CE-2 clones by Mod Tone and BBE (not to mention the boutique clones and kits out there) for less money, it makes it hard to justify this pedal. Vintage Boss fan may be waiting with bated breath, but the average user probably won't be wanting to pay more for a pedal that has less features.

I all honesty, this is probably a great pedal. There are plenty of more expensive choruses out there. I've owned a cheap Lyon chorus for ten years that does 90 of what this pedal does and I can't give it away. This may not be the best selling pedal, but it will have it's fans. 



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Tuesday, December 29, 2015

Ugly Truth About Mission Engineering Expression Pedal

A few months ago I picked up a Line6 M5 stomp box modeler. I have been openly critical about multi effects units here on this blog, but the M5 has impressed me. The entire M serious is impressive, but the M5 fits into your already established pedal board. I bought mine because I wanted a Slow Gear, Whammy, and Seek Wah. I didn't have a thousand dollars so I looked for a alternative. The M5 comes up all aces. There are a ton of bonuses. But this isn't a review of the M5, this is.

The main problem with this pedal is that there are so many things that are only unlocked when you add an expression pedal. This leads you on a journey in and of its self. Line6 offers an expression pedal. It is $50 and made of plastic. There are several places on the internet that document the unreliability of this pedal. I avoided this pedal and sought an alternative. The first expression pedal that I bought was a Boss FV-50. It was large and metal and an utter failure. It was on a list of compatible pedal that I found on Line6's support forum. I might have gotten my hands on a dud, so I returned. A little while later I was able to find a used Mission Engineering EP1-L6. For half the price of a new one and less than the Boss 'no go', I found my replacement.


It Works

So, Line6 typically doesn't function with most expression pedals. Basically, an expression pedal is just a pot wired between two jack. But there a tiny little fairies that have to bless each pedal that enables it to work with a particular type of pedal... or something like that. It actually has to do with the value of the pot and how it's wired up. It's simple, but also a little more complected than it seems. This pedal takes all the thinking out it. It even has the Line6 logo on it. It's a metal case with the right guts. So that seem pretty solid. What could be wrong with it?

It's Expensive

Like I previously said, It is a metal case, a pot and jacks. The parts make up $25 of cost, so that's about a 500% markup. True, Line6 probably makes their expression pedal for pennies, but for much less you can buy an actual Wah pedal that includes everything and an actual effect. I won't bash a business for making money, but when it comes to my dollars, I need a little more bang per buck. That's why I only bought this pedal when I found it used.

It's Roamy

The nice thing about Wah pedals is that they are spacious on the inside. Why is this a good thing? Well here is an idea. Imagine you are using you expression pedal to control a wah sound on your M5. How would you turn the effect on? By tapping the on/off button on the M5. But that's not how a wah works. You put the toe down and press, right? Why can't we do that with our expression pedal? The enclosure is already drilled for an input, output and switch. So wire in a looping circuit and you can engage your M5 when you stomp on it like a wah.

Conclusion

I can't really recommend buying this pedal outright. You could probably build one for way less... But this pedal works very well and is super solid. If you can can find it used, then it become much more reasonable. If you like to tinker, then you have a lot of options as for what to do with all that space. You can put a buffer or boost in there, or just a looper and status LED like I plan to...

Monday, October 14, 2013

Boss GE-7 Graphic Equalizer Guitar Effect Pedal Mod

If you are at all familiar with the line up of boss pedals, then you've probably notice their equalizer pedal. If you've used then you may know that it can get a little noisy. Some of this noise is the pedal just amplifying your guitars signal which is going to have a little noise just by its nature. Using a Equalizer is a great way to boost certain frequencies to shape your tone without doing anything else to your tone. It may not turn your twangy tele into a moody jazzbox, but it wouldn't hurt to add it to your chain to fatten up a rhythm section. This pedal has enough flexibility to make you stand out on leads or have a big fat bottom end. No matter what gets moved or replaced on my pedal board I always keep my handy GE-7 around. So if this is such a great pedal, then why the mod? Well, I did mention the noise. The kit that got from Mounte Allum included no less than 6 opamps. As with most of his mods, this kit included some "hi-fi" passive parts. After I installed this kit I was actually surprised at the difference it made. It turned a good little tool into something great. HOWEVER, I'm not 100% sure why, but this mod makes it so that a 9-volt battery is drained in seconds. So If you are looking into this mod, then be sure to have a power supply on hand.

Here is what Mounte Says:

This is very handy tone shaping tool to have on your pedal board. This is actually a very nice sounding EQ right off the shelf. But it suffers from excessive noise as a result of the cheaper components Boss uses. With this mod we replace the cheaper noisy op-amp chips with low noise higher quality chips.

Lower quality capacitors are also replaced reducing noise even more and also adding a more focused Hi-Fi tone to the circuit. Noise is substantially reduced and the signal is passed through preserving the original tone of your guitar. The bypass circuit is also much improved. You will not find a better mod than this anywhere for the GE-7! You'll be shocked at the improvement this mod will make on this pedal.